ΠΠ°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ Ρ ΡΠ΅ΠΌ Π½ΠΎΡΠΈΡΡ ΠΌΡΠΆΡΠΈΠ½Π΅: Π‘ ΡΠ΅ΠΌ Π½ΠΎΡΠΈΡΡ ΠΌΡΠΆΡΠΊΠΈΠ΅ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ?
Π‘ ΡΠ΅ΠΌ Π½ΠΎΡΠΈΡΡ ΠΌΡΠΆΡΠΊΠΈΠ΅ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ?
ΠΠ΅ΡΡΠ°Π΅ΡΠ΅ Π±ΡΡΡ ΡΠ°ΠΌΡΠΌ ΡΡΠΈΠ»ΡΠ½ΡΠΌ Π½Π° Π²Π΅ΡΠ΅ΡΠΈΠ½ΠΊΠ΅? ΠΠ°ΠΌ ΠΏΠΎ Π½ΡΠ°Π²Ρ Π²ΡΠ΄Π΅Π»ΡΡΡΡ ΠΈΠ· ΡΠΎΠ»ΠΏΡ? Π‘ΠΌΠ΅Π»ΠΎ Π½Π°Π΄Π΅Π²Π°ΠΉΡΠ΅ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ. ΠΠ°ΠΊ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ Π½ΠΎΡΠΈΡΡ ΡΡΡ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΡΡ ΠΌΡΠΆΡΠΊΡΡ ΠΎΠ±ΡΠ²Ρ ΡΠ°ΡΡΠΊΠ°ΠΆΠ΅ΠΌ Π½ΠΈΠΆΠ΅.
ΠΠΎΠ³Π΄Π° Π½ΠΎΡΠΈΡΡ ΠΌΡΠΆΡΠΊΠΈΠ΅ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ?
ΠΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎΡΡΡ ΠΈ Π»Π°ΠΊΠΎΠ½ΠΈΡΠ½ΠΎΡΡΡ β Π²ΠΎΡ Π³Π»Π°Π²Π½ΡΠ΅ ΠΊΠ°ΡΠ΅ΡΡΠ²Π° ΡΡΠΈΡ ΠΏΡΠΎΡΡΡΡ ΠΈ Π² ΡΠΎ ΠΆΠ΅ Π²ΡΠ΅ΠΌΡ ΠΎΡΠ΅Π½Ρ ΡΡΠΈΠ»ΡΠ½ΡΡ Π»Π°ΠΊΠΎΠ²ΡΡ Π±ΠΎΡΠΈΠ½ΠΎΠΊ. ΠΠ±ΡΡΠ½ΠΎ ΠΈΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡ ΠΈΠ· Ρ ΡΠΎΠΌΠΎΠ²ΠΎΠΉ ΠΊΠΎΠΆΠΈΒ Π»ΠΈΠ±ΠΎ Π²ΡΡΠΎΠΊΠΎΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ Π·Π°ΠΌΠ΅Π½ΠΈΡΠ΅Π»Ρ. ΠΡΠΎΠ±ΠΎΠ΅ ΠΈΠ·ΡΡΠ΅ΡΡΠ²ΠΎ ΠΈΠ·Π΄Π΅Π»ΠΈΡ ΠΏΡΠΈΠ΄Π°ΡΡ ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎΠ΅ Π·Π°ΡΠΈΡΠ½ΠΎΠ΅ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ Π½Π° ΠΎΡΠ½ΠΎΠ²Π΅ ΠΏΠΎΠ»ΠΈΡΡΠ΅ΡΠ°Π½Π°.


ΠΡΠ°Π²ΠΈΠ»ΡΠ½ΡΠΉ ΡΡ ΠΎΠ΄ β Π·Π°Π»ΠΎΠ³ ΡΠΈΠΊΠ°ΡΠ½ΠΎΠ³ΠΎ Π±Π»Π΅ΡΠΊΠ° ΠΈ ΠΏΡΠΎΡΠ½ΠΎΡΡΠΈ ΡΡΡΠ΅Π»Ρ. ΠΠΎ Π½Π΅ΠΎΠ±ΡΠΊΠ½ΠΎΠ²Π΅Π½Π½Π°Ρ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎΡΡΡ ΠΌΠΎΠΆΠ΅Ρ Π²ΠΌΠΈΠ³ ΠΈΡΡΠ΅Π·Π½ΡΡΡ Π² ΡΡΠ»ΠΎΠ²ΠΈΡΡ ΠΏΠΎΠ³ΠΎΠ΄Π½ΡΡ ΠΏΠ΅ΡΠ΅ΠΏΠ°Π΄ΠΎΠ²:
- Π² Π»Π΅ΡΠ½ΡΡ ΠΆΠ°ΡΡ ΡΠ²ΡΡΠ΅ +250 Π‘ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ ΠΈΠ· Π»Π°ΠΊΠ° ΠΌΠΎΠΆΠ΅Ρ ΡΠ°ΡΡΡΠ΅ΡΠΊΠΈΠ²Π°ΡΡΡΡ ΠΈ Π·Π°Π»Π°ΠΌΡΠ²Π°ΡΡΡΡ;
- Π² Π·ΠΈΠΌΠ½ΠΈΠ΅ ΠΌΠΎΡΠΎΠ·Ρ Π½ΠΈΠΆΠ΅ β 100 Π‘ β Π»Π°ΠΊ ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ Ρ ΡΡΠΏΠΊΠΈΠΌ.
ΠΠ°ΠΆΠ½ΠΎ! ΠΠΎΡΠΈΡΡ Π»Π°ΠΊΠΎΠ²ΡΠ΅ Π±ΠΎΡΠΈΠ½ΠΊΠΈ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎ Π½Π΅Π»ΡΠ·Ρ! Π Π½ΠΈΡ Π½ΠΎΠ³ΠΈ Π½Π΅ Β«Π΄ΡΡΠ°ΡΒ» ΠΈ ΠΌΠΎΠ³ΡΡ ΠΎΡΠ΅ΠΊΠ°ΡΡ.
Π’Π΅ΠΌ Π½Π΅ ΠΌΠ΅Π½Π΅Π΅ Π²ΡΠ΅Π³Π΄Π° ΡΡΠΊΠΈΠ΅ ΠΈ ΠΆΠΈΠ·Π½Π΅ΡΡΠ²Π΅ΡΠΆΠ΄Π°ΡΡΠΈΠ΅ β ΠΎΠ½ΠΈ ΠΏΠΎΠ»ΡΠ·ΡΡΡΡΡ Π±ΠΎΠ»ΡΡΠΈΠΌ ΡΠΏΡΠΎΡΠΎΠΌ Ρ ΠΌΠΎΠ΄Π½ΠΈΠΊΠΎΠ².
ΠΠ°ΠΊ Π²ΡΠ±ΡΠ°ΡΡ ΡΠ²Π΅Ρ ΡΡΡΠ΅Π»Ρ?
Π§ΡΠΎΠ±Ρ Π²ΡΠ΅Π³Π΄Π° Π±ΡΡΡ Π½Π° Π²ΡΡΠΎΡΠ΅, ΠΌΡΠΆΡΠΈΠ½Π΅ Π½ΡΠΆΠ½ΠΎ Π½Π°ΡΡΠΈΡΡΡΡ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ ΠΊΠΎΠΌΠ±ΠΈΠ½ΠΈΡΠΎΠ²Π°ΡΡ ΡΡΡΠ»ΠΈ ΠΈ Π±ΡΡΡΠ½ΡΠΉ ΠΊΠΎΡΡΡΠΌ. ΠΡΠΈΡΡΠΌ ΡΡΠ³ΡΠ°ΡΡ ΠΌΠΎΠΆΠ½ΠΎ ΠΊΠ°ΠΊ Π½Π° ΠΎΠ΄Π½ΠΎΡΠΎΠ½Π½ΠΎΡΡΠΈ, ΡΠ°ΠΊ ΠΈ Π½Π° ΡΠ΅Π·ΠΊΠΎΠΌ ΠΊΠΎΠ½ΡΡΠ°ΡΡΠ΅.
Π‘ΡΠΈΠ»ΠΈΡΡΡ ΡΠΎΠ²Π΅ΡΡΡΡ:
- Ρ ΡΡΡΠ½ΡΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ Π»ΡΡΡΠ΅ Π½ΠΎΡΠΈΡΡ Ρ Π±ΠΎΡΠΈΠ½ΠΊΠ°ΠΌΠΈ ΡΡΡΠ½ΠΎΠ³ΠΎ, ΡΡΠΌΠ½ΠΎΠ³ΠΎ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΠΎΠ³ΠΎ Π»ΠΈΠ±ΠΎ Π±ΠΎΡΠ΄ΠΎΠ²ΠΎΠ³ΠΎ ΡΠ²Π΅ΡΠ°;
- Ρ ΡΠ΅ΡΡΠΌΠΈ β ΡΡΡΠ½ΡΠ΅, Π±ΠΎΡΠ΄ΠΎΠ²ΡΠ΅, ΡΡΠΌΠ½ΡΠ΅ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΠ΅;
- Ρ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΠΌΠΈ β Π²ΡΠ΅ Π΅Π³ΠΎ ΠΎΡΡΠ΅Π½ΠΊΠΈ, Π° ΡΠ°ΠΊΠΆΠ΅ ΡΡΡΠ½ΡΠ΅ ΠΈ ΡΠ²Π΅ΡΠ»ΡΠ΅ Π² ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΠΎΠΌ ΡΠΎΠ½Π΅;
- Β Ρ ΡΡΠΌΠ½ΠΎ-ΡΠΈΠ½ΠΈΠΌΠΈ β ΡΡΡΠ½ΡΠ΅, Π±ΠΎΡΠ΄ΠΎΠ²ΡΠ΅, ΡΡΠΌΠ½ΡΠ΅ ΠΈ ΡΠ²Π΅ΡΠ»ΠΎ-ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΠ΅;
- Ρ Π±ΡΡΠΊΠ°ΠΌΠΈ Π² ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΡ ΠΈ Π·Π΅Π»ΡΠ½ΡΡ ΠΏΠΎΠ»ΡΡΠΎΠ½Π°Ρ β ΡΡΡΠ½ΡΠ΅ ΠΈ Π²ΠΎ Π²ΡΠ΅Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΡΡ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΡ ΠΎΡΡΠ΅Π½ΠΊΠ°Ρ .
ΠΡΠΆΡΠΊΠΎΠΉ Π΄ΡΠ΅ΡΡ-ΠΊΠΎΠ΄ Π²ΠΎ ΠΌΠ½ΠΎΠ³ΠΎΠΌ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΠ΅Ρ ΡΠ²Π΅ΡΠΎΠ²ΡΡ Π³Π°ΠΌΠΌΡ ΠΎΠ±ΡΠ²ΠΈ. ΠΠ»Π°ΡΡΠΈΠΊΠ° Π΄Π΅Π»ΠΎΠ²ΠΎΠ³ΠΎ ΡΡΠΈΠ»Ρ ΠΏΡΠΈΠ΄Π΅ΡΠΆΠΈΠ²Π°Π΅ΡΡΡ ΡΡΡΠ½ΡΡ ΡΠΎΠ½ΠΎΠ². ΠΠ΅ΠΊΠΎΡΠΎΡΡΡ ΡΠ°ΡΠΊΠΎΠ²Π°Π½Π½ΠΎΡΡΡ ΠΎΠ±ΡΠ°Π·Ρ ΠΏΡΠΈΠ΄Π°ΡΡ Π±Π»Π°Π³ΠΎΡΠΎΠ΄Π½ΡΠΉ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΠΉ, Π½Π΅ΡΠΎΡΠΌΠ°Π»ΡΠ½Π°Ρ ΠΏΠΎΠ΄ΠΎΠΏΠ»ΡΠΊΠ° β Π±ΠΎΡΠ΄ΠΎΠ²ΡΠΉ ΠΈ Π±Π΅ΠΆΠ΅Π²ΡΠΉ.


Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½Π°Ρ ΠΌΠΎΠ΄Π° Π΄Π°ΡΡ ΠΏΡΠΎΡΡΠΎΡ ΠΈΠ½Π΄ΠΈΠ²ΠΈΠ΄ΡΠ°Π»ΡΠ½ΠΎΡΡΠΈ, ΠΈ Π½Π΅ ΡΠ΅ΡΠΏΠΈΡ Π±Π΅Π·ΠΎΠ³ΠΎΠ²ΠΎΡΠΎΡΠ½ΠΎΠΉ ΡΡΡΠΎΠ³ΠΎΡΡΠΈ Π΄ΡΠ΅ΡΡ-ΠΊΠΎΠ΄Π°. Π‘ΡΡΠ΅ΠΌΠΈΡΠ΅ΡΡ ΠΏΠΎΡΠ°Π·ΠΈΡΡ Π²ΡΠ΅Ρ Π½Π°ΠΏΠΎΠ²Π°Π»? ΠΠ΅ Π±ΠΎΠΉΡΠ΅ΡΡ Π±ΡΡΡ ΡΠΊΡΡΡΠ°Π²Π°Π³Π°Π½ΡΠ½ΡΠΌΠΈ! ΠΠ΄ΠΈΡΠ΅ Π² ΠΎΠ±Ρ ΠΎΠ΄ Π»ΡΠ±ΡΡ ΠΏΠΎΡΡΡΠ»Π°ΡΠΎΠ².
ΠΠΈΠ΄Ρ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΡΡΡΠ΅Π»Ρ
ΠΠ°ΠΊΠΎΠ²Π°Ρ ΠΌΡΠΆΡΠΊΠ°Ρ ΠΎΠ±ΡΠ²Ρ Π²ΡΠΏΡΡΠΊΠ°Π΅ΡΡΡ ΠΌΠ½ΠΎΠ³ΠΈΠΌΠΈ ΠΌΠΎΠ΄Π½ΡΠΌΠΈ Π΄ΠΎΠΌΠ°ΠΌΠΈ ΠΌΠΈΡΠ°. ΠΠΈΠ·Π°ΠΉΠ½Π΅ΡΡ Π²ΡΠ³ΠΎΠ΄Π½ΠΎ ΠΈΠ³ΡΠ°ΡΡ ΡΠ²Π΅ΡΠ°ΠΌΠΈ ΠΈ ΡΠ°ΠΊΡΡΡΠ½ΡΠΌΠΈ ΡΠ°Π·Π»ΠΈΡΠΈΡΠΌΠΈ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π° ΠΈΠ·Π³ΠΎΡΠΎΠ²Π»Π΅Π½ΠΈΡ Π±ΠΎΡΠΈΠ½ΠΎΠΊ. ΠΡ Ρ ΡΠ΄ΠΎΠ²ΠΎΠ»ΡΡΡΠ²ΠΈΠ΅ΠΌ Π½ΠΎΡΡΡ ΠΌΠ½ΠΎΠ³ΠΈΠ΅, ΡΡΠΎ Π½Π°Π·ΡΠ²Π°Π΅ΡΡΡ Β«ΠΈ Π² ΠΏΠΈΡ, ΠΈ Π² ΠΌΠΈΡΒ». Π‘ΡΡΠ΅ΡΡΠ²ΡΠ΅Ρ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΡΠ°Π·Π½ΠΎΠ²ΠΈΠ΄Π½ΠΎΡΡΠ΅ΠΉ ΡΡΠΈΡ ΡΡΠΈΠ»ΡΠ½ΡΡ ΠΌΡΠΆΡΠΊΠΈΡ ΡΡΡΠ΅Π»Ρ.
ΠΠΊΡΡΠΎΡΠ΄Ρ
ΠΡΠ»ΠΈΡΠ°ΡΡΡΡ ΡΡΡΠΎΠ³ΠΎΡΡΡΡ ΠΈ ΠΊΠ»Π°ΡΡΠΈΡΠΈΠ·ΠΌΠΎΠΌ. ΠΠ»Π°Π³ΠΎΠ΄Π°ΡΡ ΠΏΠ»ΠΎΡΠ½ΠΎΠΉ ΡΠ½ΡΡΠΎΠ²ΠΊΠ΅ ΠΈ ΠΏΠΎΠ΄ΠΎΡΠ²Π΅ ΠΈΠ· ΠΊΠΎΠΆΠΈ, ΡΠΌΠΎΡΡΡΡΡΡ ΠΏΠΎ-Π΄Π΅Π»ΠΎΠ²ΠΎΠΌΡ. Π‘ Π΄Π°Π²Π½ΠΈΡ ΠΏΠΎΡ ΡΡΡ ΠΌΠΎΠ΄Π΅Π»Ρ ΠΏΡΠ΅Π΄ΠΏΠΎΡΠΈΡΠ°Π»Π° ΠΎΠΊΡΡΠΎΡΠ΄ΡΠΊΠ°Ρ ΠΌΠΎΠ»ΠΎΠ΄ΡΠΆΡ.


ΠΠ° Π·Π°ΠΌΠ΅ΡΠΊΡ! ΠΠΎΠ³ΠΈ Π² Π½ΠΈΡ Π½Π΅ ΠΏΠΎΡΠ΅ΡΡ, Ρ. ΠΊ. ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π» ΠΈΠ·Π³ΠΎΡΠΎΠ²Π»Π΅Π½ΠΈΡ ΠΈΠ·Π½Π°ΡΠ°Π»ΡΠ½ΠΎ ΠΏΠ΅ΡΡΠΎΡΠΈΡΠΎΠ²Π°Π½ ΠΌΠ΅Π»ΠΊΠΈΠΌΠΈ ΠΎΡΠ²Π΅ΡΡΡΠΈΡΠΌΠΈ.
ΠΠ·Π²Π΅ΡΡΠ½ΠΎ ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎ ΠΈΡ ΠΏΠΎΠ΄Π²ΠΈΠ΄ΠΎΠ² ΠΈΠ· Β«Π»Π°ΠΊΠ°Β» Π΄Π»Ρ Π΄Π΅Π»ΠΎΠ²ΡΡ Π²ΡΡΡΠ΅Ρ ΠΈ Π·Π°ΠΌΡΠΈ β Π΄Π»Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΡΡΠΈ.
ΠΡΠΎΠ³ΠΈ
Π¨ΡΡΡ ΠΈΠ· ΠΊΠΎΠΆΠΈ Π³Π»Π°Π΄ΠΊΠΎΠΉ ΡΠ°ΠΊΡΡΡΡ. ΠΡΠΎΠ±ΡΡ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΠΎΡΡΡ ΠΏΡΠΈΠ΄Π°ΡΡ ΠΎΡΠΊΡΡΡΡΠΉ ΠΌΡΡ Π² Π²ΠΈΠ΄Π΅ Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΉ W ΠΈ ΠΏΠ΅ΡΡΠΎΡΠΈΡΠΎΠ²Π°Π½Π½ΡΠΉ ΡΠ·ΠΎΡ Π²ΡΠ΅ΠΉ ΠΏΠΎΠ²Π΅ΡΡ Π½ΠΎΡΡΠΈ, Π»ΠΈΠ±ΠΎ ΠΊΠ°ΠΊΠΎΠΉ-ΡΠΎ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΠ½Π½ΠΎΠΉ ΡΠ°ΡΡΠΈ.
ΠΠ΅ΠΎΠ±ΡΠΊΠ½ΠΎΠ²Π΅Π½Π½Π°Ρ Β«ΠΈΠ·ΡΠΌΠΈΠ½ΠΊΠ°Β» ΡΡΡΠ΅Π»Ρ β ΠΈΠ³ΡΠ° Π½Π° Π΄Π²ΡΡ ΡΠ²Π΅ΡΠ½ΠΎΠΌ ΠΊΠΎΠ½ΡΡΠ°ΡΡΠ΅: ΡΡΡΠ½ΠΎΠ΅/Π±Π΅Π»ΠΎΠ΅, Π±Π΅Π»ΠΎΠ΅/Π±Π°ΡΠ΄ΠΎΠ²ΠΎΠ΅.
ΠΠΎΠΆΠ½ΠΎ Π½ΠΎΡΠΈΡΡ Ρ Π΄Π΅Π»ΠΎΠ²ΡΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ ΠΏΡΠΈ ΡΡΠ»ΠΎΠ²ΠΈΠΈ ΠΌΠ°Π»ΠΎΠ³ΠΎ Π΄Π΅ΠΊΠΎΡΠΈΡΠΎΠ²Π°Π½ΠΈΡ.


ΠΡΠ»ΠΈΡΠ½ΠΎΠ΅ ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΠ΅:
- ΠΏΡΡΠΌΡΠ΅ Π±ΡΡΠΊΠΈ;
- Π΄ΠΆΠΈΠ½ΡΡ ΠΈ ΡΠ»ΠΈΡΠ½ΡΠΉ ΠΊΡΠΆΡΠ°Π», ΠΊΠ°ΠΊ Π΄ΠΎΠΏΠΎΠ»Π½Π΅Π½ΠΈΠ΅ ΠΊ ΠΌΠ°ΡΡΠΈΠ²Π½ΠΎΠΉ ΠΏΠΎΠ΄ΠΎΡΠ²Π΅ ΠΈΠ· ΡΠ΅Π·ΠΈΠ½Ρ.
ΠΠ΅ΡΠ±ΠΈ
Π‘Π»ΠΎΠΆΠ½ΠΎ ΠΏΠΎΠ΄ΠΎΠ±ΡΠ°ΡΡ ΡΡΡΠ»ΠΈ ΠΈΠ·-Π·Π° Π²ΡΡΠΎΠΊΠΎΠ³ΠΎ ΠΏΠΎΠ΄ΡΡΠΌΠ° Π½ΠΎΠ³ΠΈ? ΠΡΠΊΡΡΡΠ°Ρ ΡΠ½ΡΡΠΎΠ²ΠΊΠ° ΡΡΠΈΡ Π±ΠΎΡΠΈΠ½ΠΎΠΊ Π²Π°ΠΌ Π² ΠΏΠΎΠΌΠΎΡΡ. ΠΡΠΈ Β«ΡΠ½ΠΈΠ²Π΅ΡΡΠ°Π»ΡΒ» ΠΎΡΠ»ΠΈΡΠ½ΠΎ ΡΠΌΠΎΡΡΡΡΡΡ Π½Π° ΡΠΎΠ½Π΅ Π΄ΠΆΠΈΠ½ΡΠΎΠ² ΠΈ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΠΎΠΉ Β«ΠΊΠ»Π°ΡΡΠΈΠΊΠΈΒ». ΠΠ΅ΡΠ±ΠΈ ΡΠ°Π·Π½ΡΡ ΡΠ°ΠΊΡΡΡ, Ρ ΠΏΠΎΠ΄ΠΎΡΠ²ΠΎΠΉ ΠΈΠ· ΠΏΠΎΠ»ΠΈΡΡΠ΅ΡΠ°Π½Π° ΠΈΠ»ΠΈ ΠΊΠΎΠΆΠΈ, ΠΏΠ΅ΡΡΠΎΡΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΠΈ Π½Π΅Ρ, ΠΎΠ½ΠΈ Π½Π΅Π·Π°ΠΌΠ΅Π½ΠΈΠΌΡ Π² ΠΌΡΠΆΡΠΊΠΎΠΌ Π³Π°ΡΠ΄Π΅ΡΠΎΠ±Π΅.
ΠΠΎΠ½ΠΊΠΈ
Π‘Π»Π΅Π³ΠΊΠ° Π·Π°Π²ΡΡΠ΅Π½Ρ. Π ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅ Π·Π°ΡΡΡΠΆΠΊΠΈ ΠΎΠ±ΡΡΠ½ΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅ΡΡΡ ΠΏΠ°ΡΠ° Π½Π΅Π±ΠΎΠ»ΡΡΠΈΡ ΠΏΡΡΠΆΠ΅ΠΊ, Ρ ΠΎΡΡ ΠΈΡ Π½Π°Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ ΡΠΊΠΎΡΠ΅Π΅ Π΄Π΅ΠΊΠΎΡΠ°ΡΠΈΠ²Π½ΠΎΠ΅. ΠΡΠ° ΠΌΠΎΠ΄Π΅Π»Ρ Π½Π΅ ΠΏΡΠ΅Π΄ΠΏΠΎΠ»Π°Π³Π°Π΅Ρ Π½Π°Π»ΠΈΡΠΈΠ΅ Π½ΠΎΡΠΊΠΎΠ², Π΅Ρ Π»Π΅Π³ΠΊΠΎ Π½Π°Π΄Π΅ΡΡ ΠΈ ΡΠ½ΡΡΡ. ΠΠ°ΠΊΠΎΠ²ΡΠ΅ ΠΎΡΠ»ΠΈΡΠ½ΠΎ ΡΠΎΡΠ΅ΡΠ°ΡΡΡΡ Ρ Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ, Π° Π·Π°ΠΌΡΠ΅Π²ΡΠ΅ β Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ ΠΎΠ΄Π΅ΠΆΠ΄ΠΎΠΉ.


ΠΡΠ²Π°ΡΡ Ρ ΠΎΠ΄Π½ΠΈΠΌ ΠΈΠ»ΠΈ Π΄Π²ΡΠΌΡ ΡΠ΅ΠΌΠ΅ΡΠΊΠ°ΠΌΠΈ. ΠΠ²ΡΡ ΡΠ΅ΠΌΠ΅ΡΠΊΠΎΠ²ΡΠ΅ Π½ΠΎΡΡΡ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ ΠΈ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ.
ΠΠ°ΠΆΠ½ΠΎ! Π§ΡΠΎΠ±Ρ Π½Π΅ ΡΠ΅ΠΏΠ»ΡΡΡΡΡ Π·Π° ΠΏΡΡΠΆΠΊΠΈ, ΠΌΡΠΆΡΠΈΠ½Π°ΠΌ Π»ΡΡΡΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ Π·Π°ΡΠΆΠ΅Π½Π½ΡΠ΅ ΡΡΠ°Π½Ρ, ΠΊΠΎΡΠΎΡΡΠ΅ Π»Π΅Π³ΠΊΠΎ ΡΠ±ΡΠ°ΡΡ Π²Π½ΡΡΡΡ Β«ΡΡΠ΅ΠΊΒ».
ΠΠΎΡΠ΅ΡΡ
ΠΡΠΎ Π»ΡΠ³ΠΊΠΈΠΉ ΠΈ ΡΠ΄ΠΎΠ±Π½ΡΠΉ ΠΏΡΠΎΠ³ΡΠ»ΠΎΡΠ½ΡΠΉ Π²Π°ΡΠΈΠ°Π½Ρ. ΠΠΎ ΠΏΡΠΈ ΠΌΠΈΠ½ΠΈΠΌΠ°Π»ΡΠ½ΠΎΠΌ Π΄Π΅ΠΊΠΎΡΠ΅ Π²ΠΏΠΎΠ»Π½Π΅ ΡΠ΄Π°ΡΠ½ΠΎ ΡΠΎΡΠ΅ΡΠ°Π΅ΡΡΡ Ρ ΠΊΠΎΡΡΡΠΌΠΎΠΌ Π΄Π΅Π»ΠΎΠ²ΠΎΠ³ΠΎ ΠΊΡΠΎΡ.


Π£Π΄Π°ΡΠ½ΡΠΉ ΠΌΡΠΆΡΠΊΠΎΠΉ ΠΎΠ±ΡΠ°Π·: ΡΡΠΈΠ»ΡΠ½ΡΠΉ ΠΊΠ»Π΅ΡΡΠ°ΡΡΠΉ ΠΊΠΎΡΡΡΠΌ + Π»ΠΎΡΠ΅ΡΡ, ΡΠΊΡΠ°ΡΠ΅Π½Π½ΡΠ΅ ΠΊΠΈΡΡΠΎΡΠΊΠ°ΠΌΠΈ.
ΠΠΎΠΊΠ°ΡΠΈΠ½Ρ
ΠΠ΅ΡΠ²ΠΎΠ½Π°ΡΠ°Π»ΡΠ½ΠΎΠ΅ Π½Π°Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ ΠΌΠΎΠΊΠ°ΡΠΈΠ½ Π΄Π»Ρ ΠΌΡΠΆΡΠΈΠ½, ΠΎΠ½ΠΈ ΠΏΡΠ°ΠΊΡΠΈΡΠ½Ρ ΠΈ ΡΠ½ΠΈΠ²Π΅ΡΡΠ°Π»ΡΠ½Ρ. Π‘Π²ΠΎΠΈΠΌ ΠΏΠΎΡΠ²Π»Π΅Π½ΠΈΠ΅ΠΌ Π² ΡΠ²Π΅ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΎΠ±ΡΠ·Π°Π½Ρ ΡΠ΅Π²Π΅ΡΠΎΠ°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΈΠΌ ΠΌΠΎΠ΄Π½ΠΈΠΊΠ°ΠΌ ΠΈ ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎΠΌΡ Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ΡΡ ΠΠΎΡΡΠΈΠ»Π΅.
ΠΠ±ΡΠ·Π°ΡΠ΅Π»ΡΠ½ΡΠΉ Π°ΡΡΠΈΠ±ΡΡ β Π³ΡΡΠ±ΡΠΉ ΡΠΎΠ², ΡΠΎΠ΅Π΄ΠΈΠ½ΡΡΡΠΈΠΉ ΠΎΡΠ½ΠΎΠ²Π½ΡΡ ΡΠ°ΡΡΡ Ρ ΡΠ·ΡΡΠΊΠΎΠΌ. ΠΠΎΡΠΈΠ½ΠΊΠΈ Π·Π°ΡΠ°ΡΡΡΡ Π΄Π΅ΠΊΠΎΡΠΈΡΠΎΠ²Π°Π½Ρ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠΌΠΈ ΠΊΠΈΡΡΠΎΡΠΊΠ°ΠΌΠΈ, Π±Π°Ρ ΡΠΎΠΌΠΎΠΉ, Π²ΡΠ΅Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΡΠΌΠΈ ΠΏΠ΅ΡΠ΅ΠΌΡΡΠΊΠ°ΠΌΠΈ ΠΈ ΠΏΡΡΠΆΠΊΠ°ΠΌΠΈ.


ΠΠ° Π·Π°ΠΌΠ΅ΡΠΊΡ! ΠΠ»Ρ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΡΡ ΠΌΠ΅ΡΠΎΠΏΡΠΈΡΡΠΈΠΉ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡ Π±Π΅Π»ΡΠ΅ Π»ΠΈΠ±ΠΎ ΡΡΡΠ½ΡΠ΅ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ Ρ ΡΡΡΠΎΠΉΡΠΈΠ²ΡΠΌ ΠΊΠ°Π±Π»ΡΠΊΠΎΠΌ.
ΠΡΠ΅ΠΌ ΠΎΡΡΠ°Π»ΡΠ½ΡΠΌ ΠΌΡΠΆΡΠΈΠ½Π°ΠΌ ΠΌΠΎΠΆΠ½ΠΎ ΡΠΌΠ΅Π»ΠΎ Π½Π°Π΄Π΅Π²Π°ΡΡ Π² ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ΅ Ρ Π΄ΠΆΠΈΠ½ΡΠΎΠ²ΡΠΌΠΈ ΠΈΠ»ΠΈ Π»ΡΠ½ΡΠ½ΡΠΌΠΈ ΡΠ΄Π»ΠΈΠ½ΡΠ½Π½ΡΠΌΠΈ ΡΠΎΡΡΠ°ΠΌΠΈ.
ΠΠ΅ΡΠΎΠΌ ΠΌΠΎΠΊΠ°ΡΠΈΠ½Ρ Π½ΠΎΡΡΡ, Π½Π΅ Π½Π°Π΄Π΅Π²Π°Ρ Π½ΠΎΡΠΊΠΎΠ². Π ΠΏΡΠΎΡΠΈΠ²Π½ΠΎΠΌ ΡΠ»ΡΡΠ°Π΅ ΡΡΠΎΡ Π°ΡΡΠΈΠ±ΡΡ Π΄ΠΎΠ»ΠΆΠ΅Π½ ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΠΎΠ²Π°ΡΡ ΡΠ²Π΅ΡΡ Π±ΡΡΠΊ.
Π‘ ΡΠ΅ΠΌ Π½Π΅ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΡΡ Π½ΠΎΡΠΈΡΡ Π»Π°ΠΊΠΎΠ²ΡΡ ΠΎΠ±ΡΠ²Ρ?
ΠΠ°ΠΊΠΎΠ½ΠΎΠ΄Π°ΡΠ΅Π»ΠΈ ΠΌΠΎΠ΄ Π³ΠΎΠ²ΠΎΡΡΡ ΠΊΠ°ΡΠ΅Π³ΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ Β«Π½Π΅ΡΒ» Π΄ΠΆΠΈΠ½ΡΠ°ΠΌ ΠΈ Β«Π»Π°ΠΊΡΒ». ΠΠ΅ΠΏΠΎΠ²ΡΠΎΡΠΈΠΌΠ°Ρ ΡΠΎΡΠΊΠΎΡΡ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ Π±ΠΎΡΠΈΠ½ΠΎΠΊ β Π°Π±ΡΠΎΠ»ΡΡΠ½Π°Ρ ΠΏΡΠ΅ΡΠΎΠ³Π°ΡΠΈΠ²Π° Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΠΎΠ΄Π΅ΠΆΠ΄Ρ.


ΠΠ°ΠΆΠ½ΠΎ! ΠΠΎΠΌΠΏΠ»Π΅ΠΊΡ ΠΌΠΎΠ΄Π½ΠΎΠ³ΠΎ Π΄Π΅Π½ΠΈΠΌΠ° ΠΈ Π»Π°ΠΊΠΎΠ²ΡΡ ΡΡΡΠ΅Π»Ρ β ΡΠ°ΠΌΠ°Ρ Π±ΠΎΠ»ΡΡΠ°Ρ Π½Π΅Π»Π΅ΠΏΠΎΡΡΡ, ΠΊΠΎΡΠΎΡΡΡ ΠΌΠΎΠΆΠ΅Ρ ΡΠ΅Π±Π΅ ΠΏΠΎΠ·Π²ΠΎΠ»ΠΈΡΡ ΡΠ°Π·Π²Π΅ ΡΡΠΎ ΠΌΡΠΆΡΠΈΠ½Π°, ΠΏΠΎΠ»Π½ΠΎΡΡΡΡ Π»ΠΈΡΡΠ½Π½ΡΠΉ Π²ΠΊΡΡΠ°.
ΠΠ°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ ΡΠ΄Π°ΡΠ½ΠΎ Π²ΠΏΠΈΡΡΠ²Π°ΡΡΡΡ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ Π² ΠΎΠ±ΡΠ°Π· Π΄Π΅Π»ΠΎΠ²ΠΎΠ³ΠΎ ΠΌΡΠΆΡΠΈΠ½Ρ, Π½ΠΎ ΠΈ Π·Π°Π²Π·ΡΡΠΎΠ³ΠΎ Β«ΡΡΠΈΠ»ΡΠ³ΠΈΒ». ΠΠ»Π°Π²Π½ΠΎΠ΅, ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ Π²ΡΠ±ΡΠ°ΡΡ Π½ΡΠΆΠ½ΡΡ ΠΌΠΎΠ΄Π΅Π»Ρ ΠΈ ΡΠ²Π΅ΡΠΎΠ²ΡΡ Π³Π°ΠΌΠΌΡ. Π’ΠΎΠ³Π΄Π° Π²Ρ Π²Π΅Π·Π΄Π΅ Π±ΡΠ΄Π΅ΡΠ΅ Π±Π΅Π·ΡΠΏΡΠ΅ΡΠ½Ρ ΠΈ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½Ρ.
Ρ ΡΠ΅ΠΌ Π½ΠΎΡΠΈΡΡ ΠΈ ΠΊΠ°ΠΊ ΡΡ Π°ΠΆΠΈΠ²Π°ΡΡ?
ΠΠ±ΡΠ²Ρ β ΡΡΠΎ Π±Π°Π·ΠΎΠ²ΡΠΉ ΡΠ»Π΅ΠΌΠ΅Π½Ρ ΠΌΡΠΆΡΠΊΠΎΠ³ΠΎ Π³Π°ΡΠ΄Π΅ΡΠΎΠ±Π°, ΠΊΠΎΡΠΎΡΡΠΉ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ Π² ΡΠ°Π·Π½ΡΡ ΡΡΠΈΠ»ΡΡ ΠΈ ΠΌΠΎΠ΄Π΅Π»ΡΡ . Π‘ΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡΡ ΡΠΎΠ²Π΅ΡΡΡΡ ΠΈΠΌΠ΅ΡΡ Π² ΡΠ²ΠΎΠ΅ΠΌ Π³Π°ΡΠ΄Π΅ΡΠΎΠ±Π΅ ΠΊΠ°ΠΆΠ΄ΠΎΠΌΡ ΠΌΡΠΆΡΠΈΠ½Π΅ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΠΏΠ°Ρ ΠΎΠ±ΡΠ²ΠΈ ΡΠ°Π·Π½ΡΡ ΡΡΠΈΠ»Π΅ΠΉ ΡΠΎΠ³Π»Π°ΡΠ½ΠΎ ΡΠ°Π·Π½ΡΠΌ ΠΎΠ±ΡΡΠΎΡΡΠ΅Π»ΡΡΡΠ²Π°ΠΌ ΠΈ ΠΌΠ΅ΡΠΎΠΏΡΠΈΡΡΠΈΡΠΌ. ΠΠΎ Π½Π°ΠΈΠ±ΠΎΠ»ΡΡΠΈΠΌ ΡΠΏΡΠΎΡΠΎΠΌ ΡΡΠ΅Π΄ΠΈ ΡΠΈΠ»ΡΠ½ΠΎΠΉ ΠΏΠΎΠ»ΠΎΠ²ΠΈΠ½ ΠΎΠ±ΡΠ΅ΡΡΠ²Π° ΠΏΠΎΠ»ΡΠ·ΡΡΡΡΡ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠ°Ρ ΠΎΠ±ΡΠ²Ρ, Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, ΠΌΡΠΆΡΠΊΠΈΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ.
ΠΠΎΠΆΠ° β ΡΡΠΎ ΡΠ°ΠΌΡΠΉ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠΉ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π» Π΄Π»Ρ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡΠ²Π° ΠΌΡΠΆΡΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ, ΠΎΠ½Π° ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΌΠ°ΡΠΎΠ²ΠΎΠΉ ΠΈΠ»ΠΈ Π»Π°ΠΊΠΎΠ²ΠΎΠΉ, Π² Π·Π°Π²ΠΈΡΠΈΠΌΠΎΡΡΠΈ ΠΎΡ ΠΌΠ΅ΡΠΎΠ΄ΠΎΠ² ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΠΈ. Π§ΡΠΎΠ±Ρ ΠΏΠΎΠ»ΡΡΠΈΡΡ Π»Π°ΠΊΠΎΠ²ΡΡ ΠΎΠ±ΡΠ²Ρ, ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»ΠΈ ΠΏΠΎΠΊΡΡΠ²Π°ΡΡ ΠΎΠ±ΡΡΠ½ΡΡ ΠΊΠΎΠΆΡ ΠΏΠΎΠ»ΠΈΡΡΠ΅ΡΠ°Π½ΠΎΠ²ΠΎΠΉ ΡΠΌΠΎΠ»ΠΎΠΉ. ΠΠ½Π΅ΡΠ½Π΅ ΠΊΠΎΠΆΠ° Π²ΡΠ³Π»ΡΠ΄ΠΈΡ ΡΠΈΡΡΡΠ΅ΠΉ ΠΈ ΡΠ²Π΅ΡΠΎΠΎΡΡΠ°ΠΆΠ°ΡΡΠ΅ΠΉ, ΠΎΠ½Π° ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΌΡΠ³ΠΊΠΎΠΉ ΠΈΠ»ΠΈ ΡΠ²Π΅ΡΠ΄ΠΎΠΉ. ΠΡΠΎΠ±Π΅Π½Π½ΠΎ Π²Π°ΠΆΠ½ΠΎ ΠΌΡΠΆΡΠΈΠ½Π΅ Π·Π½Π°ΡΡ ΠΏΡΠ°Π²ΠΈΠ»Π° ΡΡ ΠΎΠ΄Π° Π·Π° ΡΠ°ΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΡΡ.

Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°:
Π‘Π²ΠΎΠΉΡΡΠ²Π° Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΡΡΡΠ΅Π»Ρ
Π§ΡΠΎΠ±Ρ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡΡΡ, Π½Π°ΡΠΊΠΎΠ»ΡΠΊΠΎ ΡΠΌΠ΅ΡΡΠ½Π° ΠΈ ΡΠ΅Π»Π΅ΡΠΎΠΎΠ±ΡΠ°Π·Π½Π° Π»Π°ΠΊΠΎΠ²Π°Ρ ΠΎΠ±ΡΠ²Ρ Π² ΠΎΠ±ΡΠ°Π·Π΅ ΠΌΡΠΆΡΠΈΠ½Ρ, ΠΏΡΠ΅ΠΆΠ΄Π΅ Π²ΡΠ΅Π³ΠΎ, ΡΡΠΎΠΈΡ ΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΡΡΡΡ Ρ Π΅Π΅ ΠΏΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π°ΠΌΠΈ ΠΈ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΡΠΌΠΈ. ΠΠΎ Π²ΡΠ΅ΠΌ ΠΌΠΈΡΠ΅ ΡΡΡ ΠΎΠ±ΡΠ²Ρ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡ Π·Π°ΡΠ°ΡΡΡΡ Π΄Π»Ρ ΡΠΎΡΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΈ ΠΏΡΠ°Π·Π΄Π½ΠΈΡΠ½ΡΡ ΠΌΠ΅ΡΠΎΠΏΡΠΈΡΡΠΈΠΉ, Π±Π»Π°Π³ΠΎΠ΄Π°ΡΡ ΡΡΡΠ»ΡΠΌ ΠΌΡΠΆΡΠΈΠ½Ρ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°ΡΡ ΡΠ²ΠΎΠΉ ΡΡΠ°ΡΡΡ, ΡΠΎΡΡΠΎΡΡΠ΅Π»ΡΠ½ΠΎΡΡΡ ΠΈ ΡΡΠ²ΡΡΠ²ΠΎ ΡΡΠΈΠ»Ρ. Π ΡΡΠΈΠ»ΠΈΡΡΡ ΡΠΎΠ²Π΅ΡΡΡΡ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ Π΄Π»Ρ Π΄Π΅Π»ΠΎΠ²ΠΎΠ³ΠΎ ΠΎΠ±ΡΠ°Π·Π° ΠΈΠ»ΠΈ ΠΆΠ΅ Π΄Π»Ρ Π²Π΅ΡΠ΅ΡΠ½Π΅Π³ΠΎ ΡΡΠΈΠ»ΡΠ³ΠΈ.
ΠΠ»Ρ ΡΠΏΡΠ°Π²ΠΊΠΈ! ΠΠΏΠ΅ΡΠ²ΡΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΠΎΠ±ΡΠ²Ρ ΠΏΠΎΠ΄Π°ΡΠΈΠ» ΠΌΠΈΡΡ Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½Π΅Ρ Π‘Π΅Ρ ΠΠΎΠΉΠ΄Π΅Π½ Π΅ΡΠ΅ Π² 1818 Π³ΠΎΠ΄Ρ.
Π ΡΠ²ΠΎΠΉΡΡΠ²Π°ΠΌ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ ΡΡΠΎΠΈΡ ΠΎΡΠ½Π΅ΡΡΠΈ ΡΠ»Π΅Π΄ΡΡΡΠΈΠ΅ ΠΏΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΠΈ:
- ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ Ρ ΡΠΎΠΌΠΎΠ²ΠΎΠΉ ΠΊΠΎΠΆΠΈ;
- ΠΏΠΎΠΊΡΡΡΠΈΠ΅ ΠΊΠΎΠΆΠΈ ΡΠ»ΠΎΠ΅ΠΌ Ρ ΠΏΡΠΈΠΌΠ΅Π½Π΅Π½ΠΈΠ΅ΠΌ ΠΏΠΎΠ»ΠΈΡΡΠ΅ΡΠ°Π½ΠΎΠ²ΡΡ ΡΠΌΠΎΠ»;
- Π²Π½Π΅ΡΠ½ΡΡ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎΡΡΡ ΠΈ Π½Π°ΡΡΠ΄Π½ΠΎΡΡΡ ΠΎΠ±ΡΠ²ΠΈ;
- Π»Π°ΠΊ Π½Π΅ ΠΏΠ΅ΡΠ΅Π½ΠΎΡΠΈΡ ΠΆΠ°ΡΡ Π²ΡΡΠ΅ 25 Π³ΡΠ°Π΄ΡΡΠΎΠ², ΠΈΠ·-Π·Π° ΡΠ΅Π³ΠΎ ΠΌΠΎΠΆΠ΅Ρ Π·Π°Π»Π°ΠΌΡΠ²Π°ΡΡΡΡ ΠΈ ΡΡΠ΅ΡΠΊΠ°ΡΡΡΡ;
- Π»Π°ΠΊ Π½Π΅ ΠΏΠ΅ΡΠ΅Π½ΠΎΡΠΈΡ ΠΌΠΎΡΠΎΠ· Π½ΠΈΠΆΠ΅ 10 Π³ΡΠ°Π΄ΡΡΠΎΠ², ΠΊΠΎΡΠΎΡΡΠΉ Π΄Π΅Π»Π°Π΅Ρ Π»Π°ΠΊΠΎΠ²ΡΠΉ ΡΠ»ΠΎΠΉ Ρ ΡΡΠΏΠΊΠΈΠΌ.
ΠΠ½ΠΎΠ³Π΄Π° Π»Π°ΠΊΠΎΠ²Π°Ρ ΠΎΠ±Π»Π°ΡΡΡ ΠΏΡΠΈΠ²ΠΎΠ΄ΠΈΡ ΠΊ ΠΎΡΠ΅ΡΠ½ΠΎΡΡΠΈ Π½ΠΎΠ³ ΠΈΠ·-Π·Π° Π½Π΅Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎΠΉ Π²Π΅Π½ΡΠΈΠ»ΡΡΠΈΠΈ Π½ΠΎΠ³, Π²ΡΠ»Π΅Π΄ΡΡΠ²ΠΈΠ΅ ΡΡΠΎΠ³ΠΎ ΡΡΠΈΠ»ΠΈΡΡΡ Π½Π΅ ΡΠΎΠ²Π΅ΡΡΡΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΡΡΡ ΠΎΠ±ΡΠ²Ρ Π΄Π»Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ Π½ΠΎΡΠΊΠΈ. Π Π²ΠΎΡ Π΄Π»Ρ ΠΎΡΠΎΠ±ΠΎΠ³ΠΎ ΡΠ»ΡΡΠ°Ρ ΡΡΠΈ ΡΡΡΠ»ΠΈ ΠΏΡΠΈΠ΄ΡΡΡΡ ΠΊΠ°ΠΊ Π½ΠΈΠΊΠΎΠ³Π΄Π° ΠΊΡΡΠ°ΡΠΈ.

ΠΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π° Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ?
Π§ΡΠΎΠ±Ρ ΠΌΡΠΆΡΠΈΠ½Π° ΠΏΠΎΠ½ΠΈΠΌΠ°Π», Π½Π°ΡΠΊΠΎΠ»ΡΠΊΠΎ ΡΠΌΠ΅ΡΡΠ½Ρ Π² ΡΠΎΠΉ ΠΈΠ»ΠΈ ΠΈΠ½ΠΎΠΉ ΠΎΠ±ΡΡΠ°Π½ΠΎΠ²ΠΊΠ΅ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ, Π½ΡΠΆΠ½ΠΎ ΠΎΡΠ΄Π΅Π»ΡΠ½ΠΎ ΠΎΠ·Π½Π°ΠΊΠΎΠΌΠΈΡΡΡΡ Ρ ΠΈΡ ΠΏΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π°ΠΌΠΈ. Π‘ΡΠΈΠ»ΠΈΡΡΡ ΠΈ Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ΡΡ Π½Π°Π·ΡΠ²Π°ΡΡ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ Π½Π΅ΠΎΡΠΏΠΎΡΠΈΠΌΡΡ ΠΏΠ»ΡΡΠΎΠ² ΠΎΠ±ΡΠ²ΠΈ Ρ Π»Π°ΠΊΠΎΠ²ΡΠΌ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ΠΌ, Π° ΠΈΠΌΠ΅Π½Π½ΠΎ:
- ΠΊΠΎΠΆΠ° Ρ ΡΠ°ΠΊΠΈΡ ΡΡΡΠ΅Π»Ρ Ρ ΠΎΡΠΎΡΠΎ ΡΡΠ½Π΅ΡΡΡ, ΠΏΡΠΈΠ½ΠΈΠΌΠ°Ρ ΡΠΎΡΠΌΡ Π½ΠΎΠ³ΠΈ;
- ΠΏΠΎΡΠ»Π΅ ΡΠ½ΡΡΠΈΠ΅ ΠΎΠ±ΡΠ²ΠΈ Ρ Π½ΠΎΠ³ ΠΊΠΎΠΆΠ° Π±ΡΡΡΡΠΎ Π²ΠΎΡΡΡΠ°Π½Π°Π²Π»ΠΈΠ²Π°Π΅Ρ ΠΏΡΠ΅ΠΆΠ½ΡΡ ΡΠΎΡΠΌΡ;
- Π»Π°ΠΊΠΎΠ²ΠΎΠ΅ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ ΡΡΡΠΎΠΉΡΠΈΠ²ΠΎ ΠΊ ΡΠ°ΡΠ°ΠΏΠΈΠ½Π°ΠΌ ΠΈ ΡΡΠ΅ΡΠΈΠ½Π°ΠΌ;
- Π΅ΡΠ»ΠΈ ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΡΡ ΠΎΠ±ΡΠ²ΠΈ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΡΠΉ ΡΡ ΠΎΠ΄, ΠΎΠ½Π° Π±ΡΠ΄Π΅Ρ ΡΡΡΠΎΠΉΡΠΈΠ²Π° ΠΊ Π·Π°Π³ΡΡΠ·Π½Π΅Π½ΠΈΡΠΌ;
- Π»Π°ΠΊΠΎΠ²ΠΎΠ΅ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ Π²ΡΠ΄Π΅ΡΠΆΠΈΠ²Π°Π΅Ρ ΠΆΠ°ΡΡ ΠΈ Ρ ΠΎΠ»ΠΎΠ΄.
ΠΡΠΎΠΌΠ΅ ΡΠΎΠ³ΠΎ ΠΎΠ±ΡΠ²Ρ Ρ Π»Π°ΠΊΠΎΠ²ΡΠΌ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ΠΌ ΡΠΌΠΎΡΡΠΈΡΡΡ Π²ΡΠ΅Π³Π΄Π° Π½Π°ΡΡΠ΄Π½ΠΎ ΠΈ ΡΠΎΡΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎ, Π΄ΠΎΠ»Π³ΠΎΠ΅ Π²ΡΠ΅ΠΌΡ ΡΠΎΡ ΡΠ°Π½ΡΠ΅Ρ ΡΠ²ΠΎΡ Π½ΠΎΠ²ΠΈΠ·Π½Ρ ΠΈ ΠΏΠ΅ΡΠ²ΠΎΠ·Π΄Π°Π½Π½ΡΡ ΡΠΎΡΠΌΡ. Π ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡΠ²Π΅ ΡΠ°ΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡ ΡΠ°Π·Π½ΡΠ΅ ΠΎΡΡΠ΅Π½ΠΊΠΈ ΠΏΠΎΠ΄ Π²ΡΠ΅ ΡΠ»ΡΡΠ°ΠΈ ΠΆΠΈΠ·Π½ΠΈ, Π΄Π°ΠΆΠ΅ Π½Π°Π½ΠΎΡΡΡ ΠΏΠΎΠ²Π΅ΡΡ Π»Π°ΠΊΠ° ΠΏΡΠΈΠ½ΡΡ ΠΈ ΡΠΈΡΡΠ½ΠΊΠΈ, ΡΡΠΎΠ±Ρ ΡΡΡΠ»ΠΈ Π²ΡΠ³Π»ΡΠ΄Π΅Π»ΠΈ ΠΌΠΎΠ΄Π½ΠΎ ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ.

ΠΠ½Π΅Π½ΠΈΠ΅ ΡΠΊΡΠΏΠ΅ΡΡΠ°
ΠΠ»Π΅Π½ ΠΠΎΠ»Π΄ΠΌΠ°Π½
ΠΡΠΆΡΠΊΠΈΠΉ ΡΡΠΈΠ»ΠΈΡΡ-ΠΈΠΌΠΈΠ΄ΠΆΠΌΠ΅ΠΉΠΊΠ΅Ρ
Π ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠ΅ Π³ΠΎΠ΄Ρ ΠΌΠΎΠ΄Π½Π°Ρ ΠΈΠ½Π΄ΡΡΡΡΠΈΡ Π΄ΠΈΠΊΡΡΠ΅Ρ Π½ΠΎΠ²ΡΠ΅ ΠΏΡΠ°Π²ΠΈΠ»Π° Π²ΡΠ±ΠΎΡΠ° ΠΎΠ΄Π΅ΠΆΠ΄Ρ ΠΈ ΠΎΠ±ΡΠ²ΠΈ, ΠΎΠ±ΡΡΠ°Ρ ΠΌΡΠΆΡΠΈΠ½ Π²ΡΠ³Π»ΡΠ΄Π΅ΡΡ ΠΏΡΠ΅Π·Π΅Π½ΡΠ°Π±Π΅Π»ΡΠ½ΠΎ ΠΈ ΡΡΠΈΠ»ΡΠ½ΠΎ. ΠΡΠ»ΠΈ ΡΠ°Π½ΡΡΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ»ΠΈΡΡ ΠΈΡΠΊΠ»ΡΡΠΈΡΠ΅Π»ΡΠ½ΠΎ Π² ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΡΠΎΡΠΌΠ°ΡΠ΅ Π΄Π»Ρ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΡΡ ΠΌΠ΅ΡΠΎΠΏΡΠΈΡΡΠΈΠΉ, ΡΠ΅Π³ΠΎΠ΄Π½Ρ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ ΠΏΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΈ Π²ΡΠ΅ Π²ΠΈΠ΄Ρ ΡΡΡΠ»Π΅ΠΉ ΡΠ°Π·Π½ΡΡ ΡΡΠΈΠ»Π΅ΠΉ.
ΠΠΎΠ΄Π΅Π»ΠΈ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΡΡΡΠ΅Π»Ρ ΠΈ Ρ ΡΠ΅ΠΌ ΠΈΡ Π½ΠΎΡΠΈΡΡ
Π Π°Π½ΡΡΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΈΠ·Π³ΠΎΡΠ°Π²Π»ΠΈΠ²Π°Π»ΠΈΡΡ ΠΈΡΠΊΠ»ΡΡΠΈΡΠ΅Π»ΡΠ½ΠΎ Π΄Π»Ρ ΠΏΡΠ°Π·Π΄Π½ΠΈΡΠ½ΡΡ ΠΈ Π΄Π΅Π»ΠΎΠ²ΡΡ ΠΌΠ΅ΡΠΎΠΏΡΠΈΡΡΠΈΠΉ, ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²Π΅Π½Π½ΠΎ Π² ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΠΈΡΠΏΠΎΠ»Π½Π΅Π½ΠΈΠΈ. Π ΠΎΡΡΠ°Π»ΡΠ½ΠΎΠ΅ ΠΆΠ΅ Π²ΡΠ΅ΠΌΡ ΠΎΠ½ΠΈ ΠΏΡΠ»ΠΈΠ»ΠΈΡΡ Π½Π° ΠΏΠΎΠ»ΠΊΠ΅, ΠΎΠΆΠΈΠ΄Π°Ρ Π½ΠΎΠ²ΠΎΠ³ΠΎ ΡΠΎΡΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ ΡΠ»ΡΡΠ°Ρ. Π‘Π΅Π³ΠΎΠ΄Π½Ρ Π² ΠΌΠΎΠ΄Π΅ Π²ΡΠ΅ ΡΡΠΊΠΎΠ΅ ΠΈ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΡΠ΅Π΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅, Π° ΠΌΡΠΆΡΠΈΠ½Ρ ΠΏΡΠ΅Π΄ΠΏΠΎΡΠΈΡΠ°ΡΡ ΡΠ°ΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΡΡ Π΄Π΅ΠΌΠΎΠ½ΡΡΡΠΈΡΠΎΠ²Π°ΡΡ ΡΠ²ΠΎΠΉ ΡΡΠΈΠ»Ρ ΠΈ ΡΡΠ°ΡΡΡ. ΠΠΎΡΡΠΎΠΌΡ ΡΡΠΈΠ»ΠΈΡΡΡ ΠΏΡΠ΅Π΄Π»Π°Π³Π°ΡΡ Π²Π½ΠΈΠΌΠ°Π½ΠΈΡ ΡΡΠ°Π·Ρ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΡΡΡΠ»Π΅ΠΉ Π΄Π»Ρ ΡΠΈΠ»ΡΠ½ΠΎΠΉ ΠΏΠΎΠ»ΠΎΠ²ΠΈΠ½Ρ ΠΎΠ±ΡΠ΅ΡΡΠ²Π°.
ΠΠΊΡΡΠΎΡΠ΄
ΠΡΠΎ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ Π½Π° ΡΠ½ΡΡΠΎΠ²ΠΊΠ΅ Π² ΡΡΡΠΎΠ³ΠΎΠΌ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΠΈΡΠΏΠΎΠ»Π½Π΅Π½ΠΈΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΈΠ·Π½Π°ΡΠ°Π»ΡΠ½ΠΎ Π½ΠΎΡΠΈΠ»ΠΈ ΡΡΡΠ΄Π΅Π½ΡΡ ΠΠΊΡΡΠΎΡΠ΄ΡΠΊΠΎΠ³ΠΎ ΡΠ½ΠΈΠ²Π΅ΡΡΠΈΡΠ΅ΡΠ°. Π‘ΠΌΠΎΡΡΡΡΡΡ ΠΎΠ½ΠΈ ΡΡΠΈΠ»ΡΠ½ΠΎ, ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ ΠΈ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎ, Π° ΡΠ°ΠΌΠ° ΠΊΠΎΠΆΠ°, ΠΈΠ· ΠΊΠΎΡΠΎΡΠΎΠΉ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡ ΠΎΠ±ΡΠ²Ρ, ΠΏΡΠ΅Π΄ΠΏΠΎΠ»Π°Π³Π°Π΅Ρ ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΡΡ ΠΎΡΠ΄Π΅Π»ΠΊΡ Π² Π²ΠΈΠ΄Π΅ ΠΌΠ΅Π»ΠΊΠΈΡ ΠΎΡΠ²Π΅ΡΡΡΠΈΠΉ Π΄Π»Ρ Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎΠΉ Π²Π΅Π½ΡΠΈΠ»ΡΡΠΈΠΈ ΠΊΠΎΠ½Π΅ΡΠ½ΠΎΡΡΠ΅ΠΉ. ΠΠ° ΡΠ΅Π³ΠΎΠ΄Π½ΡΡΠ½ΠΈΠΉ Π΄Π΅Π½Ρ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅ΡΡΡ ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎ ΠΏΠΎΠ΄Π²ΠΈΠ΄ΠΎΠ² ΡΡΡΠ»Π΅ΠΉ ΠΎΠΊΡΡΠΎΡΠ΄, Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ:
- Π‘ΠΏΠ΅ΠΊΡΠ°ΡΠΎΡ;
- Π‘ΡΠ΄Π΄Π»;
- ΠΠΈΠ½Π³ΡΠΈΠΏ;
- ΠΠ°Π»ΠΌΠΎΡΠ°Π»;
- ΠΡΠΏΡΠΎΠ΅;
- ΠΠ²ΠΎΡΠ΅ΡΠ±ΡΠΎΠ³ΠΈ;
- ΠΠ΄Π΅Π»Π°ΠΈΠ΄;
- ΠΠ»Π΅ΠΉΠ½ΡΠΎΠ΅;
- ΠΠ°Π½ΡΠΊΡΠΏ;
- Π₯ΠΎΠ»ΠΊΠ°Ρ.
ΠΠΎΡΠΈΡΡ ΡΠ°ΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ ΠΌΠΎΠΆΠ½ΠΎ ΠΈΡΠΊΠ»ΡΡΠΈΡΠ΅Π»ΡΠ½ΠΎ Ρ Π΄Π΅Π»ΠΎΠ²ΡΠΌ Π±ΡΡΡΠ½ΡΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ, Π΅ΡΠ»ΠΈ ΡΡΠΎ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ ΠΊΠΎΠΆΠ°Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ. ΠΠΊΡΡΠΎΡΠ΄Ρ ΠΈΠ· Π·Π°ΠΌΡΠΈ ΠΌΠΎΠΆΠ½ΠΎ Π½ΠΎΡΠΈΡΡ Ρ ΡΠ΅ΡΡΡΡΠ½ΡΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ ΠΈ Π½Π°ΡΡΠ΄Π°ΠΌΠΈ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠ³ΠΎ ΡΡΠΈΠ»Ρ.

ΠΡΠΎΠ³ΠΈ
ΠΠ· ΠΌΠΎΠ΄Π΅Π»ΠΈ ΠΎΠΊΡΡΠΎΡΠ΄ΠΎΠ² ΠΏΡΠΎΠΈΠ·ΠΎΡΠ»ΠΈ ΡΡΡΠ»ΠΈ Π΄Π»Ρ ΠΌΡΠΆΡΠΈΠ½ Π±ΡΠΎΠ³ΠΈ ΠΈΠ· Π³Π»Π°Π΄ΠΊΠΎΠΉ ΠΊΠΎΠΆΠΈ Ρ ΠΎΡΡΠ΅Π·Π½ΡΠΌ ΠΌΡΡΠΎΠΌ, Π±Π»Π°Π³ΠΎΠ΄Π°ΡΡ ΡΠ΅ΠΌΡ ΠΎΠ½ΠΈ ΡΠΌΠΎΡΡΡΡΡΡ Π²Π΅ΡΡΠΌΠ° ΡΠ»Π΅Π³Π°Π½ΡΠ½ΠΎ. Π’ΡΡΠ»ΠΈ ΠΎΡΠ»ΠΈΡΠ°ΡΡΡΡ ΠΏΡΠΎΡΠ½ΠΎΡΡΡΡ, Π° ΡΠ·ΠΎΡΡΠ°ΡΠ°Ρ ΠΏΠ΅ΡΡΠΎΡΠ°ΡΠΈΡ ΠΈ W-ΠΎΠ±ΡΠ°Π·Π½ΡΠΉ Π½ΠΎΡ ΠΎΡΠ»ΠΈΡΠ°ΡΡ ΡΡΠΈ ΡΡΡΠ»ΠΈ ΠΎΡ ΠΎΠΊΡΡΠΎΡΠ΄ΠΎΠ². ΠΡΠΈΡΠ΅ΠΌ ΠΏΠ΅ΡΡΠΎΡΠ°ΡΠΈΡ ΠΌΠΎΠΆΠ΅Ρ Π½Π°Π±Π»ΡΠ΄Π°ΡΡΡΡ ΠΊΠ°ΠΊ Π½Π° Π²ΡΠ΅ΠΉ ΠΏΠΎΠ²Π΅ΡΡ Π½ΠΎΡΡΠΈ ΡΡΡΠ»Π΅ΠΉ, ΡΠ°ΠΊ ΠΈ Π½Π° ΠΏΠ΅ΡΠ΅Π΄Π½Π΅ΠΉ ΠΈΡ ΡΠ°ΡΡΠΈ.
ΠΡΠ΅ ΠΎΠ΄Π½ΠΈΠΌ ΠΎΡΠ»ΠΈΡΠΈΡΠ΅Π»ΡΠ½ΡΠΌ ΠΊΡΠΈΡΠ΅ΡΠΈΠ΅ΠΌ ΡΡΡΠ»Π΅ΠΉ Π±ΡΠΎΠ³ΠΎΠ² ΡΡΠΈΡΠ°Π΅ΡΡΡ ΠΊΠΎΠ½ΡΡΠ°ΡΡΠ½ΠΎΡΡΡ Π΄Π²ΡΡ ΡΠ²Π΅ΡΠΎΠ², Π±Π»Π°Π³ΠΎΠ΄Π°ΡΡ ΠΊΠΎΡΠΎΡΠΎΠΉ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°Π΅ΡΡΡ ΡΠΏΠ΅ΡΠΈΡΠΈΡΠ½ΠΎΡΡΡ ΠΈ ΡΡΠΊΠΎΡΡΡ ΠΎΠ±ΡΠ°Π·Π°. ΠΡΠ»ΠΈ ΠΌΡΠΆΡΠΈΠ½Π° ΠΎΠ΄Π΅Ρ Π² ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΊΠΎΡΡΡΠΌ, Π΅ΠΌΡ ΡΡΠΎΠΈΡ ΠΏΡΠΈΡΠΌΠΎΡΡΠ΅ΡΡ Π±ΡΠΎΠ³ΠΈ ΡΠ΅ΠΌΠ½ΠΎΠ³ΠΎ ΠΎΡΡΠ΅Π½ΠΊΠ° Π±Π΅Π· Π΄Π΅ΠΊΠΎΡΠΈΡΡΡΡΠΈΡ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠΎΠ². Π ΠΏΠΎΠ΄ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΉ Π½Π°ΡΡΠ΄ ΠΈΠ»ΠΈ Π΄ΠΆΠΈΠ½ΡΡ Π½Π°Π΄Π΅Π²Π°ΡΡ ΠΌΠ°ΡΡΠΈΠ²Π½ΡΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΠΈΠ»ΠΈ Π±ΡΠΎΠ³ΠΈ Π½Π° ΠΏΡΠΎΡΠ΅Π·ΠΈΠ½Π΅Π½Π½ΠΎΠΉ ΠΏΠΎΠ΄ΠΎΡΠ²Π΅. Π‘ΡΠΈΠ»ΠΈΡΡΡ ΡΠ°Π·Π»ΠΈΡΠ°ΡΡ Π±ΡΠΎΠ³ΠΈ, ΠΏΠΎΠ»ΡΠ±ΡΠΎΠ³ΠΈ ΠΈ ΡΠ΅ΡΠ²Π΅ΡΡΠ½ΡΠ΅ Π±ΡΠΎΠ³ΠΈ.

ΠΠ΅ΡΠ±ΠΈ
ΠΠ΄Π΅Π°Π»ΡΠ½Π°Ρ ΠΎΠ±ΡΠ²Ρ Π΄Π»Ρ ΠΌΡΠΆΡΠΈΠ½ Ρ Π²ΡΡΠΎΠΊΠΈΠΌ ΠΏΠΎΠ΄ΡΠ΅ΠΌΠΎΠΌ Π½ΠΎΠ³ΠΈ β ΡΡΡΠ»ΠΈ Π΄Π΅ΡΠ±ΠΈ Ρ ΠΎΡΠΊΡΡΡΠΎΠΉ ΡΠ½ΡΡΠΎΠ²ΠΊΠΎΠΉ. ΠΠ΄Π΅ΡΡ ΠΏΡΠ΅Π΄ΡΡΠΌΠΎΡΡΠ΅Π½Π° ΠΈ ΡΠ°ΠΌΠ° ΠΎΡΠ½ΠΎΠ²Π° ΠΈΠ· ΠΊΠΎΠΆΠΈ, ΠΈ ΠΏΠΎΠ΄ΠΎΡΠ²Π° ΠΈΠ· ΡΡΠΎΠ³ΠΎ ΠΆΠ΅ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°, ΡΠ΅ΠΆΠ΅ Π±ΡΠ²Π°Π΅Ρ ΠΈΠ· ΠΏΠΎΠ»ΠΈΡΡΠ΅ΡΠ°Π½Π°. Π ΠΎΡΠ»ΠΈΡΠΈΠ΅ ΠΎΡ ΠΏΡΠ΅Π΄ΡΠ΄ΡΡΠΈΡ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ, ΡΡΡΠ»ΠΈ Π΄Π΅ΡΠ±ΠΈ Π½Π΅ Π½ΠΎΡΡΡ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΠΎΠ΄ΡΠ΅ΠΊΡΡΠ°, ΠΏΠΎΡΡΠΎΠΌΡ ΠΈΡ ΠΌΠΎΠΆΠ½ΠΎ Π½ΠΎΡΠΈΡΡ ΠΈ Ρ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ, ΠΈ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ ΠΈ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΌ Π½Π°ΡΡΠ΄Π°ΠΌΠΈ.
Π’ΡΡΠ»ΠΈ Π΄Π΅ΡΠ±ΠΈ ΠΎΡΠ»ΠΈΡΠ°ΡΡΡΡ ΡΠ΄Π΅ΡΠΆΠ°Π½Π½ΡΠΌ Π΄ΠΈΠ·Π°ΠΉΠ½ΠΎΠΌ Π±Π΅Π· ΠΏΡΠΈΠ½ΡΠΎΠ² ΠΈ Π΄Π΅ΠΊΠΎΡΠ°, ΠΎΠ½ΠΈ ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ ΠΈΠ· ΠΊΠΎΠΆΠΈ ΡΠ°Π·Π½ΡΡ ΡΠΏΠΎΡΠΎΠ±ΠΎΠ² ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΠΈ, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΈΠ· Π·Π°ΠΌΡΠΈ ΠΈ Π½ΡΠ±ΡΠΊΠ°. Π‘ΡΠΈΠ»ΠΈΡΡΡ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡ Π²Π½ΡΡΡΠ΅Π½Π½ΡΡ ΠΊΠ»Π°ΡΡΠΈΡΠΈΠΊΠ°ΡΠΈΡ ΡΡΡΠ΅Π»Ρ Π΄Π΅ΡΠ±ΠΈ β ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠ°Ρ ΠΌΠΎΠ΄Π΅Π»Ρ, Π° ΡΠ°ΠΊΠΆΠ΅ Π±ΡΠΎΠ³ΠΈ Ρ ΠΏΠ΅ΡΡΠΎΡΠ°ΡΠΈΠ΅ΠΉ ΠΈΠ»ΠΈ ΠΎΡΡΠ΅Π·Π°Π½Π½ΡΠΌ Π½ΠΎΡΠΎΠΌ. ΠΠ΅ΡΠ²Π°Ρ ΠΌΠΎΠ΄Π΅Π»Ρ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΠΈΡ Π΄Π»Ρ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΈ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠ³ΠΎ Π½ΠΎΡΠ΅Π½ΠΈΡ, Π²ΡΠΎΡΡΠ΅ ΠΏΡΠ΅Π΄ΠΏΠΎΡΠΈΡΠ°Π΅Ρ ΠΌΠΎΠ»ΠΎΠ΄Π΅ΠΆΡ ΠΈ ΡΡΠΈΠ»ΡΠ³ΠΈ, ΡΡΠ΅ΡΡΡ ΠΌΠΎΠ΄Π΅Π»Ρ Π½ΠΎΡΡΡ ΠΏΠΎΠ²ΡΠ΅ΠΌΠ΅ΡΡΠ½ΠΎ Π² ΡΡΠΈΠ»Π΅ ΠΊΡΠΆΡΠ°Π».

ΠΠΎΠ½ΠΊΠΈ
ΠΠ»Π°ΡΡΠ½Π°Ρ ΠΌΠΎΠ΄Π΅Π»Ρ, ΠΊΠΎΡΠΎΡΠ°Ρ ΡΠΌΠΎΡΡΠΈΡΡΡ Π½Π΅ΠΎΠ±ΡΡΠ½ΠΎ ΠΈ Π±ΡΡΡΠ°Π»ΡΠ½ΠΎ β ΡΡΡΠ»ΠΈ ΠΌΠΎΠ½ΠΊΠΈ, ΠΎΡΠ»ΠΈΡΠΈΡΠ΅Π»ΡΠ½ΡΠΌΠΈ ΠΏΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΡΠΌΠΈ ΠΊΠΎΡΠΎΡΡΡ ΡΡΠΈΡΠ°ΡΡΡΡ ΡΠ΄Π»ΠΈΠ½Π΅Π½Π½Π°Ρ ΡΠΎΡΠΌΠ°, ΠΎΡΡΡΡΡΡΠ²ΠΈΠ΅ ΡΠ½ΡΡΠΊΠΎΠ², Π° ΡΠ°ΠΊΠΆΠ΅ ΠΎΠ΄Π½Π° ΠΈΠ»ΠΈ Π΄Π²Π΅ ΠΌΠ°Π»Π΅Π½ΡΠΊΠΈΠ΅ ΠΏΡΡΠΆΠΊΠΈ. ΠΠΎΠ½ΠΊΠΈ ΠΎΠ±ΡΡΠ½ΠΎ ΠΈΠ·Π³ΠΎΡΠ°Π²Π»ΠΈΠ²Π°ΡΡ ΠΈΠ· Π½Π°ΡΡΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΊΠΎΠΆΠΈ ΠΈΠ»ΠΈ Π·Π°ΠΌΡΠΈ, Π½Π΅ΡΠ΅Π΄ΠΊΠΎ Π²ΡΡΡΠ΅ΡΠ°ΡΡΡΡ ΠΌΠΎΠ΄Π΅Π»ΠΈ Ρ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ΠΌ. ΠΠ»Π°Π³ΠΎΠ΄Π°ΡΡ ΠΎΡΡΡΡΡΡΠ²ΠΈΡ ΡΠ½ΡΡΠΎΠ²ΠΊΠΈ ΡΡΡΠ»ΠΈ ΠΏΡΠΎΡΡΡ Π² ΠΏΠΎΡΠΈΠ²Π΅ ΠΈ Π½ΠΎΡΠΊΠ΅.
ΠΠΎΠ½ΠΊΠΈ Π΄Π΅Π»ΡΡΡΡ Π½Π° Π΄Π²Π΅ ΡΠ°Π·Π½ΠΎΠ²ΠΈΠ΄Π½ΠΎΡΡΠΈ:
- double monk strap shoes β ΡΡΡΠ»ΠΈ Ρ Π΄Π²ΡΠΌΡ ΠΏΡΡΠΆΠΊΠ°ΠΌΠΈ;
- monk strap shoes β ΡΡΡΠ»ΠΈ Ρ ΠΎΠ΄Π½ΠΈΠΌ ΡΠ΅ΠΌΠ΅ΡΠΊΠΎΠΌ.
ΠΠΎΡΠΈΡΠ΅ Π»ΠΈ ΠΡ ΠΌΠΎΠ½ΠΊΠΈ?
ΠΠ°ΠΠ΅Ρ
Π‘ΡΠΈΠ»ΠΈΡΡΡ ΡΠΎΠ²Π΅ΡΡΡΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΡΠ°ΠΊΡΡ ΠΎΠ±ΡΠ²Ρ Π² ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΌ ΠΈΠ»ΠΈ ΠΆΠ΅ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠΌ ΡΡΠΈΠ»Π΅, ΠΈΡ Π΄Π°ΠΆΠ΅ ΠΌΠΎΠΆΠ½ΠΎ Π½ΠΎΡΠΈΡΡ Π±Π΅Π· Π½ΠΎΡΠΊΠΎΠ². ΠΡΠ»ΠΈ ΠΏΡΠΈΡΡΡΡΡΠ²ΡΠ΅Ρ Π΄Π²Π΅ ΠΏΡΡΠΆΠΊΠΈ, ΠΌΠΎΠ½ΠΊΠΈ ΡΠ½ΠΈΠ²Π΅ΡΡΠ°Π»ΡΠ½Ρ Π² ΠΏΠ»Π°Π½Π΅ ΠΊΠΎΠΌΠ±ΠΈΠ½Π°ΡΠΈΠΈ Ρ ΠΎΠ΄Π΅ΠΆΠ΄ΠΎΠΉ, ΠΈΡ Π΄Π°ΠΆΠ΅ Π½Π°Π΄Π΅Π²Π°ΡΡ ΠΏΠΎΠ΄ Π΄ΠΆΠΈΠ½ΡΡ. ΠΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎ Π±ΡΠ΄ΡΡ ΡΠΌΠΎΡΡΠ΅ΡΡΡΡ Π±ΡΡΠΊΠΈ Π·Π°ΡΠΆΠ΅Π½Π½ΠΎΠ³ΠΎ ΡΠ°ΡΠΎΠ½Π°, ΠΊΠΎΡΠΎΡΡΠ΅ Π½Π΅ Π±ΡΠ΄ΡΡ ΡΠ΅ΠΏΠ»ΡΡΡΡΡ Π·Π° ΠΏΡΡΠΆΠΊΠΈ. ΠΡΠ»ΠΈ ΠΌΠΎΠ½ΠΊΠΈ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΠΈ Π³Π»Π°Π΄ΠΊΠΈΠ΅, ΠΈΡ Π»ΡΡΡΠ΅ Π½ΠΎΡΠΈΡΡ ΡΠΎ ΡΡΡΠΎΠ³ΠΈΠΌ ΠΎΠ±ΡΠ°Π·ΠΎΠΌ, Π° Π·Π°ΠΌΡΠ΅Π²Π°Ρ ΠΌΠΎΠ΄Π΅Π»Ρ ΠΏΠΎΠΉΠ΄Π΅Ρ ΠΏΠΎΠ΄ Π½Π΅ΡΠΎΡΠΌΠ°Π»ΡΠ½ΡΠΉ ΡΡΠΈΠ»Ρ.
ΠΠΎΡΠ΅ΡΡ
ΠΡΠ»ΠΈ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡ Π½Π΅ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΡΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΡΡΡΠ΅Π»Ρ Π΄Π»Ρ ΠΌΡΠΆΡΠΈΠ½, ΡΡΠ΅Π΄ΠΈ Π½ΠΈΡ Π»ΠΈΠ΄Π΅ΡΠΎΠΌ ΠΏΠΎ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΠΎΡΡΠΈ ΡΡΠΈΡΠ°ΡΡΡΡ Π»ΠΎΡΠ΅ΡΡ. Π£Π΄ΠΎΠ±Π½ΡΠ΅ ΠΈ ΠΏΡΠ°ΠΊΡΠΈΡΠ½ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ Π²ΡΠΏΠΎΠ»Π½Π΅Π½Ρ ΠΈΠ· ΠΊΠΎΠΆΠΈ, ΠΊΠΎΠΆΠΈ Ρ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ΠΌ ΠΈΠ»ΠΈ Π·Π°ΠΌΡΠΈ. ΠΠ΅ΡΠΌΠΎΡΡΡ Π½Π° ΡΠ²ΠΎΡ Π½Π΅ΡΠΎΡΠΌΠ°Π»ΡΠ½ΠΎΡΡΡ, ΡΠ΅Π³ΠΎΠ΄Π½Ρ Π»ΠΎΡΠ΅ΡΡ Π½Π°Π΄Π΅Π²Π°ΡΡ ΠΈ ΠΏΠΎΠ΄ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΊΠΎΡΡΡΠΌ, Π½ΠΎ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠΈ ΡΡΠ»ΠΎΠ²ΠΈΠΈ ΠΎΡΡΡΡΡΡΠ²ΠΈΡ ΠΈΠ»ΠΈ ΠΌΠΈΠ½ΠΈΠΌΡΠΌ Π΄Π΅ΠΊΠΎΡΠ°ΡΠΈΠ²Π½ΡΡ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠΎΠ².
Π‘ΡΡΠ΅ΡΡΠ²ΡΠ΅Ρ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΠΏΠΎΠ΄Π²ΠΈΠ΄ΠΎΠ² Π»ΠΎΡΠ΅ΡΠΎΠ²:
- ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π»ΠΎΡΠ΅ΡΡ;
- ΠΏΠ΅Π½ΠΈ-Π»ΠΎΡΠ΅ΡΡ.
ΠΡΠ»ΠΈ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ Π»ΠΎΡΠ΅ΡΠΎΠ² Ρ ΠΊΠΈΡΡΠΎΡΠΊΠ°ΠΌΠΈ, ΠΈΡ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΡΡ Π½ΠΎΡΠΈΡΡ Ρ Π±Π»Π΅ΠΉΠ·Π΅ΡΠΎΠΌ ΠΈΠ»ΠΈ ΠΊΠΎΡΡΡΠΌΠΎΠΌ ΠΊΠ»Π΅ΡΡΠ°ΡΠΎΠ³ΠΎ ΠΏΡΠΈΠ½ΡΠ°. Π ΠΎΡΡΠ°Π»ΡΠ½ΠΎΠΌ ΠΆΠ΅ Π»ΠΎΡΠ΅ΡΡ ΡΠ½ΠΈΠ²Π΅ΡΡΠ°Π»ΡΠ½Ρ, ΠΈΡ ΠΌΠΎΠΆΠ½ΠΎ Π½ΠΎΡΠΈΡΡ Π²ΠΌΠ΅ΡΡΠ΅ Ρ ΡΠ°Π·Π½ΡΠΌΠΈ ΡΠ°ΡΠΎΠ½Π°ΠΌΠΈ Π±ΡΡΠΊ, Π° ΡΠ°ΠΊΠΆΠ΅ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ.

ΠΠ°ΠΊ Π½ΠΎΡΠΈΡΡ ΠΈ ΡΡ Π°ΠΆΠΈΠ²Π°ΡΡ Π·Π° Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌΠΈ ΡΡΡΠ»ΡΠΌΠΈ?
ΠΡΠΎΠ±ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΠΌΡΠΆΡΠΈΠ½Π΅ Π½ΡΠΆΠ½ΠΎ ΡΠ΄Π΅Π»ΠΈΡΡ Π²ΠΎΠΏΡΠΎΡΡ, Ρ ΡΠ΅ΠΌ Π½ΠΎΡΠΈΡΡ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ, ΡΡΠΎΠ±Ρ Π²ΡΠ³Π»ΡΠ΄Π΅ΡΡ ΡΡΠΈΠ»ΡΠ½ΠΎ ΠΈ ΠΌΠΎΠ΄Π½ΠΎ. ΠΡΠ»ΠΈ ΡΡΠΎ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΠΎΠΊΡΡΠΎΡΠ΄Ρ ΠΈΠ»ΠΈ Π±ΡΠΎΠ³ΠΈ Π² ΡΠ΅ΠΌΠ½ΡΡ ΡΠΎΠ½Π°Ρ , ΠΎΠ½ΠΈ Π±ΡΠ΄ΡΡ ΡΠΌΠΎΡΡΠ΅ΡΡΡΡ Π³Π°ΡΠΌΠΎΠ½ΠΈΡΠ½ΠΎ Ρ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌ ΡΡΡΠΎΠ³ΠΈΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ. ΠΠ΅ΠΎΡΠ΄ΠΈΠ½Π°ΡΠ½ΡΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅ Π±Π΅Π»ΡΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ ΡΠΌΠ΅ΡΡΠ½Ρ Π² ΡΠ²Π°Π΄Π΅Π±Π½ΠΎΠΌ ΠΎΠ±ΡΠ°Π·Π΅ ΠΆΠ΅Π½ΠΈΡ Π°, ΠΊΠ°ΠΊ ΠΈ Π΄ΡΡΠ³ΠΈΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΡΡΡΠ΅Π»Ρ Π² ΡΠ²Π΅ΡΠ»ΠΎΠΉ ΡΠ°ΡΡΠ²Π΅ΡΠΊΠ΅.
Π Π°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Ρ ΡΡΡΠ»ΠΈ Π΄Π΅ΡΠ±ΠΈ, ΠΈΡ ΠΌΠΎΠΆΠ½ΠΎ Π½ΠΎΡΠΈΡΡ ΠΈ Ρ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ, ΠΈ Ρ ΠΌΠΎΠ΄Π½ΡΠΌΠΈ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ. ΠΠΎΡΠ΅ΡΡ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠ³ΠΎ Π΄ΠΈΠ·Π°ΠΉΠ½Π° ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ Π΄Π»Ρ Π»Π΅ΡΠ½Π΅Π³ΠΎ ΠΎΠ±ΡΠ°Π·Π°, ΠΈΡ Π½ΠΎΡΡΡ Π±Π΅Π· Π½ΠΎΡΠΊΠΎΠ², Π΅ΡΠ»ΠΈ ΡΡΠΎ Π½Π΅ΡΠΎΡΠΌΠ°Π»ΡΠ½ΡΠΉ ΡΡΠΈΠ»Ρ. ΠΡ ΠΌΠΎΠΆΠ½ΠΎ ΠΎΠ±ΡΠ²Π°ΡΡ Π²ΠΌΠ΅ΡΡΠ΅ Ρ ΡΠΎΡΡΠ°ΠΌΠΈ, Π±Π»Π΅ΠΉΠ·Π΅ΡΠ°ΠΌΠΈ ΠΈ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ, Π° ΡΠ°ΠΊΠΆΠ΅ Π² ΠΊΠ»Π΅ΡΡΠ°ΡΠΎΠΌ Π°Π½ΡΠ°ΠΌΠ±Π»Π΅ ΠΏΡΠ΅Π΄ΠΌΠ΅ΡΠΎΠ² Π³Π°ΡΠ΄Π΅ΡΠΎΠ±Π°. ΠΡΠΎΠ±ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΡΡΠΎΠΈΡ ΡΠ΄Π΅Π»ΠΈΡΡ ΠΈ ΡΠΎΠΌΡ, ΠΊΠ°ΠΊ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ Π½ΠΎΡΠΈΡΡ ΠΎΠ±ΡΠ²Ρ Ρ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ΠΌ, ΡΡΠΎΠ±Ρ ΡΠΎΡ ΡΠ°Π½ΠΈΡΡ ΡΠ΅Π»ΠΎΡΡΠ½ΠΎΡΡΡ ΠΈ ΠΏΠ΅ΡΠ²ΠΎΠ·Π΄Π°Π½Π½ΡΡ ΡΠΎΡΠΌΡ.
Π‘ΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡΡ Π²ΡΠ΄Π΅Π»ΡΡΡ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ Π²Π°ΠΆΠ½ΡΡ ΠΏΡΠ½ΠΊΡΠΎΠ² Π² Π½ΠΎΡΠΊΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΡΡΡΠ»Π΅ΠΉ:
- Π‘Π½Π°ΡΠ°Π»Π° Π½ΡΠΆΠ½ΠΎ ΡΠ°ΡΡΡΠ΅Π³Π½ΡΡΡ Π²ΡΠ΅ Π·Π°ΡΡΠ΅ΠΆΠΊΠΈ, ΠΏΠΎΡΠ»Π΅ ΡΠ΅Π³ΠΎ Π½Π°Π΄Π΅ΡΡ ΡΡΡΠ»ΠΈ Ρ ΠΏΠΎΠΌΠΎΡΡΡ ΡΠΎΠΆΠΊΠ°.
- ΠΠ΅ ΡΡΠΎΠΈΡ ΠΎΠ±ΡΠ²Π°ΡΡ ΡΠ°ΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ Π² ΡΠΈΠ»ΡΠ½ΡΡ ΠΆΠ°ΡΡ ΠΈΠ»ΠΈ ΠΌΠΎΡΠΎΠ·, ΡΠΎΠ»ΡΠΊΠΎ ΡΠΌΠ΅ΡΠ΅Π½Π½ΡΠΉ ΠΊΠ»ΠΈΠΌΠ°Ρ ΡΠΎΡ ΡΠ°Π½ΠΈΡ ΡΠ΅Π»ΠΎΡΡΠ½ΠΎΡΡΡ ΠΏΠΎΠΊΡΡΡΠΈΡ.
- ΠΡΠ»ΠΈ ΡΡΡΠ»ΠΈ Π½Π°ΡΠΈΡΠ°ΡΡ Π½ΠΎΠ³ΠΈ, ΠΈΡ Π½ΡΠΆΠ½ΠΎ Π½Π°ΡΠ΅ΡΠ΅ΡΡ ΡΠΏΠΈΡΡΠΎΠ²ΡΠΌ ΡΠ°ΡΡΠ²ΠΎΡΠΎΠΌ (ΡΡΠ΅ΡΡ ΡΡΠ°ΠΊΠ°Π½Π° ΡΠΏΠΈΡΡΠ° ΠΈ ΠΎΡΡΠ°Π»ΡΠ½ΠΎΠ΅ Π²ΠΎΠ΄Π°), ΠΏΠΎΡΠ»Π΅ ΡΠ΅Π³ΠΎ ΡΡΡΠ»ΠΈ Π½Π°Π΄Π΅Π²Π°ΡΡ Π½Π° ΡΠΎΠ»ΡΡΡΠ΅ Π½ΠΎΡΠΊΠΈ. Π ΠΌΠΎΠΆΠ½ΠΎ ΠΏΡΠΈΠ±Π΅Π³Π½ΡΡΡ ΠΊ ΡΡΠ»ΡΠ³Π΅ ΡΠ°ΡΡΡΠΆΠΊΠΈ ΠΎΠ±ΡΠ²ΠΈ Π² ΠΎΠ±ΡΠ²Π½ΠΎΠΉ ΠΌΠ°ΡΡΠ΅ΡΡΠΊΠΎΠΉ.
- ΠΠ°ΠΊΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ Π΄ΠΎΠ»ΠΆΠ½Π° Ρ ΡΠ°Π½ΠΈΡΡΡΡ Π² ΡΡΡ ΠΎΠΌ ΠΈ ΡΠ΅ΠΏΠ»ΠΎΠΌ ΠΏΠΎΠΌΠ΅ΡΠ΅Π½ΠΈΠΈ, Π° ΠΌΠΎΠΆΠ½ΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΡΠΏΠ°ΠΊΠΎΠ²ΠΊΡ Ρ Π²Π΅Π½ΡΠΈΠ»ΡΡΠΈΠ΅ΠΉ.
ΠΠ°ΠΆΠ½ΠΎ! ΠΠ°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ Π½ΠΈ Π² ΠΊΠΎΠ΅ΠΌ ΡΠ»ΡΡΠ°Π΅ Π½Π΅ Π΄ΠΎΠ»ΠΆΠ½Ρ ΡΠΎΠΏΡΠΈΠΊΠ°ΡΠ°ΡΡΡΡ, ΡΡΠΎΠ±Ρ Π½Π΅ ΠΎΡΡΠ°Π²ΠΈΡΡ ΡΠ°ΡΠ°ΠΏΠΈΠ½ ΠΈ Π΄ΡΡΠ³ΠΈΡ ΠΏΠΎΠ²ΡΠ΅ΠΆΠ΄Π΅Π½ΠΈΠΉ Π²Π΅ΡΡ Π½Π΅Π³ΠΎ ΡΠ»ΠΎΡ.
Π‘ΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡΡ Π½Π°Π·ΡΠ²Π°ΡΡ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ Π²Π°ΠΆΠ½ΡΡ ΠΏΡΠ½ΠΊΡΠΎΠ² ΠΊΠ°ΡΠ°Π΅ΠΌΠΎ ΡΡ ΠΎΠ΄Π° Π·Π° Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌΠΈ ΠΌΡΠΆΡΠΊΠΈΠΌΠΈ ΡΡΡΠ»ΡΠΌΠΈ. Π₯ΡΠ°Π½ΠΈΡΡ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ Π½ΡΠΆΠ½ΠΎ ΡΠ»Π΅Π΄ΡΡΡΠΈΠΌ ΠΎΠ±ΡΠ°Π·ΠΎΠΌ:
- ΠΌΡΠΆΡΠΈΠ½Π΅ Π½ΡΠΆΠ½ΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΡΡΠ΅Π΄ΡΡΠ²Π° ΠΏΠΎ ΡΡ ΠΎΠ΄Ρ Π·Π° ΠΎΠ±ΡΠ²ΡΡ Π½Π° Π²ΠΎΠ΄Π½ΠΎΠΉ ΠΎΡΠ½ΠΎΠ²Π΅, Π±Π»Π°Π³ΠΎΠ΄Π°ΡΡ ΠΊΠΎΡΠΎΡΡΠΌ ΠΊΠΎΠΆΠ° ΡΠΌΡΠ³ΡΠ°Π΅ΡΡΡ ΠΈ Π΄Π΅Π»Π°Π΅Ρ Π²Π΅ΡΡ Π½ΠΈΠΉ ΡΠ»ΠΎΠΉ Π±Π»Π΅ΡΡΡΡΠΈΠΌ ΠΎΠ±Π½ΠΎΠ²Π»Π΅Π½Π½ΡΠΌ;
- ΠΏΠΎΡΠ»Π΅ Π²ΡΡ ΠΎΠ΄Π° Π½Π° ΡΠ»ΠΈΡΡ ΡΡΡΠ»ΠΈ Π½ΡΠΆΠ½ΠΎ ΠΎΡΠΌΠΎΡΡΠ΅ΡΡ Π½Π° Π½Π°Π»ΠΈΡΠΈΠ΅ ΠΏΡΠ»ΠΈ, ΠΏΡΠΎΡΠ΅ΡΠ΅Π² Π²Π»Π°ΠΆΠ½ΠΎΠΉ ΡΠ°Π»ΡΠ΅ΡΠΊΠΎΠΉ, ΠΎΡΠΊΠ°Π·Π°Π²ΡΠΈΡΡ ΠΎΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΡΠ΅ΡΠΊΠΈ;
- Π΅ΡΠ»ΠΈ ΡΡΡΠ»ΠΈ Π² Π³ΡΡΠ·ΠΈ, ΠΈΡ Π½ΡΠΆΠ½ΠΎ ΠΏΡΠΎΠΌΡΡΡ ΠΌΡΠ»ΡΠ½ΠΎΠΉ Π²ΠΎΠ΄ΠΎΠΉ, ΠΏΡΠΎΡΠ΅ΡΠ΅Π² ΠΌΡΠ³ΠΊΠΎΠΉ ΡΠΊΠ°Π½ΡΡ Π½Π°ΡΡΡ ΠΎ;
- ΠΊΠ°ΠΆΠ΄ΡΠΉ ΠΌΠ΅ΡΡΡ Π»Π°ΠΊΠΎΠ²ΠΎΠ΅ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ Π½ΡΠΆΠ½ΠΎ ΡΠΌΠ°Π·ΡΠ²Π°ΡΡ Π²Π°Π·Π΅Π»ΠΈΠ½ΠΎΠΌ, ΡΠ°ΡΡΠΈΡΠ΅Π»ΡΠ½ΡΠΌ ΠΈΠ»ΠΈ ΠΊΠ°ΡΡΠΎΡΠΎΠ²ΡΠΌ ΠΌΠ°ΡΠ»ΠΎΠΌ Π½Π° 20 ΠΌΠΈΠ½ΡΡ, ΠΏΠΎΡΠ»Π΅ ΡΠ΅Π³ΠΎ ΡΠ½ΠΈΠΌΠ°Ρ ΠΌΠ°ΡΠΊΡ Π²Π°ΡΠ½ΡΠΌ ΡΠ°ΠΌΠΏΠΎΠ½ΠΎΠΌ ΠΈΠ»ΠΈ ΡΠΊΠ°Π½ΡΡ;
- ΡΠ΄Π΅Π»Π°ΡΡ ΡΡΡΠ»ΠΈ Π±Π»Π΅ΡΡΡΡΠΈΠΌΠΈ ΠΏΠΎΠΌΠΎΠΆΠ΅Ρ ΡΠΈΡΠ½ΡΠΉ Π±Π΅Π»ΠΎΠΊ ΠΈΠ»ΠΈ ΡΡΠ΅Π· Π»ΡΠΊΠ°, ΠΊΠΎΡΠΎΡΡΠΌΠΈ Π½ΡΠΆΠ½ΠΎ Π½Π°ΡΠ΅ΡΠ΅ΡΡ ΡΡΡΠ»ΠΈ, ΠΎΡΡΠ°Π²ΠΈΡΡ Π½Π° 20 ΠΌΠΈΠ½ΡΡ, ΠΏΠΎΡΠ»Π΅ ΡΠ΅Π³ΠΎ Π½Π°ΡΠ΅ΡΠ΅ΡΡ Π΄ΠΎ Π±Π»Π΅ΡΠΊΠ° ΡΠΊΠ°Π½ΡΡ;
- Π²Π΅ΡΠ½ΡΡΡ ΡΡΡΠ»ΡΠΌ ΡΡΠΊΠΈΠΉ ΡΠ²Π΅Ρ ΠΏΠΎΠΌΠΎΠΆΠ΅Ρ Π½Π°ΡΠ°ΡΡΡΠ½ΡΠΉ ΡΠΏΠΈΡΡ, ΡΠΌΠ΅ΡΠ°Π½Π½ΡΠΉ Ρ ΠΌΡΠ»ΡΠ½ΡΠΌ ΡΠ°ΡΡΠ²ΠΎΡΠΎΠΌ.
ΠΠΈ Π² ΠΊΠΎΠ΅ΠΌ ΡΠ»ΡΡΠ°Π΅ Π½Π΅Π»ΡΠ·Ρ ΡΡΡΠΈΡΡ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΎΠΊΠΎΠ»ΠΎ ΠΎΠ±ΠΎΠ³ΡΠ΅Π²Π°ΡΠ΅Π»Π΅ΠΉ, ΡΡΠΎ ΠΈΡΠΏΠΎΡΡΠΈΡ ΡΠ΅Π»ΠΎΡΡΠ½ΠΎΡΡΡ ΠΊΠΎΠΆΠΈ ΠΈ ΡΠ»ΠΎΡ Π»Π°ΠΊΠ°. ΠΠΎΡΠ»Π΅ ΡΠΈΡΡΠΊΠΈ Π²Π½ΡΡΡΡ ΡΡΡΠ΅Π»Ρ Π½ΡΠΆΠ½ΠΎ ΠΏΠΎΠ»ΠΎΠΆΠΈΡΡ Π³Π°Π·Π΅ΡΡ. Π‘ΡΠΈΠ»ΠΈΡΡΡ Π½Π΅ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΡΡ ΡΠΊΠΎΠ½ΠΎΠΌΠΈΡΡ Π½Π° ΡΠ°ΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ, ΠΏΡΠ΅Π΄ΠΏΠΎΡΠΈΡΠ°Ρ ΠΊΠΎΠΆΡ Π»ΡΡΡΠ΅Π³ΠΎ ΠΊΠ°ΡΠ΅ΡΡΠ²Π°. ΠΠ°ΠΆΠ΄ΡΠΉ ΡΡΠΈΠ»ΡΠ³Π° Π½Π°ΠΉΠ΄Π΅Ρ Π΄Π»Ρ ΡΠ΅Π±Ρ ΠΈΠ΄Π΅Π°Π»ΡΠ½ΡΡ ΠΌΠΎΠ΄Π΅Π»Ρ ΡΡΡΠ΅Π»Ρ Π² ΡΠΈΠ»Ρ Π±ΠΎΠ»ΡΡΠΎΠ³ΠΎ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·ΠΈΡ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ.
ΠΡΠ²ΠΎΠ΄
ΠΠΎ ΠΎΠ±ΡΠ²ΠΈ ΠΎΡΠ΅Π½ΠΈΠ²Π°ΡΡ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΠΉ ΡΡΠ°ΡΡΡ, ΠΏΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ ΠΈ ΡΡΠΈΠ»Ρ ΠΌΡΠΆΡΠΈΠ½Ρ, ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π²Π½ΠΈΠΌΠ°ΡΠ΅Π»ΡΠ½Ρ ΠΊ ΠΌΡΠΆΡΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ ΠΆΠ΅Π½ΡΠΈΠ½Ρ. ΠΡΠΎΠ±ΠΎΠΉ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΠΎΡΡΡΡ ΡΠ΅Π³ΠΎΠ΄Π½Ρ ΠΏΠΎΠ»ΡΠ·ΡΡΡΡΡ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ ΡΠΌΠΎΡΡΡΡΡΡ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΠΎ, ΡΡΠΊΠΎ ΠΈ ΠΏΡΠ°Π·Π΄Π½ΠΈΡΠ½ΠΎ. Π ΡΠΈΠ»Ρ Π±ΠΎΠ»ΡΡΠΎΠ³ΠΎ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·ΠΈΡ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ, Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ ΡΠ΅Π³ΠΎΠ΄Π½Ρ Π½ΠΎΡΡΡ ΠΌΡΠΆΡΠΈΠ½Ρ Π²ΡΠ΅Ρ Π²ΠΎΠ·ΡΠ°ΡΡΠΎΠ² ΠΈ Π² ΡΠΎΡΠΌΠ°Π»ΡΠ½ΠΎΠΌ, ΠΈ Π² Π½Π΅ΡΠΎΡΠΌΠ°Π»ΡΠ½ΠΎΠΌ ΡΡΠΈΠ»Π΅.
Π Π΅ΠΉΡΠΈΠ½Π³ Π°Π²ΡΠΎΡΠ°
5

ΠΠ²ΡΠΎΡ ΡΡΠ°ΡΡΠΈ
ΠΡΠΆΡΠΊΠΈΠΉ ΡΡΠΈΠ»ΠΈΡΡ-ΠΈΠΌΠΈΠ΄ΠΆΠΌΠ΅ΠΉΠΊΠ΅Ρ
ΠΠ°ΠΏΠΈΡΠ°Π½ΠΎ ΡΡΠ°ΡΠ΅ΠΉ
29
ΠΠ°Π³ΡΡΠ·ΠΊΠ°…Β
ΠΠ°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ β ΡΡΠΎ ΡΠ½ΠΈΠ²Π΅ΡΡΠ°Π»ΡΠ½ΡΠΉ Π²Π°ΡΠΈΠ°Π½Ρ, Π²ΠΏΠΈΡΡΠ²Π°ΡΡΠΈΠΉΡΡ ΠΈ Π² Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΡΡΠΈΠ»Ρ, ΠΈ Π² Π²Π΅ΡΠ΅ΡΠ½ΠΈΠΉ ΠΎΠ±ΡΠ°Π·. ΠΡΠ°Π²ΠΈΠ»ΡΠ½ΡΠΉ Π²ΡΠ±ΠΎΡ ΡΠ°ΡΠΎΠ½Π°, ΡΠ²Π΅ΡΠΎΠ²ΠΎΠΉ Π³Π°ΠΌΠΌΡ ΠΈ ΡΠ°Π·ΠΌΠ΅ΡΠ° ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ ΠΌΡΠΆΡΠΈΠ½Π°ΠΌ Π²ΡΠ³Π»ΡΠ΄Π΅ΡΡ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΠΎ. ΠΠΎΠ΄ΠΎΠ±Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ Π²ΡΠ΅Π³Π΄Π° Π±ΡΠ΄Π΅Ρ Π² ΠΌΠΎΠ΄Π΅. ΠΠ»Ρ Π΅Π΅ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡΠ²Π° ΠΏΡΠΈΠΌΠ΅Π½ΡΡΡΡΡ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Ρ, ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΠ²Π°ΡΡΠΈΠ΅ ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΡΡ Π½ΠΎΡΠΊΡ.
ΠΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ, ΠΏΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π° ΠΈ Π½Π΅Π΄ΠΎΡΡΠ°ΡΠΊΠΈ
ΠΠ΅ΠΊΠΎΡ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΡΡΡΠ΅Π»Ρ ΠΏΡΠΎΡΡΠΎΠΉ ΠΈ Π»Π°ΠΊΠΎΠ½ΠΈΡΠ½ΡΠΉ. Π Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡ ΠΏΡΠΎΡΡΡΠΎΡΠ΅Π½Π½ΡΠ΅ ΡΠ²Ρ ΠΈ ΡΠΈΡΠ½Π΅Π½ΠΈΠ΅. Π’ΡΡΠ»ΠΈ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΡ ΠΌΠ°ΡΠΎΠΊ ΠΊΠΎΠΌΠ±ΠΈΠ½ΠΈΡΡΡΡ Π² ΡΠ΅Π±Π΅ ΠΊΠΎΠ½ΡΡΠ°ΡΡΠ½ΡΠ΅ ΡΠ°ΠΊΡΡΡΡ ΠΈ ΠΎΡΡΠ΅Π½ΠΊΠΈ.
ΠΠ°ΠΈΠ±ΠΎΠ»ΡΡΠ΅ΠΉ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΠΎΡΡΡΡ ΠΏΠΎΠ»ΡΠ·ΡΠ΅ΡΡΡ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ ΡΠ΅ΡΠ½ΠΎΠΉ ΠΈ Π±Π΅Π»ΠΎΠΉ ΡΠ°ΡΡΠ²Π΅ΡΠΎΠΊ. Π’ΡΡΠ»ΡΠΌΠΈ Π² ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΡΡΠΈΠ»Π΅ ΠΌΠΎΠΆΠ½ΠΎ Π΄ΠΎΠΏΠΎΠ»Π½ΠΈΡΡ ΡΠ²Π°Π΄Π΅Π±Π½ΡΠΉ Π½Π°ΡΡΠ΄ ΠΈΠ»ΠΈ Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΠΎΠ±ΡΠ°Π·.
ΠΠ»Ρ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡΠ²Π° ΡΠ°ΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ ΠΏΡΠΈΠΌΠ΅Π½ΡΡΡ Ρ ΡΠΎΠΌΠΎΠ²ΡΡ ΠΊΠΎΠΆΡ, ΠΏΠΎΠΊΡΡΠ²Π°Ρ Π΅Π΅ ΠΏΠΎΠ»ΠΈΡΡΠ΅ΡΠ°Π½ΠΎΠ²ΡΠΌΠΈ ΡΠΌΠΎΠ»Π°ΠΌΠΈ. ΠΡΠΎΡ ΡΠ»ΠΎΠΉ Π²ΡΠΏΠΎΠ»Π½ΡΠ΅Ρ Π·Π°ΡΠΈΡΠ½ΡΡ ΡΡΠ½ΠΊΡΠΈΡ, ΠΏΡΠΈΠ΄Π°Π΅Ρ ΠΎΠ±ΡΠ²ΠΈ ΡΠΈΠΊΠ°ΡΠ½ΡΠΉ Π²ΠΈΠ΄ ΠΈ Π±Π»Π΅ΡΠΊ, ΠΏΠΎΠ²ΡΡΠ°Π΅Ρ ΠΏΡΠΎΡΠ½ΠΎΡΡΡ.
ΠΡΠ»ΠΈ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ ΡΡ Π°ΠΆΠΈΠ²Π°ΡΡ Π·Π° ΡΡΡΠ»ΡΠΌΠΈ Ρ Π»Π°ΠΊΠΈΡΠΎΠ²ΠΊΠΎΠΉ, ΠΎΠ½ΠΈ Π΄ΠΎΠ»Π³ΠΎ ΡΠΎΡ ΡΠ°Π½ΡΡΡ ΠΏΡΠ΅Π·Π΅Π½ΡΠ°Π±Π΅Π»ΡΠ½ΡΠΉ Π²ΠΈΠ΄.
ΠΠ΅ΡΠ΅Π΄ ΠΈΡ ΠΏΠΎΠΊΡΠΏΠΊΠΎΠΉ Π½ΡΠΆΠ½ΠΎ ΠΏΡΠΎΠ°Π½Π°Π»ΠΈΠ·ΠΈΡΠΎΠ²Π°ΡΡ ΠΎΡΠ½ΠΎΠ²Π½ΡΠ΅ ΠΏΠ»ΡΡΡ. ΠΠ»Π°Π²Π½ΡΠ΅ ΠΈΠ· Π½ΠΈΡ β ΡΡΠΎ:
- ΡΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΡ ΠΏΠΎΠ΄ΡΡΡΠ°ΠΈΠ²Π°ΡΡΡΡ ΠΏΠΎΠ΄ ΡΠΎΡΠΌΡ ΠΊΠΎΠ½Π΅ΡΠ½ΠΎΡΡΠΈ Π·Π° ΡΡΠ΅Ρ ΡΠΎΠ³ΠΎ, ΡΡΠΎ ΠΊΠΎΠΆΠ° ΠΎΡΠ»ΠΈΡΠ½ΠΎ ΡΡΠ½Π΅ΡΡΡ;
- ΡΡΠΎΠΉΠΊΠΎΡΡΡ Π»Π°ΠΊΠΎΠ²ΠΎΠ³ΠΎ ΠΏΠΎΠΊΡΡΡΠΈΡ ΠΊ ΡΠ°ΡΠ°ΠΏΠΈΠ½Π°ΠΌ ΠΈ Π΄ΡΡΠ³ΠΈΠΌ Π΄Π΅ΡΠ΅ΠΊΡΠ°ΠΌ;
- Π±ΡΡΡΡΠΎΠ΅ Π²ΠΎΡΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΠ΅ ΡΠΎΡΠΌΡ ΠΏΠΎΡΠ»Π΅ ΡΠ½ΡΡΠΈΡ Ρ Π½ΠΎΠ³ΠΈ;
- ΡΡΠΎΠΉΠΊΠΎΡΡΡ ΠΊ Π·Π°Π³ΡΡΠ·Π½Π΅Π½ΠΈΡΠΌ ΠΏΡΠΈ ΡΡΠ»ΠΎΠ²ΠΈΠΈ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎΠ³ΠΎ ΡΡ ΠΎΠ΄Π°;
- ΡΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΡ ΠΏΠ΅ΡΠ΅Π½ΠΎΡΠΈΡΡ ΠΏΠ΅ΡΠ΅ΠΏΠ°Π΄Ρ ΡΠ΅ΠΌΠΏΠ΅ΡΠ°ΡΡΡ.
ΠΠ°ΠΊΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ Π²ΡΠ³Π»ΡΠ΄ΠΈΡ Π½Π°ΡΡΠ΄Π½ΠΎ, ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ Π²ΡΠ΅ΠΌΡ ΡΠΎΡ ΡΠ°Π½ΡΠ΅Ρ ΠΏΠ΅ΡΠ²ΠΎΠ½Π°ΡΠ°Π»ΡΠ½ΡΡ ΡΠΎΡΠΌΡ. ΠΠ½Π° Π²ΡΠΏΡΡΠΊΠ°Π΅ΡΡΡ Π² ΡΠ°Π·Π½ΡΡ ΡΠ²Π΅ΡΠΎΠ²ΡΡ Π²Π°ΡΠΈΠ°Π½ΡΠ°Ρ . ΠΠ°ΠΊΠΈΡΠΎΠ²ΠΊΡ ΡΠΊΡΠ°ΡΠ°ΡΡ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·Π½ΡΠΌΠΈ ΡΠ·ΠΎΡΠ°ΠΌΠΈ, ΡΡΠΎ ΠΏΡΠΈΠ΄Π°Π΅Ρ ΠΈΠ·Π΄Π΅Π»ΠΈΡΠΌ ΠΌΠΎΠ΄Π½ΡΠΉ Π²ΠΈΠ΄.
ΠΠΈΠ½ΡΡΠΎΠ² Ρ ΡΠ°ΠΊΠΈΡ ΡΡΡΠ΅Π»Ρ ΠΏΠΎΡΡΠΈ Π½Π΅Ρ, ΡΠ°Π·Π²Π΅ ΡΡΠΎ ΡΠ΅Π½Π° β ΠΏΡΠΈΠΎΠ±ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ ΠΏΠΎΡΡΠ΅Π±ΡΠ΅Ρ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΡΡ Π·Π°ΡΡΠ°Ρ.
Π Π°Π·Π½ΠΎΠ²ΠΈΠ΄Π½ΠΎΡΡΠΈ
ΠΡΠ΄Π΅Π»ΡΡΡ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΡΠ°Π·Π½ΠΎΠ²ΠΈΠ΄Π½ΠΎΡΡΠ΅ΠΉ Π»Π°ΠΊΠΎΠ²ΡΡ ΠΌΡΠΆΡΠΊΠΈΡ ΡΡΡΠ΅Π»Ρ:
- ΠΎΠΊΡΡΠΎΡΠ΄;
- Π±ΡΠΎΠ³ΠΈ;
- Π΄Π΅ΡΠ±ΠΈ;
- ΠΌΠΎΠ½ΠΊΠΈ;
- Π»ΠΎΡΠ΅ΡΡ.
ΠΠΊΡΡΠΎΡΠ΄ β ΡΡΠΎ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠ°Ρ ΠΎΠ±ΡΠ²Ρ, ΠΎΠ±Π»Π°Π΄Π°ΡΡΠ°Ρ ΡΡΡΠΎΠ³ΠΈΠΌ Π΄ΠΈΠ·Π°ΠΉΠ½ΠΎΠΌ. ΠΠ΅ Π³Π»Π°Π²Π½ΡΠΌΠΈ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΡΠΌΠΈ ΡΠ²Π»ΡΡΡΡΡ Π·Π°ΠΊΡΡΡΠ°Ρ ΡΠ½ΡΡΠΎΠ²ΠΊΠ° ΠΈ ΠΊΠΎΠΆΠ°Π½Π°Ρ ΠΏΠΎΠ΄ΠΎΡΠ²Π°. Π ΡΠ°ΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ ΡΠ΅Π³ΠΎΠ»ΡΠ»ΠΈ ΡΡΡΠ΄Π΅Π½ΡΡ ΠΈΠ· ΠΠΊΡΡΠΎΡΠ΄ΡΠΊΠΎΠ³ΠΎ ΡΠ½ΠΈΠ²Π΅ΡΡΠΈΡΠ΅ΡΠ°.
ΠΡΠΈΠΌΠ΅Π½ΡΠ΅ΠΌΠ°Ρ Π΄Π»Ρ ΠΏΠΎΡΠΈΠ²Π° ΡΡΡΠ΅Π»Ρ ΠΊΠΎΠΆΠ° ΠΌΠΎΠΆΠ΅Ρ ΠΎΠ±Π»Π°Π΄Π°ΡΡ ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΡΠΌ Π΄Π΅ΠΊΠΎΡΠΎΠΌ, ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΡΡΠΈΠΌ ΡΠΎΠ±ΠΎΠΉ Π½Π΅Π±ΠΎΠ»ΡΡΠΈΠ΅ ΠΎΡΠ²Π΅ΡΡΡΠΈΡ, ΡΡΠΎ ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΠ²Π°Π΅Ρ Ρ ΠΎΡΠΎΡΡΡ Π²Π΅Π½ΡΠΈΠ»ΡΡΠΈΡ Π½ΠΎΠ³.
Π‘ΡΡΠ΅ΡΡΠ²ΡΠ΅Ρ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ Π²ΠΈΠ΄ΠΎΠ² ΠΎΠΊΡΡΠΎΡΠ΄ΠΎΠ², Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΠΎΡΠ»ΠΈΡΠ½ΠΎ Π²ΠΏΠΈΡΡΠ²Π°ΡΡΡΡ Π² Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΡΡΠΈΠ»Ρ.
ΠΡΠΎΠ³ΠΈ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΡΡ ΡΠΎΠ±ΠΎΠΉ ΡΡΡΠ»ΠΈ Ρ Π·Π°ΠΎΡΡΡΠ΅Π½Π½ΡΠΌ ΠΌΡΡΠΊΠΎΠΌ. ΠΠ»Ρ ΠΈΡ ΠΈΠ·Π³ΠΎΡΠΎΠ²Π»Π΅Π½ΠΈΡ ΠΏΡΠΈΠΌΠ΅Π½ΡΡΡ Π³Π»Π°Π΄ΠΊΡΡ ΠΊΠΎΠΆΡ, ΠΏΡΠΈΠ΄Π°ΡΡΡΡ ΠΈΠΌ ΠΏΡΠΎΡΠ½ΠΎΡΡΡ ΠΈ ΡΠ»Π°ΡΡΠΈΡΠ½ΠΎΡΡΡ. ΠΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΡΠΉ Π²ΠΈΠ΄ ΡΡΡΠ»ΡΠΌ ΠΏΡΠΈΠ΄Π°Π΅Ρ ΡΠ·ΠΎΡΡΠ°ΡΠ°Ρ ΠΏΠ΅ΡΡΠΎΡΠ°ΡΠΈΡ ΠΈ Π½ΠΎΡ, Π½Π°ΠΏΠΎΠΌΠΈΠ½Π°ΡΡΠΈΠΉ Π±ΡΠΊΡ W. ΠΡΠΈ Π΄Π΅ΡΠ°Π»ΠΈ ΠΈ ΠΎΡΠ»ΠΈΡΠ°ΡΡ Π±ΡΠΎΠ³ΠΈ ΠΎΡ ΠΎΠΊΡΡΠΎΡΠ΄ΠΎΠ².
ΠΠ΅ΡΡΠΎΡΠ°ΡΠΈΡ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΊΠ°ΠΊ ΠΏΠΎΠ»Π½ΠΎΠΉ, ΠΏΠΎ Π²ΡΠ΅ΠΉ ΠΏΠ»ΠΎΡΠ°Π΄ΠΈ ΠΎΠ±ΡΠ²ΠΈ, ΡΠ°ΠΊ ΠΈ ΡΠ°ΡΡΠΈΡΠ½ΠΎΠΉ. ΠΡΠΈ ΡΠΎΠ·Π΄Π°Π½ΠΈΠΈ ΡΠ°ΠΊΠΈΡ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ Π½Π΅ΡΠ΅Π΄ΠΊΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡ 2 ΠΊΠΎΠ½ΡΡΠ°ΡΡΠ½ΡΡ ΡΠ²Π΅ΡΠ°, Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, ΡΠ΅ΡΠ½ΡΠΉ ΠΈ Π±Π΅Π»ΡΠΉ ΠΈΠ»ΠΈ Π±Π΅Π»ΠΎΡΠ½Π΅ΠΆΠ½ΡΠΉ Ρ Π±ΠΎΡΠ΄ΠΎΠ²ΡΠΌ. ΠΠΎΠ΄ΠΎΠ±Π½ΡΠ΅ ΠΊΠΎΠΌΠ±ΠΈΠ½Π°ΡΠΈΠΈ ΠΏΡΠΈΠ΄Π°ΡΡ ΠΎΠ±ΡΠ°Π·Ρ ΡΠΏΠ΅ΡΠΈΡΠΈΡΠ½ΠΎΡΡΡ. Π’Π΅ΠΌΠ½ΡΠ΅ Π±ΡΠΎΠ³ΠΈ Ρ ΠΎΡΠΎΡΠΎ Π΄ΠΎΠΏΠΎΠ»Π½ΡΡΡ Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΡΡΠΈΠ»Ρ. ΠΠ°ΡΠΌΠΎΠ½ΠΈΡΡΡΡ ΠΎΠ½ΠΈ ΠΈ Ρ ΡΠΈΡΠΎΠΊΠΈΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ.
Π’ΡΡΠ»ΠΈ Π½Π° ΡΠ΅Π·ΠΈΠ½ΠΎΠ²ΠΎΠΉ ΠΏΠΎΠ΄ΠΎΡΠ²Π΅ ΡΠΎΡΠ΅ΡΠ°ΡΡ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ β ΡΡΠΎ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ Π²Π°ΡΠΈΠ°Π½Ρ Π΄Π»Ρ ΡΠ»ΠΈΡΠ½ΠΎΠ³ΠΎ ΡΡΠΈΠ»Ρ.
ΠΡΠ»ΠΈΡΠΈΡΠ΅Π»ΡΠ½Π°Ρ ΡΠ΅ΡΡΠ° Π΄Π΅ΡΠ±ΠΈ β ΠΎΡΠΊΡΡΡΠ°Ρ ΡΠ½ΡΡΠΎΠ²ΠΊΠ°. ΠΠΎΠ΄ΠΎΡΠ²Ρ ΡΡΡΠ΅Π»Ρ, ΠΊΠΎΡΠΎΡΡΠ΅ ΡΡΠΈΡΠ°ΡΡΡΡ ΡΠ½ΠΈΠ²Π΅ΡΡΠ°Π»ΡΠ½ΡΠΌΠΈ, Π΄Π΅Π»Π°ΡΡ ΠΈΠ· ΠΊΠΎΠΆΠΈ ΠΈΠ»ΠΈ ΠΏΠΎΠ»ΠΈΡΡΠ΅ΡΠ°Π½Π°. ΠΠ±ΡΠ²Ρ ΡΠ°ΠΊΠΎΠ³ΠΎ ΡΠΈΠΏΠ° ΠΎΡΠ»ΠΈΡΠ½ΠΎ ΡΠΆΠΈΠ²Π°Π΅ΡΡΡ Ρ Π±ΡΡΠΊΠ°ΠΌΠΈ Π² ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΡΡΠΈΠ»Π΅ ΠΈ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ. ΠΠ΅ΡΠ±ΠΈ ΠΎΡΠ»ΠΈΡΠ°ΡΡΡΡ ΡΠ°ΠΊΡΡΡΠΎΠΉ ΠΈ ΡΠ²Π΅ΡΠΎΠ²ΠΎΠΉ Π³Π°ΠΌΠΌΠΎΠΉ. Π ΠΏΡΠΎΠ΄Π°ΠΆΠ΅ ΠΌΠΎΠΆΠ½ΠΎ Π²ΡΡΡΠ΅ΡΠΈΡΡ Π²Π°ΡΠΈΠ°Π½ΡΡ Ρ ΠΏΠ΅ΡΡΠΎΡΠ°ΡΠΈΠ΅ΠΉ ΠΈ ΠΎΠ±ΡΡΠ½ΡΠ΅.
ΠΠΎΠ½ΠΊΠΈ β ΡΡΠΎ ΡΠ΄Π»ΠΈΠ½Π΅Π½Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ Π±Π΅Π· ΡΠ½ΡΡΠΊΠΎΠ². ΠΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΡ ΡΠΎΡΡΠΎΠΈΡ Π² Π½Π°Π»ΠΈΡΠΈΠΈ Π½Π΅Π±ΠΎΠ»ΡΡΠΈΡ ΠΏΡΡΠΆΠ΅ΠΊ, Π²ΡΠΏΠΎΠ»Π½ΡΡΡΠΈΡ Π΄Π΅ΠΊΠΎΡΠ°ΡΠΈΠ²Π½ΡΡ ΡΡΠ½ΠΊΡΠΈΡ. Π¨ΡΡΡ ΠΌΠΎΠ½ΠΊΠΈ ΠΈΠ· Π½Π°ΡΡΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΊΠΎΠΆΠΈ, ΠΎΠ½ΠΈ Π³Π°ΡΠΌΠΎΠ½ΠΈΡΡΡΡ Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΌ ΠΈ Π΄Π΅Π»ΠΎΠ²ΡΠΌ ΡΡΠΈΠ»ΡΠΌΠΈ. ΠΡ Π½ΠΎΡΡΡ ΠΊΠ°ΠΊ Ρ Π½ΠΎΡΠΊΠ°ΠΌΠΈ, ΡΠ°ΠΊ ΠΈ Π±Π΅Π·. Π‘ΡΠΈΠ»ΡΠ½ΡΠ΅ ΠΌΠΎΠ½ΠΊΠΈ ΡΠΌΠ΅ΡΡΠ½ΠΎ ΡΠΌΠΎΡΡΡΡΡΡ Π² ΠΏΠ°ΡΠ΅ Ρ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ ΠΈ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ. ΠΠΎΠ΄Π΅Π»ΠΈ Ρ ΠΏΡΡΠΆΠΊΠ°ΠΌΠΈ Π»ΡΡΡΠ΅ Π²ΡΠ΅Π³ΠΎ Π½ΠΎΡΠΈΡΡ Ρ Π·Π°ΡΠΆΠ΅Π½Π½ΡΠΌΠΈ ΡΡΠ°Π½Π°ΠΌΠΈ, ΡΡΠΎΠ±Ρ Π±ΡΠ» Π²ΠΈΠ΄Π΅Π½ Π΄Π΅ΠΊΠΎΡ.
ΠΠΎΡΠ΅ΡΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΡΡ ΡΠΎΠ±ΠΎΠΉ Π½Π΅ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΡΡ ΠΎΠ±ΡΠ²Ρ, Ρ ΠΎΡΡ ΠΏΡΠΈ ΠΆΠ΅Π»Π°Π½ΠΈΠΈ ΠΈΡ ΠΌΠΎΠΆΠ½ΠΎ ΠΊΠΎΠΌΠ±ΠΈΠ½ΠΈΡΠΎΠ²Π°ΡΡ Ρ Π΄Π΅Π»ΠΎΠ²ΡΠΌΠΈ ΠΊΠΎΡΡΡΠΌΠ°ΠΌΠΈ. Π’ΡΡΠ»ΠΈ Ρ ΠΊΠΈΡΡΠΎΡΠΊΠ°ΠΌΠΈ ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΠΎ ΡΠΌΠΎΡΡΡΡΡΡ Π² ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ΅ Ρ ΠΊΠ»Π΅ΡΡΠ°ΡΡΠΌ Π±Π»Π΅ΠΉΠ·Π΅ΡΠΎΠΌ.
ΠΠΎΠ΄Π½ΡΠ΅ ΡΠ²Π΅ΡΠ°
Π§ΡΠΎΠ±Ρ ΠΈΠ·Π±Π΅ΠΆΠ°ΡΡ Π½Π΅Π»Π΅ΠΏΠΎΡΡΠΈ Π² ΠΎΠ±ΡΠ°Π·Π΅, Π² ΠΊΠΎΡΠΎΡΠΎΠΌ ΠΏΡΠΈΡΡΡΡΡΠ²ΡΡΡ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ, ΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ Π²ΡΠ±ΡΠ°ΡΡ ΡΠ²Π΅Ρ Π²Π΅ΡΡ Π½Π΅ΠΉ ΡΠ°ΡΡΠΈ. ΠΠΎΠ»Π΅Ρ ΠΎΠ±ΡΠ²ΠΈ ΠΏΠΎΠ΄Π±ΠΈΡΠ°ΡΡ ΠΊ ΠΊΠΎΠ½ΠΊΡΠ΅ΡΠ½ΠΎΠΉ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΠΈ ΡΠ²Π΅ΡΠΎΠ²ΠΎΠΉ Π³Π°ΠΌΠΌΠ΅ Π±ΡΡΠΊ.
ΠΠΎΠΌΠ±ΠΈΠ½Π°ΡΠΈΡ ΠΎΡΡΠ΅Π½ΠΊΠΎΠ² ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΈΠ΄Π΅Π½ΡΠΈΡΠ½ΠΎΠΉ ΠΈΠ»ΠΈ ΡΠΎΠ·Π΄Π°Π²Π°ΡΡ ΠΊΠΎΠ½ΡΡΠ°ΡΡ. Π ΡΠΎΠ±ΠΈΡΠ°ΡΠ΅Π»ΡΠ½ΡΡ ΠΎΠ±ΡΠ°Π·Π°Ρ ΠΌΠΎΠ³ΡΡ ΠΏΡΠΈΡΡΡΡΡΠ²ΠΎΠ²Π°ΡΡ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠ΅ ΠΏΠΎΠ»ΡΡΠΎΠ½Π°.
Π¦Π²Π΅Ρ ΠΎΠ±ΡΠ²ΠΈ Π²ΠΎ ΠΌΠ½ΠΎΠ³ΠΎΠΌ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ Π΄ΡΠ΅ΡΡ-ΠΊΠΎΠ΄Π°. ΠΠ°ΠΊΠΎΠ½ΠΈΡΠ½ΠΎ ΡΠΌΠΎΡΡΡΡΡΡ ΡΠ΅ΡΠ½ΡΠ΅ ΡΡΡΠ»ΠΈ, Π½Π΅ΡΠΎΡΠΌΠ°Π»ΡΠ½ΠΎΡΡΡ Π² ΠΎΠ±ΡΠ°Π·Π΅ ΠΌΠΎΠΆΠ½ΠΎ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠ½ΡΡΡ ΠΏΡΠΈ ΠΏΠΎΠΌΠΎΡΠΈ Π±ΠΎΡΠ΄ΠΎΠ²ΡΡ ΠΈ Π±Π΅ΠΆΠ΅Π²ΡΡ ΠΎΡΡΠ΅Π½ΠΊΠΎΠ².
ΠΠΎΠ΄Π½ΡΠ΅ ΡΠ΅Π½Π΄Π΅Π½ΡΠΈΠΈ Π½Π΅ Π»ΠΈΡΠ°ΡΡ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΠ΅ΠΉ Π΄Π»Ρ ΡΠ°ΠΌΠΎΠ²ΡΡΠ°ΠΆΠ΅Π½ΠΈΡ, ΠΈΡΠΊΠ»ΡΡΠ°ΡΡ ΡΡΡΠΎΠ³ΡΡ ΠΏΡΠΈΠ²ΡΠ·ΠΊΡ ΠΊ Π΄ΡΠ΅ΡΡ-ΠΊΠΎΠ΄Ρ. ΠΡΠ»ΠΈ Π΅ΡΡΡ ΠΆΠ΅Π»Π°Π½ΠΈΠ΅ ΡΠΎΠ·Π΄Π°ΡΡ ΡΠΊΡΡΡΠ°Π²Π°Π³Π°Π½ΡΠ½ΡΠΉ ΠΎΠ±ΡΠ°Π·, ΠΌΠΎΠΆΠ½ΠΎ ΠΏΡΠΎΠΈΠ³Π½ΠΎΡΠΈΡΠΎΠ²Π°ΡΡ ΠΏΡΠ°Π²ΠΈΠ»Π°. ΠΡΠΆΡΠΈΠ½Ρ, Π½Π΅ Π±ΠΎΡΡΠΈΠ΅ΡΡ ΡΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½ΡΠΎΠ², ΠΎΡΠ΄Π°ΡΡ ΠΏΡΠ΅Π΄ΠΏΠΎΡΡΠ΅Π½ΠΈΠ΅ ΠΊΡΠ°ΡΠ½ΡΠΌ ΠΈ Π·Π΅Π»Π΅Π½ΡΠΌ ΡΡΡΠ»ΡΠΌ. Π ΠΊΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΎΡΡ β ΡΠ΅ΡΠ½ΠΎΠΉ ΠΈ Π±Π΅Π»ΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ.
ΠΠ°ΠΊ Π²ΡΠ±ΡΠ°ΡΡ?
ΠΡΠΈΡΠ΅ΡΠΈΠΈ Π²ΡΠ±ΠΎΡΠ° Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ ΠΌΡΠΆΡΠΊΠΈΡ ΡΡΡΠ΅Π»Ρ ΡΠ°ΠΊΠΈΠ΅ ΠΆΠ΅, ΠΊΠ°ΠΊ ΠΈ Π΄Π»Ρ Π΄ΡΡΠ³ΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ. ΠΡΠ½ΠΎΠ²Π½ΡΠ΅ ΠΏΠ°ΡΠ°ΠΌΠ΅ΡΡΡ β ΡΡΠΎ:
- ΡΠ°Π·ΠΌΠ΅Ρ;
- ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΠΈΠ΅ ΡΠΎΠ·Π΄Π°Π²Π°Π΅ΠΌΠΎΠΌΡ ΠΎΠ±ΡΠ°Π·Ρ;
- ΠΊΠ°ΡΠ΅ΡΡΠ²ΠΎ;
- ΡΡΠΎΠΈΠΌΠΎΡΡΡ.
ΠΡΠ»ΠΈ ΡΠΈΠ½Π°Π½ΡΠΎΠ²ΡΠ΅ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΠΈ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΡΡ, ΠΎΡΠ΄Π°Π²Π°ΠΉΡΠ΅ ΠΏΡΠ΅Π΄ΠΏΠΎΡΡΠ΅Π½ΠΈΠ΅ ΠΎΠ±ΡΠ²ΠΈ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Π΅ΠΉ. ΠΠ΅ΡΠ΅Π²ΡΠ΅ ΡΡΡΠ»ΠΈ Π²ΡΡΠ΄ Π»ΠΈ Π΄ΠΎΠ»Π³ΠΎ ΠΏΡΠΎΡΠ»ΡΠΆΠ°Ρ. ΠΠ½ΠΈ Π΄ΠΎΠ»ΠΆΠ½Ρ ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎ ΡΠΎΠΎΡΠ½ΠΎΡΠΈΡΡΡΡ Ρ ΡΠ°Π·ΠΌΠ΅ΡΠΎΠΌ Π½ΠΎΠ³ΠΈ.
ΠΡΠΈ Π²ΡΠ±ΠΎΡΠ΅ ΡΡΡΠ΅Π»Ρ Π²ΠΎ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΏΡΠΈΠ½ΠΈΠΌΠ°ΡΡ Π΅ΡΠ΅ ΠΈ ΠΎΠ±ΡΠ°Π· ΠΆΠΈΠ·Π½ΠΈ. ΠΠ»Ρ ΠΎΡΠΈΡΠ° β ΡΡΠΎ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ Π²Π°ΡΠΈΠ°Π½Ρ, Π° Π²ΠΎΡ Π΄Π»Ρ ΠΎΡΠ΄ΡΡ Π° Π½Π° ΠΏΡΠΈΡΠΎΠ΄Π΅ ΡΡΠΎΠΈΡ ΠΏΠΎΠΈΡΠΊΠ°ΡΡ Π΄ΡΡΠ³ΡΡ ΠΎΠ±ΡΠ²Ρ.
Π‘ ΡΠ΅ΠΌ Π½ΠΎΡΠΈΡΡ?
Π’ΡΡΠ»ΠΈ Ρ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌ ΠΏΠΎΠΊΡΡΡΠΈΠ΅ΠΌ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡ ΠΊΠ°ΠΊ ΠΊ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠΌΡ, ΡΠ°ΠΊ ΠΈ ΠΊ Π½Π΅ΠΏΡΠΈΠ½ΡΠΆΠ΄Π΅Π½Π½ΠΎΠΌΡ ΠΎΠ±ΡΠ°Π·Ρ. ΠΡΠ½ΠΎΠ²Π½ΡΠΌ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»ΠΎΠΌ ΠΈΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΡΡΠ²Π° ΡΠ»ΡΠΆΠΈΡ Π²ΡΡΠΎΠΊΠΎΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½Π°Ρ ΠΊΠΎΠΆΠ°. ΠΠΎΠ΄ΠΎΠ±Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ Π½ΡΠΆΠ΄Π°Π΅ΡΡΡ Π² Ρ ΠΎΡΠΎΡΠ΅ΠΌ ΡΡ ΠΎΠ΄Π΅ ΠΈ Π°ΠΊΠΊΡΡΠ°ΡΠ½ΠΎΠΉ Π½ΠΎΡΠΊΠ΅.
Π¨ΠΈΡΠΎΠΊΠΈΠΉ ΠΌΠΎΠ΄Π΅Π»ΡΠ½ΡΠΉ ΡΡΠ΄ ΡΠ΄ΠΎΠ²Π»Π΅ΡΠ²ΠΎΡΠΈΡ ΡΡΠ΅Π±ΠΎΠ²Π°Π½ΠΈΡ ΡΠ°ΠΌΠΎΠ³ΠΎ Π²Π·ΡΡΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΌΠΎΠ΄Π½ΠΈΠΊΠ°. ΠΠΎΡΠΈΡΠ½Π΅Π²ΡΠΉ ΠΎΡΡΠ΅Π½ΠΎΠΊ ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΠΎ Π²ΠΏΠΈΡΠ΅ΡΡΡ Π² Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΡΡΠΈΠ»Ρ, Π° ΠΊΠΎΠΌΠ±ΠΈΠ½ΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΠΈ ΡΠ²Π΅ΡΠ»ΡΠ΅ Π²Π°ΡΠΈΠ°Π½ΡΡ ΠΏΠΎΡΠ»ΡΠΆΠ°Ρ Π΄ΠΎΠΏΠΎΠ»Π½Π΅Π½ΠΈΠ΅ΠΌ Π½Π΅ΡΠΎΡΠΌΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΎΠ±ΡΠ°Π·Π°.
ΠΠ°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ Π΄Π΅Π»Π°ΡΡ ΠΎΠ±ΡΠ°Π· ΡΡΡΠΎΠ³ΠΈΠΌ ΠΈ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΡΠΌ. Π‘ Π΄Π΅Π»ΠΎΠ²ΡΠΌ ΡΡΠΈΠ»Π΅ΠΌ ΠΎΡΠ»ΠΈΡΠ½ΠΎ ΡΠΎΡΠ΅ΡΠ°ΡΡΡΡ ΡΠ΅ΠΌΠ½ΡΠ΅ Π±ΡΠΎΠ³ΠΈ ΠΈ ΠΎΠΊΡΡΠΎΡΠ΄Ρ. Π‘Π²Π΅ΡΠ»Π°Ρ ΠΎΠ±ΡΠ²Ρ ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎ Π΄ΠΎΠΏΠΎΠ»Π½ΡΠ΅Ρ ΡΠ²Π°Π΄Π΅Π±Π½ΡΠ΅ ΠΊΠΎΡΡΡΠΌΡ.
ΠΠ΅ΡΠ±ΠΈ Ρ ΠΎΡΠΎΡΠΎ ΡΠΆΠΈΠ²Π°ΡΡΡΡ Ρ Π±ΡΡΠΊΠ°ΠΌΠΈ Π² ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΡΡΠΈΠ»Π΅ ΠΈ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ.
ΠΠΎΡΠ΅ΡΡ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΠ΅ΡΡΡ Π½ΠΎΡΠΈΡΡ Ρ Π»Π΅ΡΠ½Π΅ΠΉ ΠΎΠ΄Π΅ΠΆΠ΄ΠΎΠΉ, ΠΆΠ΅Π»Π°ΡΠ΅Π»ΡΠ½ΠΎ Π±Π΅Π· Π½ΠΎΡΠΊΠΎΠ² β ΡΡΠΎ ΡΠ»Π΅ΠΌΠ΅Π½Ρ Π½Π΅ΡΠΎΡΠΌΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΡΡΠΈΠ»Ρ. ΠΠΎΠ΄ΠΎΠ±Π½ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡ ΠΊ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌ ΠΈ Π±Π»Π΅ΠΉΠ·Π΅ΡΠ°ΠΌ, ΡΠΌΠ΅ΡΡΠ½Ρ ΠΎΠ½ΠΈ ΠΈ Π² ΠΊΠ»Π΅ΡΡΠ°ΡΡΡ Π°Π½ΡΠ°ΠΌΠ±Π»ΡΡ .
Β ΠΠ΅ΠΌΠ°Π»ΠΎΠ²Π°ΠΆΠ½ΡΠΌ ΠΊΡΠΈΡΠ΅ΡΠΈΠ΅ΠΌ ΠΈΠΌΠΈΠ΄ΠΆΠ° ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΎΠ±ΡΠ²Ρ, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°Π΅Ρ ΡΡΠΈΠ»Ρ ΠΈ ΡΡΠ°ΡΡΡ Π»ΡΠ±ΠΎΠ³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°. ΠΡΠΆΡΠΊΠ°Ρ ΠΎΠ±ΡΠ²Ρ ΠΈΠ³ΡΠ°Π΅Ρ Π²Π°ΠΆΠ½ΡΡ ΡΠΎΠ»Ρ Π² ΡΠΎΠ·Π΄Π°Π½ΠΈΠΈ ΠΌΡΠΆΡΠΊΠΎΠ³ΠΎ ΠΎΠ±ΡΠ°Π·Π°, Π°ΠΊΡΠ΅Π½ΡΠΈΡΡΠ΅Ρ ΡΡΠΈΠ»Ρ ΠΈ Π²ΠΊΡΡΠΎΠ²ΡΠ΅ ΠΏΡΠ΅Π΄ΠΏΠΎΡΡΠ΅Π½ΠΈΡ. Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½Π°Ρ ΠΌΠΎΠ΄Π° ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ ΠΎΠ±ΡΠ²ΠΈ ΡΠ°Π·Π½ΡΡ ΡΠΎΡΠΌ ΠΈ ΠΊΠΎΠ½ΡΠΈΠ³ΡΡΠ°ΡΠΈΠΉ. ΠΠΈΡΠΎΠ²ΡΠ΅ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»ΠΈ Π΅ΠΆΠ΅Π³ΠΎΠ΄Π½ΠΎ ΠΎΠ±Π½ΠΎΠ²Π»ΡΡΡ Π°ΡΡΠΎΡΡΠΈΠΌΠ΅Π½Ρ, ΠΏΡΠ΅Π΄Π»Π°Π³Π°Ρ Π½ΠΎΠ²ΡΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ. ΠΡΠ±ΠΎΡ ΠΎΠ±ΡΠ²Π½ΠΎΠΉ ΠΏΡΠΎΠ΄ΡΠΊΡΠΈΠΈ Π·Π°Π²ΠΈΡΠΈΡ ΡΠΎΠ»ΡΠΊΠΎ ΠΎΡ Π»ΠΈΡΠ½ΡΡ ΠΏΠΎΠ±ΡΠΆΠ΄Π΅Π½ΠΈΠΉ, ΠΏΠΎΡΠΊΠΎΠ»ΡΠΊΡ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎ ΠΎΡ ΠΈΠΌΠ΅Π½ΠΈ Π±ΡΠ΅Π½Π΄Π° Π²ΡΡ ΠΎΠ±ΡΠ²Ρ ΠΎΡΠ²Π΅ΡΠ°Π΅Ρ ΡΡΠ°Π½Π΄Π°ΡΡΠ°ΠΌ ΠΊΠ°ΡΠ΅ΡΡΠ²Π° ΠΈ ΠΈΠΌΠ΅Π΅Ρ Π²ΡΡΠΎΠΊΠΈΠ΅ ΠΏΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΠΈ.

Β ΠΡΠ°Π»ΡΡΠ½ΡΠΊΠΈΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ ΡΡΠΈΡΠ°ΡΡΡΡ ΡΠ°ΠΌΡΠΌΠΈ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠΌΠΈ ΠΈ ΡΡΠΎ Π½Π΅ ΡΠ»ΡΡΠ°ΠΉΠ½ΠΎ, Π²Π΅Π΄Ρ ΠΈΡΡΠΎΡΠΈΡ ΡΠ°Π·Π²ΠΈΡΠΈΡ ΠΎΠ±ΡΠ²Π½ΡΡ ΠΌΠ°Π½ΡΡΠ°ΠΊΡΡΡ Π½Π°ΡΡΠΈΡΡΠ²Π°Π΅Ρ Π½Π΅ ΠΎΠ΄Π½ΠΎ Π΄Π΅ΡΡΡΠΈΠ»Π΅ΡΠΈΠ΅. ΠΠ²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΈΠ΅ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»ΠΈ ΠΏΡΠΈΠΌΠ΅Π½ΡΡΡ ΠΏΡΠΎΠΌΡΡΠ»Π΅Π½Π½ΠΎΠ΅ ΠΎΠ±ΠΎΡΡΠ΄ΠΎΠ²Π°Π½ΠΈΠ΅, ΠΎΠ³ΡΠΎΠΌΠ½ΡΠ΅ ΠΏΠ»ΠΎΡΠ°Π΄ΠΈ ΠΈ Π² ΡΠΎΠΆΠ΅ Π²ΡΠ΅ΠΌΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅ΡΡΡ ΡΡΡΠ½ΠΎΠΉ ΡΡΡΠ΄. ΠΠΌΠ΅Π½Π½ΠΎ ΡΡΠΎ ΡΠΎΠ·Π΄Π°Π΅Ρ ΠΎΡΠΎΠ±ΠΎΠ΅ ΠΎΡΠ°ΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈ ΡΠ°ΡΠΌ ΠΈΡΠ°Π»ΡΡΠ½ΡΠΊΠΈΡ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ. ΠΡΠΈΡΠ΅ΠΌ ΠΊΠ°ΡΠ΅ΡΡΠ²ΠΎ ΠΎΠ±ΡΠ²ΠΈ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΡ Π±ΡΠ΅Π½Π΄ΠΎΠ² Π½Π° ΡΠ°ΠΌΠΎΠΌ Π²ΡΡΠΎΠΊΠΎΠΌ ΡΡΠΎΠ²Π½Π΅. ΠΡΠΎ ΠΊΠΎΠΌΡΠΎΡΡΠ½ΡΠ΅, ΡΠ»Π΅Π³Π°Π½ΡΠ½ΡΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ Ρ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΡΠΌ Π΄ΠΈΠ·Π°ΠΉΠ½ΠΎΠΌ. Π‘Π΅Π³ΠΎΠ΄Π½Ρ Π΄Π»Ρ ΠΏΡΠΈΠΎΠ±ΡΠ΅ΡΠ΅Π½ΠΈΡ ΠΎΠ±ΡΠ²ΠΈ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΡ Π±ΡΠ΅Π½Π΄ΠΎΠ² Π½Π΅ ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΠ½ΠΎ ΠΎΡΠΏΡΠ°Π²Π»ΡΡΡΡΡ Π·Π° ΡΡΠ±Π΅ΠΆ. ΠΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ ΡΠ΄Π΅Π»Π°ΡΡ ΠΎΠ½Π»Π°ΠΉΠ½ β Π·Π°ΡΠ²ΠΊΡ ΠΈ ΠΏΠΎΠ»ΡΡΠΈΡΡ ΡΠΎΠ²Π°Ρ ΠΏΠΎ ΠΏΠΎΡΡΠ΅. ΠΡΠΈΡΠ΅ΠΌ, ΠΎΠΏΠ»Π°ΡΠ° ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΡΡ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΠΎΡΠ»Π΅ ΠΏΡΠΈΠΌΠ΅ΡΠΊΠΈ. ΠΡΠΎ ΠΎΡΠ΅Π½Ρ Π²Π°ΠΆΠ½ΠΎ Π΄Π»Ρ Π»ΡΠ΄Π΅ΠΉ Ρ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠΎΠΉ ΠΏΠΎΠ΄Π±ΠΎΡΠ° ΡΠ°Π·ΠΌΠ΅ΡΠ°. ΠΠ°ΡΡΠ±Π΅ΠΆΠ½ΡΠ΅ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»ΠΈ ΡΡΠΈΡΡΠ²Π°ΡΡ ΡΠΈΠ·ΠΈΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ ΡΡΡΠΎΠ΅Π½ΠΈΡ Π½ΠΎΠ³, ΠΏΠΎΡΡΠΎΠΌΡ Π²ΡΡ ΠΎΠ±ΡΠ²Π½Π°Ρ ΠΏΡΠΎΠ΄ΡΠΊΡΠΈΡ ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ ΠΏΡΠ°ΠΊΡΠΈΡΠ½ΠΎΡΡΡΡ ΠΈ Π½Π΅ΠΎΠ±ΡΡΠ°ΠΉΠ½ΡΠΌ ΠΊΠΎΠΌΡΠΎΡΡΠΎΠΌ.

Β ΠΡΠΎΠ±ΡΠΌ ΠΈΠ·ΡΡΠΊΠΎΠΌ ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ. ΠΠ΅ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΠΎΡΡΡ Π·Π°ΠΊΠ»ΡΡΠ°Π΅ΡΡΡ Π² ΡΡΠΊΠΎΡΡΠΈ, Π³Π»ΡΠ½ΡΠ΅Π²ΠΎΠΌ Π±Π»Π΅ΡΠΊΠ΅ ΠΈ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎΡΡΠΈ. Π‘ΡΠΈΠ»ΡΠ½ΡΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ Π½Π° ΠΏΡΠ°Π·Π΄Π½ΠΈΡΠ½ΠΎΠ΅ ΡΠΎΠ±ΡΡΠΈΠ΅ ΠΈΠ»ΠΈ Π΄Π΅Π»ΠΎΠ²ΡΡ Π²ΡΡΡΠ΅ΡΡ. ΠΡΠ»ΠΈ Π½Π΅ ΡΡΠ΅Π±ΡΠ΅ΡΡΡ Π΄ΡΠ΅ΡΡ β ΠΊΠΎΠ΄, ΡΠΎ ΠΌΠΎΠΆΠ½ΠΎ Π½Π°Π΄Π΅Π²Π°ΡΡ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΠΎΠ±ΡΠ²Ρ Π½Π° ΡΠ°Π±ΠΎΡΡ, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΏΡΠ΅Π·Π΅Π½ΡΠ°ΡΠΈΠΈ ΠΈΠ»ΠΈ Π²Π΅ΡΠ΅ΡΠ½ΠΈΠ΅ ΠΏΡΠΎΠ³ΡΠ»ΠΊΠΈ. ΠΠ°ΡΠΌΠΎΠ½ΠΈΡΠ½ΠΎ ΡΠΎΡΠ΅ΡΠ°ΡΡΡΡ ΡΡΡΠ»ΠΈ, ΠΏΠΎΠΊΡΡΡΡΠ΅ Π»Π°ΠΊΠΎΠΌ, Ρ Π»ΡΠ±ΠΎΠΉ Π½Π°ΡΡΠ΄Π½ΠΎΠΉ ΠΎΠ΄Π΅ΠΆΠ΄ΠΎΠΉ. ΠΡΠΎΠ±Π΅Π½Π½ΠΎ ΠΊΡΠ°ΡΠΈΠ²ΠΎ ΡΠΌΠΎΡΡΡΡΡΡ ΡΠ΅ΡΠ½ΡΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ Ρ Π΄Π΅Π»ΠΎΠ²ΡΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ ΡΠ΅ΡΠ½ΠΎΠ³ΠΎ ΡΠ²Π΅ΡΠ° ΠΈΠ»ΠΈ ΡΠ΅ΠΌΠ½ΠΎΠ³ΠΎ ΠΎΡΡΠ΅Π½ΠΊΠ°. ΠΠ°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ Π±Π΅Π»ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΊΠ°ΠΊ Π½Π΅Π»ΡΠ·Ρ Π»ΡΡΡΠ΅ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ Π΄Π»Ρ ΡΠ²Π°Π΄ΡΠ±Ρ ΠΈ ΠΏΡΠ°Π·Π΄Π½ΠΈΡΠ½ΡΡ ΡΠΎΠ±ΡΡΠΈΠΉ. ΠΠ΄Π½Π°ΠΊΠΎ ΠΌΠΎΠΆΠ½ΠΎ Π½Π°Π΄Π΅Π²Π°ΡΡ ΠΌΡΠΆΡΠΊΠΈΠ΅ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ, ΡΡΠΎ Π±ΡΠ΄Π΅Ρ Π²ΡΠ³Π»ΡΠ΄Π΅ΡΡ Π°Π²Π°Π½Π³Π°ΡΠ΄Π½ΠΎ ΠΈ ΠΌΠΎΠ΄Π½ΠΎ.


ΠΠΈΠ΄Ρ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΡΡΡΠ»Π΅ΠΉ:Β
- ΠΠ΅ΡΠ±ΠΈ.
- ΠΡΠΎΠ³ΠΈ.
- ΠΠΊΡΡΠΎΡΠ΄Ρ.
- ΠΠΎΠ½ΠΊΠΈ.
- ΠΠΎΠΊΠ°ΡΠΈΠ½Ρ.

Π’Π°ΠΊΠ°Ρ ΠΎΠ±ΡΠ²Ρ Ρ ΠΎΡΠΎΡΠΎ ΡΠΎΡΠ΅ΡΠ°Π΅ΡΡΡ Ρ ΠΆΠ°ΠΊΠ΅ΡΠΎΠΌ ΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ. ΠΠ»Ρ ΠΊΠΎΡΡΡΠΌΠ° Π»ΡΡΡΠ΅ ΠΏΠΎΠ΄Π±ΠΈΡΠ°ΡΡ ΠΌΠΎΠ΄Π΅Π»ΠΈ Ρ ΠΊΠ°Π±Π»ΡΠΊΠΎΠΌ.
Β Π ΡΠ½ΠΎΠΊ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΡΡΡΠ»ΠΈ ΡΠ°Π·Π½ΡΡ ΡΠ²Π΅ΡΠΎΠ² ΠΈ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»ΠΎΠ². ΠΠΊΡΡΡΠ°Π²Π°Π³Π°Π½ΡΠ½ΠΎ Π²ΡΠ³Π»ΡΠ΄ΡΡ ΡΡΡΠ»ΠΈ, Π²ΡΠΏΠΎΠ»Π½Π΅Π½Π½ΡΠ΅ ΠΈΠ· ΠΊΠΎΠΌΠ±ΠΈΠ½Π°ΡΠΈΠΈ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»ΠΎΠ² β Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ ΠΊΠΎΠΆΠΈ ΠΈ Π·Π°ΠΌΡΠΈ. Π‘ΡΠΈΠ»Ρ Π΄ΠΈΠ·Π°ΠΉΠ½Π° ΠΎΠ±ΡΠ²ΠΈ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΠ΅ΡΡΡ ΡΠΎΡΠΌΠΎΠΉ, Π²ΡΡΠΎΡΠΎΠΉ ΠΊΠ°Π±Π»ΡΠΊΠ° ΠΈ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠ°ΠΌΠΈ Π΄Π΅ΠΊΠΎΡΠ°. ΠΡΠΈ ΠΈΠ·Π³ΠΎΡΠΎΠ²Π»Π΅Π½ΠΈΠΈ ΠΌΡΠΆΡΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡ ΠΏΡΡΠΆΠΊΠΈ, ΠΌΠ΅ΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π΄Π΅ΡΠ°Π»ΠΈ, ΡΠ½ΡΡΠΊΠΈ, Π·Π°ΠΌΠΊΠΈ, ΠΊΠ°ΠΌΠ½ΠΈ. ΠΠ΅ΡΠ°Π»ΠΈ Π°ΠΊΡΠ΅Π½ΡΠΈΡΡΡΡ ΡΡΠΈΠ»Ρ ΠΈ ΠΏΠΎΠ΄ΡΠ΅ΡΠΊΠΈΠ²Π°ΡΡ Π½Π°Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ ΠΎΠ±ΡΠ²ΠΈ. ΠΠ° ΡΠΎΡΠΎ ΠΌΠΎΠΆΠ½ΠΎ ΡΠ²ΠΈΠ΄Π΅ΡΡ ΡΠΎΡΠ½ΠΈ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΡ ΡΠΎΡΠ³ΠΎΠ²ΡΡ ΠΌΠ°ΡΠΎΠΊ, ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½Π½ΡΡ Π΄Π»Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ Π½ΠΎΡΠΊΠΈ, ΡΠΎΡΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΡΠΎΠ±ΡΡΠΈΠΉ ΠΈΠ»ΠΈ Π΄Π΅Π»ΠΎΠ²ΡΡ Π²ΡΡΡΠ΅Ρ. ΠΡΠΈ Π²ΡΠ±ΠΎΡΠ΅ ΠΎΠ±ΡΠ²ΠΈ Π²Π°ΠΆΠ½ΠΎ ΡΠΎΠΏΠΎΡΡΠ°Π²Π»ΡΡΡ ΡΠ»Π΅ΠΌΠ΅Π½ΡΡ Π³Π°ΡΠ΄Π΅ΡΠΎΠ±Π°. ΠΠ»Π°Π²Π½ΠΎΠ΅ β Π³Π°ΡΠΌΠΎΠ½ΠΈΡΠ½ΠΎ Π²Π°ΡΡΠΈΡΠΎΠ²Π°ΡΡ ΠΎΠ΄Π΅ΠΆΠ΄Ρ, ΠΎΠ±ΡΠ²Ρ ΠΈ Π°ΠΊΡΠ΅ΡΡΡΠ°ΡΡ ΠΏΠΎ ΡΠ²Π΅ΡΡ, ΡΠΈΠΏΡ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»ΠΎΠ² ΠΈ ΡΠΎΡΠΌΠ΅ ΠΏΠΎΡΠΈΠ²Π°. ΠΠ°ΠΊΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π²Π»ΠΈΡΠ΅Ρ Π½Π° ΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΎΠ±ΡΠ°Π·Π° ΠΈ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΠΎΠ³ΠΎ ΠΈΠΌΠΈΠ΄ΠΆΠ°. Π‘ ΡΠ΅ΠΌ Π½ΠΎΡΠΈΡΡ ΠΎΠ±ΡΠ²Ρ, ΡΠ΅ΡΠ°ΡΡ ΡΠΎΠ»ΡΠΊΠΎ Π²Π°ΠΌ. ΠΡΠ΅ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ Π²ΠΊΡΡΠ°, ΠΏΡΠ΅Π΄ΠΏΠΎΡΡΠ΅Π½ΠΈΠΉ ΠΈ Π²ΠΎΡΠΏΡΠΈΡΡΠΈΡ ΠΌΠΈΡΠ°.

Β Π§ΡΠΎ ΠΊΠ°ΡΠ°Π΅ΡΡΡ ΡΠ΅Π½Ρ, ΡΠΎ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΎΡΠ΅Π½ΠΈΠ²Π°ΡΡΡΡ Π½Π°ΡΠ°Π²Π½Π΅ Ρ ΠΊΠΎΠΆΠ°Π½ΡΠΌΠΈ ΠΈΠ·Π΄Π΅Π»ΠΈΡΠΌΠΈ. ΠΠΎΠΆΠ°, ΠΏΠΎΠΊΡΡΡΠ°Ρ Π»Π°ΠΊΠΎΠΌ, Π±ΠΎΠ»Π΅Π΅ ΡΠ΅Π½Π½Π° ΠΈ ΡΡΡΠ΅ΡΠΈΡΠ½Π°, Π΄ΠΎΠ»Π³ΠΎ ΡΠΎΡ ΡΠ°Π½ΡΠ΅Ρ Π±Π»Π΅ΡΠΊ ΠΈ ΡΠΎΠ²Π°ΡΠ½ΡΠΉ Π²ΠΈΠ΄. Π‘ΡΠΎΠΈΠΌΠΎΡΡΡ ΠΌΡΠΆΡΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ ΡΡΠ΅ΠΏΠ΅Π½ΠΈ Π½ΠΎΠ²ΠΈΠ·Π½Ρ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΈ, ΠΊΠ°ΡΠ΅Π³ΠΎΡΠΈΠΈ ΡΠΎΠ²Π°ΡΠ° ΠΈ ΠΈΠΌΠ΅Π½ΠΈ Π±ΡΠ΅Π½Π΄Π°. Π¦Π΅Π½Π° ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΡΠ΅Ρ ΠΊΠ°ΡΠ΅ΡΡΠ²Ρ, ΠΏΠΎΡΡΠΎΠΌΡ ΠΌΠΎΠΆΠ½ΠΎ ΡΠΌΠ΅Π»ΠΎ ΠΏΡΠΈΠΎΠ±ΡΠ΅ΡΠ°ΡΡ ΠΎΠ±ΡΠ²Ρ ΠΎΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Π΅ΠΉ ΠΌΠΈΡΠΎΠ²ΠΎΠ³ΠΎ Π·Π½Π°ΡΠ΅Π½ΠΈΡ.

Β

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Π‘ ΡΠ΅ΠΌ Π½ΠΎΡΠΈΡΡ ΠΌΡΠΆΡΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ?
ΠΠΎΠ»ΡΡΠΈΠ½ΡΡΠ²ΠΎ ΠΆΠ΅Π½ΡΠΈΠ½ ΠΎΡΠ΅Π½ΠΈΠ²Π°ΡΡ Π²Π½Π΅ΡΠ½ΠΈΠΉ Π²ΠΈΠ΄ Π½Π΅Π·Π½Π°ΠΊΠΎΠΌΠΎΠ³ΠΎ ΠΌΡΠΆΡΠΈΠ½Ρ ΠΏΠΎ ΡΡΠΈΠ»ΡΠ½ΠΎΠΉ ΠΏΡΠΈΡΡΡΠΊΠ΅, ΠΊΡΠΎ-ΡΠΎ ΠΎΠ±ΡΠ°ΡΠ°Π΅Ρ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π½Π° Π½Π°Π»ΠΈΡΠΈΠΈ Π΄ΠΎΡΠΎΠ³ΠΈΡ ΡΠ°ΡΠΎΠ², Π° Π΄Π»Ρ Π½Π΅ΠΊΠΎΡΠΎΡΡΡ Π²Π°ΠΆΠ½Π° ΡΠΈΡΡΠ°Ρ ΠΈ ΠΌΠΎΠ΄Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ. ΠΠ»Π°Π³ΠΎ, ΡΠ΅ΠΉΡΠ°Ρ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·ΠΈΠ΅ ΠΌΡΠΆΡΠΊΠΈΡ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ ΠΎΡΠΊΡΡΠ²Π°Π΅Ρ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΠΏΠΎΠ΄ΠΎΠ±ΡΠ°ΡΡ ΠΎΠ±ΡΠ²Ρ ΠΏΠΎΠ΄ Π»ΡΠ±ΠΎΠΉ Π³Π°ΡΠ΄Π΅ΡΠΎΠ±. ΠΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ Π²ΡΠ±ΡΠ°Π½Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ ΡΠΎΠ·Π΄Π°ΡΡ ΡΡΠΈΠ»ΡΠ½ΡΠΉ Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ Π»ΡΠΊ, ΠΏΠΎΠΊΠ°ΠΆΠ΅Ρ ΠΎΠΊΡΡΠΆΠ°ΡΡΠΈΠΌ, Π½Π°ΡΠΊΠΎΠ»ΡΠΊΠΎ Π²Ρ ΡΡΠΏΠ΅ΡΠ½Ρ ΠΈ ΡΠ²Π΅ΡΠ΅Π½Ρ Π² ΡΠ΅Π±Π΅.
ΠΡΠ°Π²ΠΈΠ»Π° Π²ΡΠ±ΠΎΡΠ° ΠΌΡΠΆΡΠΊΠΈΡ ΡΡΡΠ΅Π»Ρ

ΠΠ½ΠΎΠ³ΠΈΠ΅ ΠΌΡΠΆΡΠΈΠ½Ρ ΠΏΡΠ΅Π΄ΠΏΠΎΡΠΈΡΠ°ΡΡ ΡΡΡΠ»ΡΠΌ ΡΠ΄ΠΎΠ±Π½ΡΠ΅ ΠΌΠΎΠΊΠ°ΡΠΈΠ½Ρ, ΠΊΡΠΎΡΡΠΎΠ²ΠΊΠΈ, ΠΊΠ΅Π΄Ρ. ΠΠΎ Ρ
ΠΎΡΡ Π±Ρ ΠΎΠ΄Π½Π° ΠΏΠ°ΡΠ° ΡΡΡΠ΅Π»Ρ Π΄ΠΎΠ»ΠΆΠ½Π° Π±ΡΡΡ Π² Π³Π°ΡΠ΄Π΅ΡΠΎΠ±Π΅ ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΠ½ΠΎ. ΠΡΠΈ Π²ΡΠ±ΠΎΡΠ΅ Π² ΠΏΠ΅ΡΠ²ΡΡ ΠΎΡΠ΅ΡΠ΅Π΄Ρ ΠΎΠ±ΡΠ°ΡΠΈΡΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π½Π° ΠΊΠ°ΡΠ΅ΡΡΠ²ΠΎ ΠΎΠ±ΡΠ²ΠΈ. ΠΠ½ΠΎ Π΄ΠΎΠ»ΠΆΠ½ΠΎ Π±ΡΡΡ Π±Π΅Π·ΡΠΏΡΠ΅ΡΠ½ΡΠΌ: ΡΠΎΠ²Π½ΡΠ΅ ΡΠ²Ρ, Ρ
ΠΎΡΠΎΡΠΈΠΉ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π», ΠΏΡΠΎΡΠ½ΡΠ΅ ΡΠ½ΡΡΠΊΠΈ.
ΠΠΎΡΠΎΠ³ΠΈΠ΅ ΡΡΡΠ»ΠΈ ΡΡΠ°Π·Ρ Π±ΡΠΎΡΠ°ΡΡΡΡ Π² Π³Π»Π°Π·Π° ΠΈ ΠΏΡΠ΅Π·Π΅Π½ΡΡΡΡ Π²Π°Ρ ΠΊΠ°ΠΊ ΡΠΎΡΡΠΎΡΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΌΡΠΆΡΠΈΠ½Ρ. Π Π½ΠΈΡ ΠΌΠΎΠΆΠ½ΠΎ ΠΎΡΠΏΡΠ°Π²ΠΈΡΡΡΡ Π½Π° Π±ΠΈΠ·Π½Π΅Ρ-Π²ΡΡΡΠ΅ΡΡ, Π΄Π΅Π»ΠΎΠ²ΠΎΠ΅ ΠΌΠ΅ΡΠΎΠΏΡΠΈΡΡΠΈΠ΅, Π½Π° ΡΠΎΠ±Π΅ΡΠ΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈΠ»ΠΈ ΡΠ²Π΅ΡΡΠΊΠΈΠΉ ΡΠ°ΡΡ.
ΠΡΠ΄Π° Π±Ρ Π²Ρ Π½ΠΈ ΠΎΡΠΏΡΠ°Π²ΠΈΠ»ΠΈΡΡ, ΠΏΠ΅ΡΠ²ΠΎΠ΅ Π²ΠΏΠ΅ΡΠ°ΡΠ»Π΅Π½ΠΈΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄ΡΡ Π³Π°ΡΠ΄Π΅ΡΠΎΠ±. Π‘ΡΡΠΎΠ³ΠΈΠΉ ΠΊΠΎΡΡΡΠΌ Π² Π΄ΠΎΠΏΠΎΠ»Π½Π΅Π½ΠΈΠ΅ ΠΊ ΠΌΠΎΠ΄Π½ΡΠΌ ΠΎΠΊΡΡΠΎΡΠ΄Π°ΠΌ ΠΈΠ»ΠΈ Π»ΠΎΡΠ΅ΡΠ°ΠΌ β ΡΡΠΎ ΠΈΠΌΠ΅Π½Π½ΠΎ ΡΠΎ, ΡΡΠΎ Π½ΡΠΆΠ½ΠΎ ΡΡΠΏΠ΅ΡΠ½ΠΎΠΌΡ ΠΈ Π²Π»ΠΈΡΡΠ΅Π»ΡΠ½ΠΎΠΌΡ ΠΌΡΠΆΡΠΈΠ½Π΅. ΠΡΠ»ΠΈ ΡΡΡΠ»ΠΈ Π΅Π΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½ΡΠ΅ Π² Π²Π°ΡΠ΅ΠΉ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΈ ΠΎΠ±ΡΠ²ΠΈ, ΠΎΠ±ΡΠ°ΡΠΈΡΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π½Π° ΡΡΡΠ½ΡΠΉ ΡΠ²Π΅Ρ. ΠΠ½ ΡΠΌΠ΅ΡΡΠ΅Π½ ΠΏΡΠΈ Π»ΡΠ±ΡΡ ΠΎΠ±ΡΡΠΎΡΡΠ΅Π»ΡΡΡΠ²Π°Ρ , ΠΊΡΠΎΠΌΠ΅ ΡΠΎΠ³ΠΎ, ΠΊ Π½Π΅ΠΌΡ ΠΏΡΠΎΡΠ΅ ΠΏΠΎΠ΄ΠΎΠ±ΡΠ°ΡΡ Π²Π΅ΡΡ Π½ΡΡ ΠΎΠ΄Π΅ΠΆΠ΄Ρ.
ΠΠΌΠ΅Ρ Π² Π½Π°Π»ΠΈΡΠΈΠΈ ΠΎΠ±ΡΠ²Ρ ΡΠ³ΠΎΠ»ΡΠ½ΠΎΠ³ΠΎ ΠΎΡΡΠ΅Π½ΠΊΠ°, Π²Ρ ΠΌΠΎΠΆΠ΅ΡΠ΅ Π²ΡΠ±ΡΠ°ΡΡ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΠΉ, ΡΡΠΌΠ½ΠΎ-ΡΠΈΠ½ΠΈΠΉ, Π·Π΅Π»ΡΠ½ΡΠΉ, Π²ΠΈΠ½Π½ΡΠΉ ΡΠ²Π΅Ρ. ΠΡΠΈΠΎΠ±ΡΠ΅ΡΠ°Ρ ΠΊΠΎΠΆΠ°Π½ΡΠ΅ ΠΈΠ»ΠΈ Π»Π°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ, ΠΎΡΡΠ°Π½ΠΎΠ²ΠΈΡΠ΅ Π²ΡΠ±ΠΎΡ Π½Π° ΠΈΠ·Π²Π΅ΡΡΠ½ΡΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»ΡΡ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΏΠΎΡΠ°Π΄ΡΠ΅Ρ Π²Π°Ρ Π½Π΅ ΠΎΠ΄ΠΈΠ½ ΡΠ΅Π·ΠΎΠ½.
Π‘ ΡΠ΅ΠΌ ΡΠΎΡΠ΅ΡΠ°ΡΡ ΡΠ°Π·Π½ΡΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ?

Π‘ΠΎΡΠ΅ΡΠ°Π½ΠΈΠ΅ ΠΎΠ±ΡΠ²ΠΈ Ρ ΠΎΠ΄Π΅ΠΆΠ΄ΠΎΠΉ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΡΡΡΠ΅Π»Ρ. ΠΠ°ΠΆΠ΅ Π΅ΡΠ»ΠΈ ΠΊΠ»Π°ΡΡΠΈΠΊΠ° β ΡΡΠΎ Π²Π°Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΉ Π²Π°ΡΠΈΠ°Π½Ρ ΠΎΠ±ΡΠ²ΠΈ, Π½Π°Π΄Π΅ΡΡ ΡΠ°ΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ Π²Ρ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΠΈ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ. ΠΠ΅ΠΏΠ»ΠΎΡ
ΠΎ ΠΎΠ½ΠΈ ΡΠΎΡΠ΅ΡΠ°ΡΡΡΡ Ρ ΡΠΊΠΎΡΠΎΡΠ΅Π½Π½ΡΠΌΠΈ ΡΠΈΠ½ΠΎΡΠ°ΠΌΠΈ ΠΈΠ»ΠΈ Π²Π΅Π»ΡΠ²Π΅ΡΠΎΠ²ΡΠΌΠΈ ΡΡΠ°Π½Π°ΠΌΠΈ. Π ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅ Π²Π΅ΡΡ
Π° Π½ΡΠΆΠ½ΠΎ ΠΏΠΎΠ΄ΠΎΠ±ΡΠ°ΡΡ ΡΡΠ±Π°ΡΠΊΡ, ΡΡΠΈΠ»ΡΠ½ΡΡ Π²ΠΎΠ΄ΠΎΠ»Π°Π·ΠΊΡ ΠΈΠ»ΠΈ ΠΌΠΎΠ΄Π½ΡΠΉ Π΄ΠΆΠ΅ΠΌΠΏΠ΅Ρ. Π Π»Π΅ΡΠ½Π΅Π΅ Π²ΡΠ΅ΠΌΡ Π³ΠΎΠ΄Π° Π΄ΠΎΠΏΡΡΡΠΈΠΌΡ ΡΡΡΠ±ΠΎΠ»ΠΊΠΈ-ΠΏΠΎΠ»ΠΎ ΠΈ ΡΡΠ±Π°ΡΠΊΠΈ Ρ ΠΊΠΎΡΠΎΡΠΊΠΈΠΌ ΡΡΠΊΠ°Π²ΠΎΠΌ. Π Π²ΠΎΡ ΠΎΡ ΠΌΠ°Π΅ΠΊ, Π±ΡΠΈΠ΄ΠΆΠ΅ΠΉ ΠΈ ΡΠΎΡΡ ΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΎΡΠΊΠ°Π·Π°ΡΡΡΡ.
ΠΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ
ΠΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΌΡΠΆΡΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ Π½ΠΎΡΡΡ Ρ Π»ΡΠ±ΡΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ, Π΄Π΅Π»ΠΎΠ²ΡΠΌΠΈ ΠΊΠΎΡΡΡΠΌΠ°ΠΌΠΈ ΠΈΠ»ΠΈ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ. ΠΠ½ΠΈ ΠΎΡΠ»ΠΈΡΠ½ΠΎ Π²ΠΏΠΈΡΡΠ²Π°ΡΡΡΡ Π² Π°Π½ΡΠ°ΠΌΠ±Π»Ρ, ΠΏΡΠ΅Π΄ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡΠΈΠΉ ΡΡΠ°ΠΊ. ΠΠ°ΠΌΡΠ΅Π²ΡΠ΅ ΠΈ ΠΊΠΎΠΆΠ°Π½ΡΠ΅ ΠΌΠ°ΡΠΎΠ²ΡΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ ΡΠΌΠ΅ΡΡΠ½ΠΎ Π½Π°Π΄Π΅Π²Π°ΡΡ ΠΈ Π΄Π»Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ Π½ΠΎΡΠΊΠΈ, Π° Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½Ρ ΡΠΎΠ»ΡΠΊΠΎ Π΄Π»Ρ ΠΏΡΠ°Π·Π΄Π½ΠΈΡΠ½ΠΎΠ³ΠΎ Π²Π΅ΡΠ΅ΡΠ°.
ΠΠ΅ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΠ΅ΡΡΡ Π½ΠΎΡΠΈΡΡ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΡΡ ΠΎΠ±ΡΠ²Ρ ΡΠΎ ΡΠΏΠΎΡΡΠΈΠ²Π½ΡΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ.
ΠΠΊΡΡΠΎΡΠ΄Ρ

ΠΡΠΆΡΠΊΠΈΠ΅ ΠΎΠΊΡΡΠΎΡΠ΄Ρ β ΡΡΠΎ ΠΎΡΠ»ΠΈΡΠ½ΠΎΠ΅ Π΄ΠΎΠΏΠΎΠ»Π½Π΅Π½ΠΈΠ΅ ΠΊ ΡΡΠΌΠ½ΠΎΠΌΡ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌΡ ΠΊΠΎΡΡΡΠΌΡ. Π§ΡΠΎΠ±Ρ ΠΎΠ±ΡΠ°Π· Π½Π΅ ΠΏΠΎΠ»ΡΡΠΈΠ»ΡΡ ΠΌΡΠ°ΡΠ½ΡΠΌ, Π½Π°Π΄Π΅Π½ΡΡΠ΅ Π±Π΅Π»ΡΡ ΡΡΠ±Π°ΡΠΊΡ, Π³Π°Π»ΡΡΡΠΊ ΠΈΠ»ΠΈ ΡΡΡΠ½ΡΡ Π±Π°Π±ΠΎΡΠΊΡ. ΠΠΊΡΡΠΎΡΠ΄Ρ ΠΎΡΠΎΠ±ΠΎ Π»ΡΠ±ΠΈΠΌΡ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΌΠΈ ΠΈ Π±ΠΎΠ³Π°ΡΡΠΌΠΈ ΠΌΡΠΆΡΠΈΠ½Π°ΠΌΠΈ. ΠΠ½ΠΈ ΡΠ΄ΠΎΠ±Π½ΡΠ΅, ΡΡΠΈΠ»ΡΠ½ΡΠ΅ ΠΈ Π½Π΅Π²Π΅ΡΠΎΡΡΠ½ΠΎ Π΄ΠΎΡΠΎΠ³ΠΈΠ΅. ΠΠΎΠ»ΡΡΠΈΠ½ΡΡΠ²ΠΎ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ ΡΡΡΡΡΡ ΠΏΠΎΠ΄ Π·Π°ΠΊΠ°Π·.
ΠΠ° ΡΡΡΠ°Π½ΠΈΡΠ°Ρ ΠΌΠΎΠ΄Π½ΡΡ ΠΆΡΡΠ½Π°Π»ΠΎΠ² ΡΠ°ΡΡΠΎ ΠΏΠΎΠΏΠ°Π΄Π°ΡΡΡΡ ΡΠΎΡΠΎ Π³ΠΎΠ»Π»ΠΈΠ²ΡΠ΄ΡΠΊΠΈΡ Π·Π²ΡΠ·Π΄, ΠΎΠ΄Π΅ΡΡΡ Π² Π΄ΠΆΠΈΠ½ΡΡ ΠΈΠ»ΠΈ Π΄ΡΡΠ³ΡΡ ΠΎΠ΄Π΅ΠΆΠ΄Ρ Π² ΡΡΠΈΠ»Π΅ casual. ΠΠΎΠΏΠΎΠ»Π½ΡΡΡ Π³Π°ΡΠ΄Π΅ΡΠΎΠ± ΠΌΠΎΠ΄Π½ΡΠ΅ ΠΎΠΊΡΡΠΎΡΠ΄Ρ. ΠΠ΅ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΠ΅ΠΌ Π²Π°ΠΌ Π΄Π°Π½Π½ΡΡ ΠΎΠ±ΡΠ²Ρ Π² ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ, ΡΠ°ΠΊ ΠΊΠ°ΠΊ ΠΎΠ½Π° ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½Π° ΠΈΠΌΠ΅Π½Π½ΠΎ Π΄Π»Ρ ΠΎΡΠΎΠ±ΡΡ ΡΠ»ΡΡΠ°Π΅Π².
Π¦Π²Π΅ΡΠ½ΡΠ΅ ΠΎΠΊΡΡΠΎΡΠ΄Ρ ΡΡΠΈΠ»ΠΈΡΡΡ ΡΠΎΠ²Π΅ΡΡΡΡ Π½Π°Π΄Π΅Π²Π°ΡΡ ΡΠΎΠ»ΡΠΊΠΎ Ρ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ.
ΠΡΠΎΠ³ΠΈ

ΠΡΠΎΠ³ΠΈ ΡΡΡΡ ΠΈΠ· ΠΏΠ»ΠΎΡΠ½ΠΎΠΉ ΠΊΠΎΠΆΠΈ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΠΎΠ³ΠΎ ΠΎΡΡΠ΅Π½ΠΊΠ°, Π½ΠΎ Π² ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·ΠΈΡ Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ΡΡ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΡΡ ΠΎΠ±ΡΠ°ΡΠΈΡΡ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π½Π° ΡΡΡΠ½ΡΠ΅ ΡΡΡΠ»ΠΈ. ΠΡΠΎΠ³ΠΈ ΠΈΠΌΠ΅ΡΡ ΡΠ»Π΅Π³ΠΊΠ° Π³ΡΡΠ±ΠΎΠ²Π°ΡΡΠΉ Π²ΠΈΠ΄, Π½ΠΎ Π²ΡΠ΅ ΠΆΠ΅ ΠΎΠ½ΠΈ ΠΎΡΠ½ΠΎΡΡΡΡΡ ΠΊ ΡΡΡΠ»ΡΠΌ, ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½Π½ΡΠΌ Π΄Π»Ρ ΡΠΎΡΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ
ΡΠ»ΡΡΠ°Π΅Π². Π₯ΠΎΡΡ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠ΅ ΠΌΡΠΆΡΠΈΠ½Ρ ΡΠ°ΡΡΠΎ ΠΎΠ΄Π΅Π²Π°ΡΡ ΠΈΡ
Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ, ΡΠ²ΠΎΠ±ΠΎΠ΄Π½ΡΠΌΠΈ ΡΠΈΠ½ΠΎΡΠ°ΠΌΠΈ, Π±ΡΡΠΊΠ°ΠΌΠΈ ΠΊΠ°ΡΠ³ΠΎ. Π’Π°ΠΊΠΎΠΉ ΠΎΠ±ΡΠ°Π· ΡΠ΅ΡΡΠ΅Ρ Π°ΡΠΈΡΡΠΎΠΊΡΠ°ΡΠΈΡΠ½ΠΎΡΡΡ, Π½ΠΎ Π²ΡΡ ΠΆΠ΅ Π²ΡΠ³Π»ΡΠ΄ΠΈΡ Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ ΡΡΠΈΠ»ΡΠ½ΠΎ.
Π‘ΠΎΠ±Π»ΡΠ΄Π°Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΉ ΡΡΠΈΠ»Ρ, ΠΏΠΎΠ΄ Π±ΡΠΎΠ³ΠΈ Π½Π΅ Π½Π°Π΄Π΅Π²Π°ΡΡ Π½ΠΎΡΠΊΠΈ.
ΠΠΎΡΠ΅ΡΡ

ΠΠ°ΠΌΡΠ΅Π²ΡΠ΅ Π»ΠΎΡΠ΅ΡΡ β ΠΈΡΡΠΈΠ½Π½ΠΎΠ΅ Π²ΠΎΠΏΠ»ΠΎΡΠ΅Π½ΠΈΠ΅ ΡΡΠΈΠ»Ρ smart-casual. ΠΡΠ° Π»ΡΠ³ΠΊΠ°Ρ ΠΎΠ±ΡΠ²Ρ ΠΎΡΠ»ΠΈΡΠ½ΠΎ ΠΏΠΎΠ΄Ρ
ΠΎΠ΄ΠΈΡ Π΄Π»Ρ ΡΡΠΏΠ»ΠΎΠ³ΠΎ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ Π³ΠΎΠ΄Π° ΠΈ Ρ
ΠΎΡΠΎΡΠΎ ΡΠΎΡΠ΅ΡΠ°Π΅ΡΡΡ Ρ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ ΡΠΎ ΡΡΡΠ΅Π»ΠΊΠ°ΠΌΠΈ, Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ, ΡΠΈΠ½ΠΎΡΠ°ΠΌΠΈ. Π‘Π°ΠΌΡΠΌ ΠΏΠΎΠ΄Ρ
ΠΎΠ΄ΡΡΠΈΠΌ ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΊΠΎΡΡΡΠΌ Π² ΡΠ²ΠΎΠ±ΠΎΠ΄Π½ΠΎΠΌ ΡΡΠΈΠ»Π΅: ΡΠ»Π΅Π³ΠΊΠ° Π·Π°ΡΠΆΠ΅Π½Π½ΡΠ΅ Π±ΡΡΠΊΠΈ, Π·Π°ΠΊΠ°ΡΠ°Π½Π½ΡΠ΅ ΡΡΠΊΠ°Π²Π° ΠΏΠΈΠ΄ΠΆΠ°ΠΊΠ°, ΠΎΡΡΡΡΡΡΠ²ΠΈΠ΅ Π³Π°Π»ΡΡΡΠΊΠ°.
ΠΠΎΠ½ΠΊΠΈ
Π‘ΡΠΈΠ»ΡΠ½ΡΠ΅ ΠΌΠΎΠ½ΠΊΠΈ β ΡΠ΄Π°ΡΠ½ΠΎΠ΅ Π΄ΠΎΠΏΠΎΠ»Π½Π΅Π½ΠΈΠ΅ ΠΊ ΡΡΡΠΎΠ³ΠΎΠΌΡ ΠΌΡΠΆΡΠΊΠΎΠΌΡ ΠΊΠΎΡΡΡΠΌΡ. ΠΡΠ³Π»ΡΠ΄ΡΡ ΠΎΠ½ΠΈ Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ ΡΡΡΠΎΠ³ΠΎ, ΠΎΠ΄Π½Π°ΠΊΠΎ, Π² ΠΎΡΠ»ΠΈΡΠΈΠ΅ ΠΎΡ ΠΎΠΊΡΡΠΎΡΠ΄ΠΎΠ², Π΄ΠΎΠΏΡΡΠΊΠ°ΡΡ Π»ΡΠ³ΠΊΠΈΠΉ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΉ Π»ΡΠΊ. Π§Π°ΡΠ΅ Π²ΡΠ΅Π³ΠΎ ΠΌΠΎΠ½ΠΊΠΈ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Ρ Π² Π΄Π²ΡΡ ΠΎΡΡΠ΅Π½ΠΊΠ°Ρ :
- ΡΠ³ΠΎΠ»ΡΠ½ΠΎ-ΡΡΡΠ½ΡΠΉ;


- ΡΡΠΌΠ½ΠΎ-ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΠΉ.
ΠΠ΅ ΠΌΠ΅Π½Π΅Π΅ ΡΠ΄Π°ΡΠ½ΠΎ ΠΌΠΎΠ½ΠΊΠΈ Π³Π°ΡΠΌΠΎΠ½ΠΈΡΡΡΡ Ρ Π·Π°ΡΠΆΠ΅Π½Π½ΡΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ, ΡΡΠ±Π°ΡΠΊΠΎΠΉ ΠΏΠΎΠ»ΠΎ, ΡΡΠΈΠ»ΡΠ½ΡΠΌ ΠΊΠ°ΡΠ΄ΠΈΠ³Π°Π½ΠΎΠΌ. ΠΠΎΠ»ΠΎΠ΄ΡΠ΅ ΠΌΡΠΆΡΠΈΠ½Ρ Π½ΠΎΡΡΡ ΠΌΠΎΠ½ΠΊΠΈ Ρ ΡΠ·ΠΊΠΈΠΌΠΈ ΡΠ»Π΅Π³ΠΊΠ° ΡΠΊΠΎΡΠΎΡΠ΅Π½Π½ΡΠΌΠΈ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ.
ΠΡΠ±ΠΈΡΠ°Π΅ΠΌ ΡΠ²Π΅Ρ ΠΈ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π» ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ
ΠΠΎΠ»ΡΡΠΈΠ½ΡΡΠ²ΠΎ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ ΠΌΡΠΆΡΠΊΠΈΡ ΡΡΡΠ΅Π»Ρ Π²ΡΠΏΠΎΠ»Π½Π΅Π½Ρ ΠΈΠ· Π½Π°ΡΡΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΊΠΎΠΆΠΈ ΠΈΠ»ΠΈ Π·Π°ΠΌΡΠΈ. ΠΠΎΠΆΠ°Π½ΡΠ΅ ΠΏΡΠΈΠ³ΠΎΠ΄Π½Ρ Π΄Π»Ρ Π΄ΠΎΠΆΠ΄Π»ΠΈΠ²ΠΎΠΉ ΠΏΠΎΠ³ΠΎΠ΄Ρ. ΠΠΎΡΡΠΎΠΌΡ Π²ΡΠ±ΠΎΡ Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎ ΡΠ΄Π΅Π»Π°ΡΡ, ΠΎΡΠ½ΠΎΠ²ΡΠ²Π°ΡΡΡ Π½Π° ΠΏΠΎΠ³ΠΎΠ΄Π½ΡΡ ΡΡΠ»ΠΎΠ²ΠΈΡΡ . ΠΠ±ΡΠ²Ρ ΠΈΠ· Π·Π°ΠΌΡΠΈ Π²ΡΠ³Π»ΡΠ΄ΠΈΡ Π±ΠΎΠ»Π΅Π΅ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΠΎ, Π½ΠΎ ΠΎΠ½Π° ΡΡΠ΅Π±ΠΎΠ²Π°ΡΠ΅Π»ΡΠ½Π° Π² ΡΡ ΠΎΠ΄Π΅. ΠΡΠΎΠΌΠ΅ ΡΠΎΠ³ΠΎ, Π·Π°ΠΌΡΠ° Π±ΡΡΡΡΠ΅Π΅ ΠΈΠ·Π½Π°ΡΠΈΠ²Π°Π΅ΡΡΡ.

Π§ΡΡΠ½Π°Ρ ΠΊΠ»Π°ΡΡΠΈΠΊΠ° Π½ΠΈΠΊΠΎΠ³Π΄Π° Π½Π΅ Π²ΡΠΉΠ΄Π΅Ρ ΠΈΠ· ΠΌΠΎΠ΄Ρ, ΠΎΠ½Π° ΠΏΠΎΠ΄Ρ
ΠΎΠ΄ΠΈΡ ΠΊ Π»ΡΠ±ΠΎΠΌΡ Π³Π°ΡΠ΄Π΅ΡΠΎΠ±Ρ. ΠΠΎ, Π½Π° Π»Π΅ΡΠ½ΠΈΠΉ ΠΏΠ΅ΡΠΈΠΎΠ΄ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ΡΡ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΡΡ ΠΎΡΡΠ°Π½ΠΎΠ²ΠΈΡΡ Π²ΡΠ±ΠΎΡ Π½Π° Π±Π΅Π»ΡΡ
ΡΡΡΠ»ΡΡ
. ΠΠ½ΠΈ ΠΎΡΠ»ΠΈΡΠ½ΠΎ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ ΠΊ Π±Π΅Π»ΠΎΡΠ½Π΅ΠΆΠ½ΠΎΠΌΡ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌΡ ΠΊΠΎΡΡΡΠΌΡ.
ΠΠ°ΠΊ ΠΌΡ ΡΠΆΠ΅ Π³ΠΎΠ²ΠΎΡΠΈΠ»ΠΈ, ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ ΠΌΠΎΠΆΠ½ΠΎ Π½ΠΎΡΠΈΡΡ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ. ΠΡΠ΅ΠΊΡΠ°ΡΠ½ΠΎ Π΄ΠΎΠΏΠΎΠ»Π½ΠΈΡ ΡΠΈΠ½ΠΈΠΉ ΡΠ²Π΅Ρ ΠΎΠ±ΡΠ²Ρ Π½Π°ΡΡΡΠ΅Π½Π½ΠΎΠ³ΠΎ Π·Π΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΎΡΡΠ΅Π½ΠΊΠ°. ΠΡΠΈ Π΄Π²Π° ΠΊΠΎΠ»Π΅ΡΠ° Ρ ΠΎΡΠΎΡΠΎ Π»Π°Π΄ΡΡ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ±ΠΎΠΉ. ΠΡΠΈΡΡΠ½Ρ Π΄Π»Ρ Π²Π·ΠΎΡΠ° ΡΡΠΈΠ»ΡΠ½ΡΠ΅ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΠ΅ ΡΡΡΠ»ΠΈ, ΠΏΡΠΈΡΡΠΌ ΠΊΠΎΠ»Π΅Ρ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΎΡ ΡΡΠΌΠ½ΠΎΠ³ΠΎ ΡΠΎΠΊΠΎΠ»Π°Π΄Π½ΠΎΠ³ΠΎ Π΄ΠΎ ΡΡΠΊΠΎΠ³ΠΎ ΡΡΠΆΠ΅Π³ΠΎ.
ΠΠ±ΡΠ²Ρ ΠΊ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌ

ΠΠ°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΠΏΠΎΠ΄Ρ
ΠΎΠ΄ΡΡΠ΅ΠΉ ΠΏΠ°ΡΠΎΠΉ ΠΊ ΠΌΠΎΠ΄Π½ΡΠΌ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌ ΡΠ²Π»ΡΡΡΡΡ Π±ΡΠΎΠ³ΠΈ ΠΈΠ»ΠΈ ΠΌΠΎΠ½ΠΊΠΈ. Π ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΠΈ ΡΠΎ ΡΠ²Π΅ΡΠ»ΠΎΠΉ ΠΈΠ»ΠΈ ΡΡΠΊΠΎΠΉ ΡΡΠ±Π°ΡΠΊΠΎΠΉ, ΠΏΡΠ»ΠΎΠ²Π΅ΡΠΎΠΌ ΡΠΏΠΎΠΊΠΎΠΉΠ½ΠΎΠ³ΠΎ ΠΎΡΡΠ΅Π½ΠΊΠ°, Π΄ΠΎΡΠΎΠ³ΠΈΠΌΠΈ ΡΠ°ΡΠ°ΠΌΠΈ ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎΠΉ ΠΌΠ°ΡΠΊΠΈ ΠΎΠ½ΠΈ ΡΠΎΡΡΠ°Π²ΡΡ ΡΠΈΠΊΠ°ΡΠ½ΡΠΉ Π°Π½ΡΠ°ΠΌΠ±Π»Ρ. ΠΡΠΎΡ Π»ΡΠΊ ΠΏΠΎΠ΄Ρ
ΠΎΠ΄ΠΈΡ Π΄Π»Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ Π½ΠΎΡΠΊΠΈ ΠΈ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π²ΡΠ³Π»ΡΠ΄Π΅ΡΡ ΠΌΠΎΠ΄Π½ΠΎ ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎ.
Π ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ Π±ΠΎΠ»ΡΡΠ΅ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡ Π΄ΠΆΠΈΠ½ΡΡ ΠΏΡΡΠΌΠΎΠ³ΠΎ ΠΊΡΠΎΡ.
ΠΠΎΠ΄ΠΏΠΈΡΠΈΡΠ΅ΡΡ Π½Π° Π½Π°ΡΠΈ Π‘ΠΎΡΠΈΠ°Π»ΡΠ½ΡΠ΅ ΡΠ΅ΡΠΈ
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Π€ΡΠ°Π½ΡΡΠ·ΡΠΊΠΈΠΉ Π΄ΡΠ°ΠΌΠ°ΡΡΡΠ³ ΠΠ°ΡΡΠ΅Π»Ρ ΠΡΠ°Ρ ΠΊΠΎΠ³Π΄Π°-ΡΠΎ ΡΠΊΠ°Π·Π°Π», ΡΡΠΎ Ρ ΠΎΡΠΎΡΠ°Ρ ΠΊΡΠΎΠ²Π°ΡΡ ΠΈ ΡΠ΄ΠΎΠ±Π½Π°Ρ ΠΎΠ±ΡΠ²Ρ β ΡΡΠΎ Π΄Π²Π΅ ΡΠ°ΠΌΡΠ΅ Π²Π°ΠΆΠ½ΡΠ΅ Π²Π΅ΡΠΈ Π² ΠΆΠΈΠ·Π½ΠΈ. ΠΠ΅Π΄Ρ Π΅ΡΠ»ΠΈ ΠΌΡ Π½Π΅ Π² ΠΏΠ΅ΡΠ²ΠΎΠΉ, ΡΠΎ ΠΌΡ Π²ΠΎ Π²ΡΠΎΡΠΎΠΉ. ΠΠΌΠ΅Π½Π½ΠΎ ΠΏΠΎΡΡΠΎΠΌΡ, Π²ΡΠ±ΠΈΡΠ°Ρ ΠΊΠΎΡΡΡΠΌ ΠΈ ΠΎΠ±ΡΠ²Ρ ΠΊ Π½Π΅ΠΌΡ,Β Π²Π°ΠΆΠ½ΠΎ ΡΡΠΈΡΡΠ²Π°ΡΡ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎΡΡΡ, Π½ΠΎ ΠΈ ΠΊΠΎΠΌΡΠΎΡΡ Π²ΠΎ Π²ΡΠ΅ΠΌΡ ΠΏΠ΅ΡΠ΅Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΡ.
ΠΡΠΆΡΠΊΠΈΠ΅ ΡΡΡΠ»ΠΈ ΡΠ΄Π°ΡΠ½ΠΎ ΡΠΎΡΠ΅ΡΠ°ΡΡΡΡ ΡΠΎ ΡΡΡΠΎΠ³ΠΈΠΌΠΈ ΠΊΠΎΡΡΡΠΌΠ°ΠΌΠΈ, ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ ΠΈ ΠΏΠΎΠ»ΠΎ, Π° ΡΠ°ΠΊΠΆΠ΅ Π³Π°ΡΠΌΠΎΠ½ΠΈΡΡΡΡ Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ, Π΅ΡΠ»ΠΈ ΠΌΠΎΠ΄Π΅Π»Ρ ΠΏΠΎΠ΄ΠΎΠ±ΡΠ°Π½Π° Π²Π΅ΡΠ½ΠΎ.
Π ΡΡΠΎΠΉ ΡΡΠ°ΡΡΠ΅ ΡΠ°Π·Π±Π΅ΡΡΠΌΡΡ, ΠΊΠ°ΠΊ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ ΡΠΎΡΠ΅ΡΠ°ΡΡ ΡΠ°Π·Π½ΡΠ΅ Π²ΠΈΠ΄Ρ ΡΡΡΠ΅Π»Ρ Ρ ΠΎΠ±ΡΠ°Π·Π°ΠΌΠΈ Π΄Π»Ρ ΠΌΡΠΆΡΠΈΠ½Ρ.


@pinterest.com
Π£Π΄Π°ΡΠ½ΡΠ΅ ΠΎΠ±ΡΠ°Π·Ρ ΠΈ ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΡ
ΠΡΡΡΠ΅ΡΠ°Ρ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Π² ΠΏΠ΅ΡΠ²ΡΠΉ ΡΠ°Π·, ΠΌΡ ΠΎΠ±ΡΠ°ΡΠ°Π΅ΠΌ ΠΏΡΠΈΡΡΠ°Π»ΡΠ½ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π½Π° Π΅Π³ΠΎ ΠΎΠ±ΡΠ²Ρ. ΠΠ΅ Π·ΡΡ Π³ΠΎΠ²ΠΎΡΡΡ, ΡΡΠΎ ΠΏΠ°ΡΡΡΠΌ ΠΈ ΡΠΈΡΡΡΠ΅ ΡΡΡΠ»ΠΈ β Π·Π°Π»ΠΎΠ³ ΡΡΠΏΠ΅Ρ Π°. Π‘Π»Π΅Π΄ΠΈΡΡ ΠΈ ΡΡ Π°ΠΆΠΈΠ²Π°ΡΡ Π·Π° ΠΎΠ±ΡΠ²ΡΡ Π²Π°ΠΆΠ½ΠΎ Π² Π»ΡΠ±ΡΡ ΠΎΠ±ΡΡΠΎΡΡΠ΅Π»ΡΡΡΠ²Π°Ρ . Π Π΅ΡΡ Π½ΡΠΆΠ½ΠΎ Π³ΡΠ°ΠΌΠΎΡΠ½ΠΎ Π΅Ρ ΡΠΎΡΠ΅ΡΠ°ΡΡ Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΌΠΈ ΠΎΠ±ΡΠ°Π·Π°ΠΌΠΈ.
ΠΡΠ±ΠΎΡ ΠΌΠΎΠ΄Π΅Π»Π΅ΠΉ ΠΈ ΡΠ°ΡΡΠ²Π΅ΡΠΎΠΊ ΠΌΡΠΆΡΠΊΠΈΡ ΡΡΡΠ΅Π»Ρ ΡΠ΅Π³ΠΎΠ΄Π½Ρ ΠΎΠ³ΡΠΎΠΌΠ΅Π½. Π€Π°ΠΊΡΡΡΠ½ΡΠ΅ ΡΠΊΠ°Π½ΠΈ ΠΈ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Ρ, Π½Π΅ΠΎΠ±ΡΡΠ½ΡΠ΅ ΠΎΡΡΠ΅Π½ΠΊΠΈ ΠΈ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΡΠΉ Π΄Π΅ΠΊΠΎΡ β Π²ΡΡ ΡΡΠΎ ΠΏΡΠΈΡΡΡΡΡΠ²ΡΠ΅Ρ Π² ΡΡΡΠ»ΡΡ Π΄Π»Ρ ΠΌΡΠΆΡΠΈΠ½.
ΠΠ°ΠΌΡΠ΅Π²ΡΠ΅ ΡΡΡΠ»ΠΈ
ΠΠ°ΠΌΡΠ° β ΠΎΠ΄ΠΈΠ½ ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΡ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»ΠΎΠ² Π΄Π»Ρ ΠΏΠΎΡΠΈΠ²Π° ΠΎΠ±ΡΠ²ΠΈ. ΠΠ½ΠΈ ΡΠΌΠΎΡΡΡΡΡΡ Π΄ΠΎΡΠΎΠ³ΠΎ ΠΈ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΠΎ, ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡ Π΄Π»Ρ Π΅ΠΆΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ Π½ΠΎΡΠΊΠΈ ΠΈ ΠΎΡΠ»ΠΈΡΠ½ΠΎ Π²ΠΏΠΈΡΡΠ²Π°ΡΡΡΡ Π² ΡΠ²ΠΎΠ±ΠΎΠ΄Π½ΡΠΉ Π²Π΅ΡΠ΅ΡΠ½ΠΈΠΉ Π»ΡΠΊ. Π’Π°ΠΊΠΆΠ΅ ΡΡΠΎ ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎΠ΅ ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΠ΅ Ρ Π³ΠΎΡΠΎΠ΄ΡΠΊΠΈΠΌΠΈ ΠΎΠ±ΡΠ°Π·Π°ΠΌΠΈ Π² ΡΡΠΈΠ»Π΅ casual β ΠΌΡΠΆΡΠΈΠ½Π° Π²ΡΠ³Π»ΡΠ΄ΠΈΡ ΡΠ²Π΅ΡΠ΅Π½Π½ΠΎ ΠΈ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΠΎ Π΄Π°ΠΆΠ΅ Π² ΠΎΠ±ΡΡΠ½ΡΡ Π΄ΠΆΠΈΠ½ΡΠ°Ρ ΠΈ ΡΠ²ΠΎΠ±ΠΎΠ΄Π½ΠΎΠΌ ΠΏΡΠ»ΠΎΠ²Π΅ΡΠ΅, Π΅ΡΠ»ΠΈ Π΄ΠΎΠ±Π°Π²ΠΈΡΡ ΠΊ Π½Π°ΡΡΠ΄Ρ Π·Π°ΠΌΡΠ΅Π²ΡΠ΅ Π±ΡΠΎΠ³ΠΈ.


@dmarge.com
ΠΠ΅Π»ΡΠ΅ ΡΡΡΠ»ΠΈ
ΠΠ° ΠΎΠ±ΡΠ°Π· Ρ Π±Π΅Π»ΡΠΌΠΈ ΡΡΡΠ»ΡΠΌΠΈ ΠΎΡΠ²Π°ΠΆΠΈΡΡΡ Π½Π΅ ΠΊΠ°ΠΆΠ΄ΡΠΉ ΠΌΡΠΆΡΠΈΠ½Π°. ΠΠΎ ΡΠ΄Π΅Π»Π°Π² ΡΡΠΎ, ΠΌΠΎΠΆΠ½ΠΎ Π±ΡΡΡ ΡΠ²Π΅ΡΠ΅Π½Π½ΡΠΌ Π² ΡΠ²ΠΎΠ΅ΠΉ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎΡΡΠΈ. ΠΠ½ΠΈ Π²ΡΠ³Π»ΡΠ΄ΡΡ ΡΠ²Π΅ΠΆΠΎ ΠΈ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎ, ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡ Π΄Π»Ρ Π»Π΅ΡΠ½ΠΈΡ Π»ΡΠΊΠΎΠ². Π‘ΡΠΈΠ»ΡΠ½ΠΎ ΡΠΌΠΎΡΡΡΡΡΡ ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΡ Ρ ΠΎΠ΄Π΅ΠΆΠ΄ΠΎΠΉ ΡΡΠΌΠ½ΡΡ ΡΠ²Π΅ΡΠΎΠ²: ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΠΉ, ΡΡΡΠ½ΡΠΉ, ΡΡΠΌΠ½ΠΎ-ΡΠΈΠ½ΠΈΠΉ. ΠΠ½ΠΎΠ³Π΄Π° ΠΌΡΠΆΡΠΈΠ½Ρ ΠΎΡΠ²Π°ΠΆΠΈΠ²Π°ΡΡΡΡ ΠΊΠΎΠΌΠ±ΠΈΠ½ΠΈΡΠΎΠ²Π°ΡΡ ΡΡΠΌΠ½ΡΠΉ ΠΊΠΎΡΡΡΠΌ Ρ Π±Π΅Π»ΡΠΌΠΈ ΡΡΡΠ»ΡΠΌΠΈ. Π ΡΡΠΎΠΌ ΡΠ»ΡΡΠ°Π΅ Π½ΡΠΆΠ½Π° ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΠ° Π² Π²ΠΈΠ΄Π΅ Π±Π΅Π»ΠΎΡΠ½Π΅ΠΆΠ½ΠΎΠΉ ΡΡΠ±Π°ΡΠΊΠΈ, ΠΊ ΠΊΠΎΡΠΎΡΠΎΠΉ ΠΏΠΎΠ΄Π±ΠΈΡΠ°ΡΡ Π³Π°Π»ΡΡΡΠΊ Π² ΡΠΎΠ½ ΠΊΠΎΡΡΡΠΌΡ.
Π£Π±Π΅ΠΆΠ΄Π΅Π½ΠΈΠ΅, ΡΡΠΎ ΡΠ²Π΅ΡΠ»Π°Ρ ΠΎΠ±ΡΠ²Ρ ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½Π° ΡΠΎΠ»ΡΠΊΠΎ Π΄Π»Ρ Π²Π°ΠΆΠ½ΡΡ ΠΌΠ΅ΡΠΎΠΏΡΠΈΡΡΠΈΠΉ β Π½Π΅ Π²Π΅ΡΠ½ΠΎΠ΅. Π Π³ΠΎΡΠΎΠ΄ΡΠΊΠΈΡ ΡΡΠ»ΠΎΠ²ΠΈΡΡ Ρ ΠΏΡΠΎΡΡΡΠΌΠΈ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ ΡΠ°ΠΊΠ°Ρ ΠΎΠ±ΡΠ²Ρ ΡΠΌΠΎΡΡΠΈΡΡΡ Π²Π΅Π»ΠΈΠΊΠΎΠ»Π΅ΠΏΠ½ΠΎ.


@pinterest.ru
ΠΠ°ΠΊΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΡΡΡΠ»ΠΈ
ΠΠ°ΠΊΠΎΠ²Π°Ρ ΠΊΠΎΠΆΠ° ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°Π΅Ρ Π²Π·Π³Π»ΡΠ΄Ρ ΠΎΠΊΡΡΠΆΠ°ΡΡΠΈΡ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΠ·ΡΠ΅Ρ ΠΎΠ±Π»Π°Π΄Π°ΡΠ΅Π»Ρ ΠΎΠ±ΡΠ²ΠΈ ΠΊΠ°ΠΊ Π½Π΅ΠΊΠΎΠ³ΠΎ ΡΡΠ°Π½ΡΠ°. ΠΠΎΡΡΠΎΠΌΡ Π»Π°ΠΊΠΎΠ²ΡΠ΅ ΡΡΡΠ»ΠΈ (ΡΠ°ΡΠ΅ Π²ΡΠ΅Π³ΠΎ ΡΡΠΎ ΠΎΠΊΡΡΠΎΡΠ΄Ρ) ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡ Π΄Π»Ρ ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΡΡ Π²ΡΡΡΠ΅Ρ ΠΈ Π²Π΅ΡΠ΅ΡΠΈΠ½ΠΎΠΊ, Π° ΡΠ°ΠΊΠΆΠ΅ Π·Π²Π°Π½ΡΡ Π²Π΅ΡΠ΅ΡΠΎΠ² ΠΈ Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΠΎΠ±ΡΡΠ°Π½ΠΎΠ²ΠΊΠΈ. ΠΡ Π½Π°Π΄Π΅Π²Π°ΡΡ Ρ ΡΡΠ°ΠΊΠ°ΠΌΠΈ ΠΈ ΡΡΡΠΎΠ³ΠΈΠΌΠΈ ΠΏΠΈΠ΄ΠΆΠ°ΠΊΠ°ΠΌΠΈ ΡΡΠΌΠ½ΠΎΠ³ΠΎ ΡΠ²Π΅ΡΠ°. Π ΡΡΠΎΠΌ ΡΠ»ΡΡΠ°Π΅ Π΄Π΅ΠΉΡΡΠ²ΡΡΡ Π·Π°ΠΊΠΎΠ½Ρ ΡΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½Π½ΠΎΠ³ΠΎ Π΄ΡΠ΅ΡΡ-ΠΊΠΎΠ΄Π°.


@shilpaahuja.com
ΠΠΎΡΠ΅ΡΡ Ρ ΠΊΠΈΡΡΠΎΡΠΊΠΎΠΉ
ΠΠ½ΡΠ΅ΡΠ΅ΡΠ½Π°Ρ ΠΌΠΎΠ΄Π΅Π»Ρ, ΠΊΠΎΡΠΎΡΡΡ Π½Π΅ Π²ΡΠ΅ ΠΌΡΠΆΡΠΈΠ½Ρ ΠΏΠΎΠ½ΠΈΠΌΠ°ΡΡ. ΠΠΎ Π½Π°ΡΡΠΎΡΡΠΈΠ΅ ΠΌΠΎΠ΄Π½ΠΈΠΊΠΈ Π½Π΅ ΡΠΏΡΡΡΡΡ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΠΈ ΠΏΠΎΡΠ°Π΄ΠΎΠ²Π°ΡΡ ΡΠ΅Π±Ρ ΠΏΠΎΠΊΡΠΏΠΊΠΎΠΉ ΡΡΠΌΠ½ΠΎ-ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΡ ΠΈΠ»ΠΈ ΡΡΡΠ½ΡΡ Π»ΠΎΡΠ΅ΡΠΎΠ², ΡΠΊΡΠ°ΡΠ΅Π½Π½ΡΡ ΠΊΠΈΡΡΠΎΡΠΊΠΎΠΉ ΠΈΠ»ΠΈ Π±Π°Π½ΡΠΈΠΊΠΎΠΌ. ΠΠ½ΠΈ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ Π΄Π»Ρ Π»Π΅ΡΠ½Π΅Π³ΠΎ Π΄Π΅Π»ΠΎΠ²ΠΎΠ³ΠΎ ΠΎΠ±ΡΠ°Π·Π° Ρ ΡΡΠΌΠ½ΡΠΌΠΈ ΡΠΈΠ½ΠΎΡΠ°ΠΌΠΈ ΠΈ ΡΠ²Π΅ΡΠ»ΠΎΠΉ ΡΡΠ±Π°ΡΠΊΠΎΠΉ Ρ ΠΊΠΎΡΠΎΡΠΊΠΈΠΌ ΡΡΠΊΠ°Π²ΠΎΠΌ. Π’Π°ΠΊΠΆΠ΅ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎ ΠΈΡ ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΠ΅ Ρ Π΄Π΅Π»ΠΎΠ²ΡΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΊΡΠΎΡ.


@moderngentlemanmagazine.com
ΠΠΎΡΠΈΡΠ½Π΅Π²ΡΠ΅ ΡΡΡΠ»ΠΈ
ΠΡΠΎΡ ΡΠ²Π΅Ρ ΠΎΠ±ΡΠ²ΠΈ Ρ ΠΌΡΠΆΡΠΈΠ½ Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½ΡΠ½. Π§Π°ΡΡΠΎ Π΄Π°ΠΆΠ΅ Π±ΠΎΠ»ΡΡΠ΅, ΡΠ΅ΠΌ ΡΡΡΠ½ΡΠΉ. ΠΡ ΡΠΎΡΠ΅ΡΠ°ΡΡ Π±ΡΠΊΠ²Π°Π»ΡΠ½ΠΎ ΡΠΎ Π²ΡΠ΅ΠΌΠΈ ΠΎΠ±ΡΠ°Π·Π°ΠΌΠΈ β ΠΈ Ρ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ ΡΠΎ ΡΡΡΠΎΠ³ΠΈΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ, ΠΈ ΡΠ°ΡΡΠ»Π°Π±Π»Π΅Π½Π½ΡΠΌ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΌ Ρ Π·Π°ΡΠΆΠ΅Π½Π½ΡΠΌΠΈ Π±ΡΡΠΊΠ°ΠΌΠΈ ΠΈ Π»ΡΠ³ΠΊΠΎΠΉ ΡΡΠ±Π°ΡΠΊΠΎΠΉ. Π₯ΠΎΡΠΎΡΠΎ ΡΠΌΠΎΡΡΡΡΡΡ Π»ΠΎΡΠ΅ΡΡ ΠΈΠ»ΠΈ Π±ΡΠΎΠ³ΠΈ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΠΎΠ³ΠΎ ΠΎΡΡΠ΅Π½ΠΊΠ° Ρ Π΄ΠΆΠΈΠ½ΡΠ°ΠΌΠΈ ΠΈ ΡΡΠ±Π°ΡΠΊΠΎΠΉ Π½Π°Π²ΡΠΏΡΡΠΊ ΠΈΠ»ΠΈ ΠΌΠΎΠ΄Π½ΡΠΌ ΠΏΡΠ»ΠΎΠ²Π΅ΡΠΎΠΌ. Π’ΡΡΠ»ΠΈ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΡ ΠΎΡΡΠ΅Π½ΠΊΠΎΠ² Π½ΠΎΡΡΡ Π΄Π°ΠΆΠ΅ Ρ ΡΠΎΡΡΠ°ΠΌΠΈ Π² Π»Π΅ΡΠ½ΠΈΠΉ ΠΏΠ΅ΡΠΈΠΎΠ΄.


@pinterest.ru
ΠΡΠ½ΠΎΠ²Π½ΡΠ΅ ΠΏΡΠ°Π²ΠΈΠ»Π° ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΡ ΡΡΡΠ΅Π»Ρ Π² Π΄Π΅Π»ΠΎΠ²ΠΎΠΌ ΠΎΠ±ΡΠ°Π·Π΅
Π ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ΠΈΠΈ Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΠΌΡΠΆΡΠΈΠ½Π° ΠΏΡΠ΅Π΄ΡΡΠ°ΡΡ ΠΏΠ΅ΡΠ΅Π΄ Π½Π°ΠΌΠΈ ΠΈΡΠΊΠ»ΡΡΠΈΡΠ΅Π»ΡΠ½ΠΎ Π² ΡΡΡΠ½ΠΎΠΌ ΠΊΠΎΡΡΡΠΌΠ΅ ΠΈ ΡΡΠΌΠ½ΠΎΠΉ ΠΎΠ±ΡΠ²ΠΈ, Π½Π°ΡΠΈΡΠ΅Π½Π½ΠΎΠΉ Π΄ΠΎ Π±Π»Π΅ΡΠΊΠ°. ΠΠ΅Π»Π°ΡΠ΅Π»ΡΠ½ΠΎ, ΡΡΠΎΠ±Ρ ΡΡΠΎ Π±ΡΠ»ΠΈ ΠΎΠΊΡΡΠΎΡΠ΄Ρ ΠΈΠ· Π½Π°ΡΡΡΠ°Π»ΡΠ½ΠΎΠΉ ΠΊΠΎΠΆΠΈ. ΠΠΎ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠ΅ ΡΠ΅Π½Π΄Π΅Π½ΡΠΈΠΈ Π² ΠΌΠΎΠ΄Π΅ Π΄ΠΈΠΊΡΡΡΡ ΡΠ²ΠΎΠΈ ΠΏΡΠ°Π²ΠΈΠ»Π°. Π Π°Π·Π»ΠΈΡΠ½ΡΠ΅ ΠΎΡΡΠ΅Π½ΠΊΠΈ ΠΈ Π½Π΅ΠΎΠ±ΡΡΠ½ΡΠ΅ Π΄Π»Ρ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΡΠΈΠ»Ρ ΡΠ²Π΅ΡΠ° Π²ΠΏΠΎΠ»Π½Π΅ ΡΠΌΠ΅ΡΡΠ½Ρ ΠΈ Π² Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ ΡΡΠ΅ΡΠ΅.
Π―ΡΠΊΠΈΠ΅ ΠΎΡΡΠ΅Π½ΠΊΠΈ Π²ΡΠΎΠ΄Π΅ Π·Π΅Π»ΡΠ½ΠΎΠ³ΠΎ, ΠΆΡΠ»ΡΠΎΠ³ΠΎ ΠΈΠ»ΠΈ ΠΊΡΠ°ΡΠ½ΠΎΠ³ΠΎ ΡΠΎΠ²Π΅ΡΡΠ΅Π½Π½ΠΎ Π½Π΅ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡ Π΄Π΅Π»ΠΎΠ²ΠΎΠΌΡ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΡ. ΠΡ Π»ΡΡΡΠ΅ ΠΎΡΡΠ°Π²ΠΈΡΡ Π΄Π»Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠ³ΠΎ Π²Π°ΡΠΈΠ°Π½ΡΠ° ΠΎΠ΄Π΅ΠΆΠ΄Ρ.
ΠΡΠ±ΠΈΡΠ°ΡΡ ΠΎΠ±ΡΠ²Ρ Π»ΡΡΡΠ΅, ΠΎΡΠ½ΠΎΠ²ΡΠ²Π°ΡΡΡ Π½Π° ΡΠ²Π΅ΡΠ΅ ΠΊΠΎΡΡΡΠΌΠ°:
- Π ΡΡΠΌΠ½ΠΎ-ΡΠΈΠ½Π΅ΠΌΡ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΌΡ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ ΠΏΠ°ΡΠ° ΠΈΠ· ΡΡΡΠ½ΠΎΠΉ ΠΈΠ»ΠΈ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΠΎΠΉ ΠΊΠΎΠΆΠΈ. Π‘Π΄Π΅ΡΠΆΠ°Π½Π½ΡΠ΅ ΠΎΠΊΡΡΠΎΡΠ΄Ρ ΠΈΠ»ΠΈ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΡΠ΅ Π΄Π΅ΡΠ±ΠΈ ΡΠΎΡΡΠ°Π²ΡΡ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ ΡΠ°Π½Π΄Π΅ΠΌ Ρ ΠΎΠ΄Π΅ΠΆΠ΄ΠΎΠΉ.
- Π ΡΠ΅ΡΠΎΠΌΡ ΠΊΠΎΡΡΡΠΌΡ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ ΡΡΡΠ½ΡΠ΅ Π»ΠΎΡΠ΅ΡΡ Π±Π΅Π· Π΄Π΅ΠΊΠΎΡΠ°ΡΠΈΠ²Π½ΡΡ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠΎΠ² ΠΈΠ»ΠΈ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΎΠΊΡΡΠΎΡΠ΄Ρ Π½Π° ΠΊΠ°Π±Π»ΡΠΊΠ΅. ΠΡΠ»ΠΈ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π΄ΡΠ΅ΡΡ-ΠΊΠΎΠ΄, ΠΌΠΎΠΆΠ½ΠΎ Π²ΠΎΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡΡΡ ΠΎΠ±ΡΠ²ΡΡ Π²ΠΈΠ½Π½ΠΎΠ³ΠΎ ΠΈΠ»ΠΈ ΡΡΠΌΠ½ΠΎ-ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΠΎΠ³ΠΎ ΠΎΡΡΠ΅Π½ΠΊΠ°.
- ΠΠΎΡΠΈΡΠ½Π΅Π²ΡΠΉ ΠΊΠΎΡΡΡΠΌ ΡΠ½ΠΈΠ²Π΅ΡΡΠ°Π»Π΅Π½. ΠΠ½ ΡΠΎΡΠ΅ΡΠ°Π΅ΡΡΡ Ρ Π°Π½Π°Π»ΠΎΠ³ΠΈΡΠ½ΠΎΠ³ΠΎ ΡΠ²Π΅ΡΠ° ΠΎΠ±ΡΠ²ΡΡ ΠΈΠ»ΠΈ ΡΠΎΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΡΠΈΠ»ΡΠ½ΡΠΉ ΡΠ°Π½Π΄Π΅ΠΌ Ρ Π±ΠΎΡΠ΄ΠΎΠ²ΡΠΌΠΈ Π΄Π΅ΡΠ±ΠΈ. Π ΡΠ°ΠΊΠΎΠΌ ΠΎΠ±ΡΠ°Π·Π΅ Π΄Π΅Π»ΠΎΠ²ΠΎΠΉ Π΄ΠΆΠ΅Π½ΡΠ»ΡΠΌΠ΅Π½ ΡΠΌΠΎΡΡΠΈΡΡΡ Π½Π΅Π²Π΅ΡΠΎΡΡΠ½ΠΎ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΠΎ.
- Π§ΡΡΠ½ΡΠΉ ΠΊΠΎΡΡΡΠΌ. ΠΠ΅ΡΡΠΌΠ΅ΡΡΠ½Π°Ρ ΠΊΠ»Π°ΡΡΠΈΠΊΠ°, ΠΊΠΎΡΠΎΡΠΎΠΉ Π½Π΅ ΡΡΠΎΠΈΡ ΠΈΠ·ΠΌΠ΅Π½ΡΡΡ Π½ΠΈ ΠΏΡΠΈ ΠΊΠ°ΠΊΠΈΡ ΠΎΠ±ΡΡΠΎΡΡΠ΅Π»ΡΡΡΠ²Π°Ρ β ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΠ΅ Ρ ΡΡΡΠ½ΡΠΌΠΈ ΠΎΠΊΡΡΠΎΡΠ΄Π°ΠΌΠΈ. ΠΠΎΠΏΡΡΠΊΠ°Π΅ΡΡΡ Π½Π΅ΠΌΠ½ΠΎΠ³ΠΎ ΠΎΡΡΡΡΠΏΠΈΡΡ ΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ Π΄Π΅ΡΠ±ΠΈ. ΠΠΎ ΡΡΠΎ Π΅Π΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½Π°Ρ Π²ΠΎΠ»ΡΠ½ΠΎΡΡΡ, ΠΊΠΎΡΠΎΡΡΡ ΠΌΠΎΠΆΠ½ΠΎ ΡΠ΅Π±Π΅ ΠΏΠΎΠ·Π²ΠΎΠ»ΠΈΡΡ.
Π Π³Π°ΡΠ΄Π΅ΡΠΎΠ±Π΅ ΠΏΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΈ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ Π΄Π΅Π»ΠΎΠ²ΠΎΠ³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Π½Π°ΠΉΠ΄ΡΡΡΡ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΠΏΠ°Ρ Π΄ΠΎΠ±ΡΠΎΡΠ½ΡΡ ΡΡΡΠ΅Π»Ρ. ΠΠ½ΠΈ ΠΎΡΠ»ΠΈΡΠ½ΠΎ ΡΠΎΡΠ΅ΡΠ°ΡΡΡΡ Ρ ΠΊΠΎΡΡΡΠΌΠ°ΠΌΠΈ ΠΈ ΡΠΎΡΡΠ°Π²Π»ΡΡΡ ΡΡΡΠΎΠ³ΠΈΠΉ, ΡΠΎΠ±ΡΠ°Π½Π½ΡΠΉ Π»ΡΠΊ.


@pinterest.ru
ΠΡΠ°Π²ΠΈΠ»Π° ΠΊΠΎΠΌΠ±ΠΈΠ½ΠΈΡΠΎΠ²Π°Π½ΠΈΡ ΡΡΡΠ΅Π»Ρ Ρ ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ ΠΎΠ΄Π΅ΠΆΠ΄ΠΎΠΉ
Π Π΅ΠΆΠ΅Π΄Π½Π΅Π²Π½ΡΡ Π»ΡΠΊΠ°Ρ , Π² ΠΎΠ΄Π΅ΠΆΠ΄Π΅, Π½Π΅ Π·Π°ΠΌΠΊΠ½ΡΡΠΎΠΉ Π² ΡΠ°ΠΌΠΊΠΈ Π΄Π΅Π»ΠΎΠ²ΠΎΠ³ΠΎ Π΄ΡΠ΅ΡΡ-ΠΊΠΎΠ΄Π°, Π»Π΅Π³ΠΊΠΎ Π²ΡΡΠ°Π·ΠΈΡΡ ΡΠ²ΠΎΡ ΠΈΠ½Π΄ΠΈΠ²ΠΈΠ΄ΡΠ°Π»ΡΠ½ΠΎΡΡΡ. ΠΡΠ±ΠΈΠΌΡΠ΅ Π΄ΠΆΠΈΠ½ΡΡ ΠΈΠ»ΠΈ ΡΠ²ΠΎΠ±ΠΎΠ΄Π½ΡΠ΅ Π±ΡΡΠΊΠΈ β ΠΎΡΠ»ΠΈΡΠ½ΠΎΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π΄Π»Ρ Π³ΠΎΡΠΎΠ΄ΡΠΊΠΈΡ ΡΡΠ»ΠΎΠ²ΠΈΠΉ. Π ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅ ΠΎΠ±ΡΠ²ΠΈ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ Π΄Π΅ΡΠ±ΠΈ ΠΈΠ»ΠΈ Π±ΡΠΎΠ³ΠΈ ΠΈΠ· ΠΊΠΎΠΆΠΈ ΠΈΠ»ΠΈ ΠΌΠΎΠΊΠ°ΡΠΈΠ½Ρ ΠΈΠ· Π·Π°ΠΌΡΠΈ.
Π§ΡΠΎ ΠΊΠ°ΡΠ°Π΅ΡΡΡ ΡΠ²Π΅ΡΠ°, Π·Π΄Π΅ΡΡ ΠΏΡΠΈΠΌΠ΅Π½ΡΡΡ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΡΡΠ½ΡΠΉ ΠΈ ΠΊΠΎΡΠΈΡΠ½Π΅Π²ΡΠΉ. ΠΡΠΆΡΠΈΠ½Π΅ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅ΡΡΡ ΡΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½ΡΠΈΡΠΎΠ²Π°ΡΡ, Π²ΡΠ±ΡΠ°Π² ΡΠ²Π΅ΡΠ»ΡΠ΅ ΡΠΎΠΏΡΠ°ΠΉΠ΄Π΅ΡΡ ΠΈΠ»ΠΈ ΡΠΊΡΠ°ΡΠΈΠ² ΠΎΠ±ΡΠ°Π· ΡΠΈΠ½ΠΈΠΌΠΈ ΠΌΠΎΠΊΠ°ΡΠΈΠ½Π°ΠΌΠΈ.


@chicagostreetstyle.com
Π‘ΠΎΡΡΠ°Π²ΠΈΡΡ ΡΠ΄Π°ΡΠ½ΡΠΉ ΠΎΠ±ΡΠ°Π· Ρ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ ΡΡΡΠ»ΡΠΌΠΈ Π½Π΅ ΡΠ»ΠΎΠΆΠ½ΠΎ. ΠΠ½Π°Ρ ΠΎΡΠ½ΠΎΠ²Π½ΡΠ΅ ΠΏΡΠ°Π²ΠΈΠ»Π° Π΄Π΅Π»ΠΎΠ²ΠΎΠ³ΠΎ Π΄ΡΠ΅ΡΡ-ΠΊΠΎΠ΄Π° ΠΈ ΠΎΠ±Π»Π°Π΄Π°Ρ ΠΌΠ°Π»ΠΎΠΉ ΡΠΎΠ»ΠΈΠΊΠΎΠΉ ΡΡΠ²ΡΡΠ²Π° ΡΡΠΈΠ»Ρ, ΠΎΠ±ΡΠ²Ρ Π±ΡΠ΄Π΅Ρ Π²ΡΠ±ΡΠ°Π½Π° ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎ. ΠΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΠΉ ΠΈΠ»ΠΈ ΠΎΡΠΈΡΠ½ΡΠΉ Π»ΡΠΊ ΠΏΠΎΠ»ΡΡΠΈΡΡΡ ΡΡΠΈΠ»ΡΠ½ΡΠΌ ΠΈ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΡΠΌ.
90000 What Should Men Wear to Dance Lessons? 90001 90002 Salsa, Swing and Ballroom Dancing Is a Physical Activity 90003 90004 Partner dancing, whether it be salsa, swing, or ballroom dancing, is a physical activity and should be treated as such. For men, your shoes and clothing are going to be the same across these different dance styles when it comes to attending private dance lessons and group classes. 90005 90004 It’s important to wear lightweight clothing that is comfortable and breathes, so you can easily move and dance around in it without getting too hot.90005 90004 Regarding shoes, it’s best to wear shoes that allow you to slide around easily and securely attach to your foot so they do not come off when you’re dancing. 90005 90002 What Should Men Wear? 90003 90004 The following is an acceptable list of clothes for men to wear for private dance lessons and group classes: 90005 90014 90015 Cotton T-Shirts 90016 90015 Long Sleeve Button Up Dress Shirts 90016 90015 Short Sleeve Button Up Dress Shirts 90016 90015 Polo shirts (Short sleeved shirts with a collar) 90016 90015 Jeans 90016 90015 Slacks / dress pants 90016 90015 Khakis 90016 90015 Shorts, any kind 90016 90015 Light Vests 90016 90015 Light sweaters that are easy to remove 90016 90035 90004 You want to avoid wearing heavy, warm clothes because you’ll get really hot in them when you dance.I suggest layering your clothes so this way you can take them on and off as you warm up and cool down during class. You can wear a light sweater that is easy to remove if you are dancing in the winter. 90005 90004 Depending on the time of year and how easily you get hot, you can wear shorts to your private dance lesson or group class, because the main purpose is to learn and practice. However, if you are going out to a salsa club at night, you should wear long pants. 90005 90002 What About Suits? 90003 90004 You do not need to wear a suit and tie for class, because that’s too formal, plus you’ll get hot wearing a jacket.If you want to be fancy, you can wear a tie, but clip it so it does not fly around while you dance. 90005 90004 Some men like to wear a vest over a long sleeved dress shirt if they want to look more formal, but it’s not necessary, and the extra layer might make you hot. 90005 90002 Can I Wear a Hat? 90003 90004 Generally, it’s better for men not to wear any kind of hats to private dance lessons or group classes because you can accidentally knock it off of your head when you raise your arm to twirl your partner.90005 90004 However, if you really want to wear a hat, I suggest wearing one with a small / narrow brim such as a fedora / cuban hat or a newspaper boy hat. 90005 90002 What Shoes Men Should Wear? 90003 90004 Men should wear flat shoes with a smooth bottom for private dance lessons and group classes. The reason why is because shoes with a smooth bottom make it easy for you to move around when you’re dancing, and will not stick to the floor and give you problems with your feet or ankles. 90005 90004 Most men find it easiest to dance in dress shoes with a small rounded toe and which lace up.Dress shoes with big boxy square toes are kind of clunky and inconvenient for dancing. Slip on shoes can slide off when you’re dancing around, so those are not good either. 90005 90004 If you do not own dress shoes, you can also wear casual shoes, such as sneakers or tennis shoes that have a flat rubber bottom, without any bumps or ridges. 90005 90002 Do I Need to Buy Dance Shoes? 90003 90004 At the beginning, you can wear your street shoes or dress shoes. However, over time, as your dancing improves, you may want to consider getting a pair of men’s latin / ballroom dance shoes or dance sneakers because they are more flexible than regular street shoes and make it easier to execute complicated steps and patterns.Latin shoes are on the dressier side, perfect if you’re going out at night, whereas dance sneakers are more casual. 90005 90004 Personally, I recommend all of my male students to buy the «Salsette 1 Jazz Sneaker» by Sansha because it looks like a regular shoe so they can wear it with jeans, gives them a lot of comfort and support, and most importantly is light -weight and flexible. The problem with most men’s shoes is that they are very stiff and heavy, which makes it difficult to do anything that requires you to step just onto the ball of your foot while keeping your heel up.For instance, in the back-spot turn, you need to hook your right foot behind your left and step only onto the ball of your foot or else your weight will drop back and your dancing will be wobbly and even. And then of course if you want to learn how to do salsa shines, you need flexible shoes to be agile enough for those quick-changing patterns. All of my male students who have had tried to learn any of these moves always end up buying these shoes and saying how much easier it has made their dancing because it’s easier to flex and point their feet and move around quickly with the music because the shoes are so light-weight.90005 90004 I also recommend buying Latin / Ballroom dance shoes if you looking for something a little bit more formal that you can wear to dance class and the club. My students particularly enjoy the black / white spectator style of shoe because it’s stylish and a little bit more formal, but can dressed up or down depedning on what you’re wearing. The suede sole also makes it easier to spin and move around when you’re dancing, especially as you progressive into more advanced patterns and works for a variety of dance styles.90005 90002 Shoes You Should Not Wear 90003 90004 Do not wear flip flops or sandals if you are a man! Even if it’s really hot, do not wear sandals! The only time you can be wearing sandals or flip flops is if you’re at a dance event on the beach. So in the summer, if you do not want to hassle with dress shoes because your feet get hot, then wear lightweight tennis shoes with shorts. 90005 90004 Also, you should not wear boots because they’re too heavy and can make it difficult to move. And in case you accidentally step on your partner’s feet while dancing, it can do some serious damage, especially if you wear your heavy work boots! I suggest keeping a pair of extra shoes in your car if you are going to dance class straight from work so you can change into them when you get to the studio and do not have to worry about forgetting them at home.90005 90004 Finally, avoid wearing shoes with a black rubber bottom because that can mark up the studio floors when you dance in them. 90005 90002 How Formal or Casual Should You Dress? 90003 90004 It is up to you how formal or casual you want to dress for your private dance lesson or group class. If you are going to be in the dance studio just for class or a lesson, you do not have to worry about dressing up, because you’re not really «going out.» 90005 90004 I have a lot of men who come to me for private dance lessons.Usually, my students wear jeans and a t-shirt, or jeans and a long sleeve button up shirt. During the summer when it’s hot outside, some of my students come in wearing shorts and a t-shirt. I do not have a dress code for my students, I just tell them to wear whatever makes it easier for them to dance in because the point of lessons is to practice your dancing. 90005 90004 Dancing is a lot of fun, so just make sure that you are dressed comfortably in clothes and shoes that let you move around easily and do not interfere with your dancing.For more information, check out my other articles on how to get ready to go out dancing. 90005 .90000 What To Wear With Chinos 90001 90002 Chinos are man’s most practical and versatile trouser. The casual bottom — like the denim jean — is a style staple. But not all chinos are created equal. With so many types and colours on offer — from both cheap and luxury brands, finding the perfect pair (or two) is tough. But all that is about to get simpler. 90003 90004 What’s A Chino? 90005 90002 90007 90008 90003 90002 Chinos can be defined as the combination of a smart trouser made from a more casual, cotton twill.Making their march from mid-century military ware and the days of Steve McQueen, the chinos ‘rugged strength is even stronger today. But it’s crafted in slightly different cuts and versatile fabrics, ideal for conquering the urban streets or a precious dress-code party. 90003 90002 Meanwhile, the khaki colour has changed beyond the war zone too, realigning the classic pant with expectations of contemporary men’s fashion. That said, let’s learn how to wear the chino this season. 90003 90004 Chinos Fit & Styling 90005 90002 90007 90008 90003 90002 How to fit and style your chinos depends on the occasion and a good understanding of your personal style.90003 90002 More formal occasions require mid-weight cotton with a structure that resembles a suit or separates trouser. Aim for a pair that sit nicely on the hip (no bunching) with the same rise and length in the leg as a trouser, and one with tapering at the ankle. Another way to achieve cinched-look is by rolling the cuff — 1.5 to 2 inches turned-up from the bottom is best. 90003 90002 A big trend this season is a slightly wider leg, with the chino being rolled at the ankle to create a tapering at the bottom.It’s a Fifties groove that can not go wrong. 90003 90004 Colour Your World 90005 90002 Though khaki is the original chino hue, venturing into colour for your next pair is the best idea for the upcoming spring. 90003 90002 Soothing shades — from rose and lilac grey to peach and light red — are easy to wear and are big colours for men this season, pushed on by fashion week in June. The lightness and brightness counteract over-the-top navy blazer formalities and channels a 90031 bobo 90032 aesthetic with a collared shirt or jacket and silk scarf.90003 90002 That said, nothing says ‘classic’ like neutral; navy and grey chinos for both formal and casual events and on-trend marsala or dark red. Otherwise, try something more earthen such as forest green, rocky charcoal or taupe sand so a night-time pant. 90003 90004 What To Wear With Your Chinos 90005 90038 Chinos & A T-Shirt 90039 90002 90007 90008 90003 90002 The most classic look — not to mention the easiest to achieve — is the chinos and t-shirt combination. Choose any colour chino and match with a black, white, navy or even striped t-shirt.Pair the look with white sneakers and you have an effortless, summer-ready look. 90003 90038 Chinos & A Shirt 90039 90002 90007 90008 90003 90002 If you need to look a touch dressier then we recommend a casual shirt to wear with your chinos. A linen button-down or classic chambray shirt will compliment your chinos perfectly. Patterns and stripes are welcome, but be sure not to go overboard with colour. Match blues with other shades of blues to keep things on point. 90003 90038 Chinos & A Blazer 90039 90002 90007 90008 90003 90002 If you’re in a hurry and need to go out, then the chinos, t-shirt and blazer is a winning combination.Blue chinos and a black blazer is popular, khaki chinos and a blue / black blazer too. Stick to basic coloured t-shirts, otherwise, a casual shirt will also work nicely. This is a perfect smart-casual approved look. 90003 90038 Chinos & Bomber Jacket 90039 90002 90007 90008 90003 90002 As the temperature drops then you’ll need a jacket. We recommend the very casual bomber jacket to compliment your chinos. Wear either a light knit underneath or keep it casual with a t-shirt. 90003 90038 Chinos & A Coat 90039 90002 90007 90008 90003 90002 Lastly, if it’s wet then go for a trench coat with your chinos.It’s still very smart and will keep the rain and cold away. Underneath you’ll want some light knitwear and layers to ensure you stay warm. Footwear is best kept to anything warm. 90003 90038 What Shoes To Wear With Chinos 90039 90002 It’s important to know your footwear when it comes to chinos, luckily for you, most shoes match well with these types of pants. Our go-to choice would be a clean white leather sneaker or maybe a canvas Converse All-Star. Leather, chukka or suede boots will work well.Try a brown boot with light khaki chinos or black boots with black chinos. Dress shoes are a little more difficult but ensure your chino length is not too long and a brown leather brogue or loafer (no socks) will work perfectly. 90003 90002 90083 Read Next: 90084 A Guide To Correct Trousers Length 90003 90004 Know Your Chino Types 90005 90002 Style is determined largely by your personal taste and chosen life path. From chain retailers to the luxury moguls, the chino’s quality and appearance are largely dictated by their maker.Knowing who you are and what you need will influence the brands you shop with. 90003 90038 90007 Fast Fashion Chinos 90008 90039 90002 Fast-fashion chinos come from your run of the mill high-street brands. Their fast-fashion price tag means they’re better suited to more casual occasions — emphasised by the (usually commonplace) stitching on the leg, hem and pockets. The cotton quality tends to be lower too, giving them a lighter feel and a more worn-in look. With this in mind, they are very much ‘casual’ pants, paired best with equally casual pieces like a tee or polo and sneakers or boat shoes — no socks of course.90003 90038 90083 Workwear Chinos 90084 90039 90002 These chinos are made from thicker, more durable fabrics and fit differently compared to their cheaper counterpart. The best comparison is the denim jean. Recognised for their more relaxed fit, the worker chinos create a rougher, ‘vintage Americana’ aesthetic. Textured, sturdy garments roll best with the worker chino — think a Chambray shirt, denim jacket, flannel plaid or this season’s shirt jacket or ‘shacket’. Hiker boots base out the heritage lumberjack or Steve McQueen-in-the-workshop looks.90003 90002 The wide-leg style fits well for gym junkie bodies too or men with naturally larger thighs. But beware, the ruggedness of the worker chino makes them off-limits for preppy polos, and a clumsy companion for a button-shirt and blazer. 90003 90038 90083 Smart / High-End Chinos 90084 90039 90002 Smart is the chinos ‘forte. But it takes some skill to get it right. Not to be confused for trousers, smart chinos — unlike their casual confreres — come clean and sharp with all details (stitching, buttons or zips) hidden for a more streamline and professional look.Constructed from quality cotton in a mid-weight weave, the smart style traditionally features a higher pant rise too — worn on the waist just as you would a pair of tailored trousers. Because of their neatness, you can wear the versatile chinos with casual shirts, long sleeve polos and crew neck jumper for a smart-casual look. Or try a dress shirt, sports coats, tie and formal shoes for something ultra chic. 90003 90002 This type is more expensive so stick to neutral shades to ensure the pair will last you a lifetime.And white is a very dapper, Pitt Uomo-inspired colour for the warmer seasons. Key brands include Incotex, Polo Ralph Lauren, J.Crew and A.P.C. 90003 90004 Final Word 90005 90002 When tackling chinos, try a few different styles and then invest in your preferred type — buying two or three in different colours (and even the same brand if you strike gold). 90003 90002 Select a chino that reflects your personal style and do not be afraid to play around with colour, ensuring at least one neutral pair makes it into your casual bottom repertoire this season.90003 .90000 Outfits & Attire (Women & Men) 90001 90002 People tell you to dress for success. To dress for the job you want, not the job you have. 90003 90002 90003 90002 Makes sense because 55% of first impressions are determined by the way you dress and walk through the door and 65% of hiring managers say clothes are a deciding factor between two candidates. 90003 90002 90003 90002 But no one ever tells you what it is exactly you should wear to an interview. 90003 90002 90003 90002 Not us! 90003 90002 90003 90002 Like Edith Head said, you can have anything you want in life if you dress for it.90003 90002 90003 90002 This guide will show you: 90003 90002 90003 90026 90027 How to dress for an interview to make the right impression. 90028 90027 What to wear to be business-casual-friendly. 90028 90027 What colors are appropriate for an interview. 90028 90027 The dress code for business professional attire that works like magic in job interviews. 90028 90027 Business casual and business professional interview outfit ideas for both men and women. 90028 90037 90002 90003 90002 90041 Want to save time and have your resume ready in 5 minutes? 90042 Try our resume builder.It’s fast and easy to use. Plus, you’ll get ready-made content to add with one click. 90041 See 20+ resume templates and create your resume here 90042. 90003 90002 90003 90002 90049 90049 90003 90002 Sample resume made with our builder- 90041 See more templates and create your resume here 90042. 90003 90002 90041 One of our users, Nikos, had this to say: 90042 90003 90002 90003 90002 [I used] a nice template I found on Zety. My resume is now 90063 one page 90064 long, not 90063 three 90064.With the same stuff. 90003 90002 90003 90002 Create your resume now 90003 90002 90003 90002 90041 1 90042 90003 90078 90041 What to Wear to an Interview: The General Rules 90042 90081 90002 90003 90002 Dressing up for an interview is all about matching their company culture. 90003 90002 90003 90002 Most offices operate in business professional attire (do not worry we’ll get into that in less than 50 seconds), but some startups and companies prefer casual outfits in the office (we’ll also give you the deets on this).90003 90002 90003 90002 If you’re not sure what to wear to your job interview, you could send a quick email to your recruiter to ask about the dress code. 90003 90002 90003 90002 If anything, it will demonstrate your proactive nature and your intentions to do well in your interview. 90003 90002 90003 90002 If for whatever reason you think asking is a bit too out there for you, most companies have social media profiles these days. You could check a few of their employees ‘profiles and see what they’re wearing during office hours.90003 90002 90003 90002 A few companies even have 90063 «A day in the life» 90064 videos. You could watch a few of those and get an insight of what the office dress code is all about there. Or simply show up during lunch break to assess what everyone wears. 90003 90002 90003 90002 Weird? Perhaps. Foolproof? Most definitely! 90003 90002 90003 90002 If the company feels corporate, then a suit and tie for men or a suit and dress for women is the way to go. If it’s more a-la Zuckerberg, plain t-shirt and casual pants, you know business casual is your friend.90003 90002 90003 90002 90041 Here is a general guideline of what to wear to an interview according to the industry or department you’re in: 90042 90003 90002 90003 90124 90125 How to Dress for an Interview 90126 90127 90128 90129 90002 90041 Conservative / 90042 90003 90002 90041 Business Professional 90042 90003 90138 90129 90002 90041 Business Casual 90042 90003 90138 90129 90002 90041 Casual 90042 90003 90138 90129 90002 90041 Creative / 90042 90003 90002 90041 Fashionable 90042 90003 90138 90161 90128 90129 90002 Corporations 90003 90002 Financial institutions 90003 90002 Accounting Firms 90003 90002 Law Firms 90003 90002 High-level governmental institutions 90003 90138 90129 90002 Sales 90003 90002 Government agencies 90003 90002 Education 90003 90002 Retail 90003 90002 Small Business 90003 90002 Tech 90003 90002 Engineering 90003 90002 Real Estate 90003 90138 90129 90002 Repair 90003 90002 Landscaping 90003 90002 Plumbi ng 90003 90002 Construction 90003 90138 90129 90002 Entertainment 90003 90002 Fashion 90003 90002 Graphic Design 90003 90002 Travel 90003 90002 Music 90003 90138 90161 90216 90217 90002 90003 90002 Before we get into the good bits, let’s set a few rules for you to dress to impress: 90003 90002 90003 90026 90027 90041 Avoid deciding what to wear on the day of the interview.90042 You’ll be stressed enough, trust me! You do not want to end up looking like a kid playing in daddy’s suit or wear the wrong bra with the only professional dress you have. The right fit is as important as the outfit. 90028 90027 90041 Do your laundry a day before. 90042 Hiring managers can spot a great candidate. They can also spot that meatball stain you have from your last Bumble date, because hey-that’s the only shirt you wear to close the deal. If you think a stain is human, you need a reality check.Stains and dirty marks turned off 59% of executives. Mic drop. 90028 90027 90041 Stay away from too much jewelry. 90042 Leave your stacking skills for Coachella. Too many chains, necklaces or bangles can clang together and end up being just pure noise and distraction. 90028 90027 90041 Skype interviews do not escape any of these rules. 90042 They require the same level of thought and attention to your outfit. Also, please wear pants. You never know if you’ll need to suddenly stand up to get something.Awkward … 90028 90037 90002 90003 90002 90041 Pro Tip: 90042 After assessing the tone of your prospective company, you should always aim to dress one notch smarter for your interview. But remember, being way too overdressed can be as bad as being underdressed. So do your research! 90003 90002 90003 90002 If you know what all this means, you’re good to go. Start preparing for your interview by studying the most common interview questions: 90003 90002 90003 90254 90027 Tell me about yourself.90028 90027 Why should we hire you? 90028 90027 Describe what you do in your current position. 90028 90027 Why did you leave your last job? 90028 90027 What motivates you? 90028 90027 What is your greatest strength? 90028 90027 What is your greatest weakness? 90028 90027 Why do you want this job? 90028 90027 Where do you see yourself in 5 years? 90028 90027 What is your management style? 90028 90027 Do you have any questions for me? 90028 90027 What are your salary expectations? 90028 90279 90002 90003 90002 And learn what questions you do not have to answer with help from: 90041 90063 Illegal Interview Questions an Employer Can not Ask [So Do not Answer!] 90064 90042 90003 90002 90003 90002 90041 2 90042 90003 90078 90041 Interview Attire for Women: Business Professional Interview Clothes 90042 90081 90002 90003 90002 Working in a conservative industry or for a big corporate company? 90003 90002 90003 90002 Choosing business professional attire is always a safe bet, even when you do not know the dress code in the company you’re applying to.90003 90002 90003 90002 But not to worry, we’ll show you how to rock your business professional attire, even Anna Wintour would be impressed. 90003 90002 90003 90002 Ladies first though. If you’re looking for answers on the gents side, scroll down a bit further for advice and details on business professional ties, suits and shoes for men. 90003 90002 90003 90316 90041 What is business professional attire for women? 90042 90319 90002 90003 90002 Sometimes you wish you were a man, only a standard pair of shoes, a dashing suit and plain shirt and voila! All ready to seal the deal during the interview.But deciding what to wear for an interview for women does not have to be as complicated as you might think. 90003 90002 90003 90002 Business professional attire is the most formal attire one can wear (weddings notwithstanding), it needs to reflect your personality and competence without going overboard. 90003 90002 90003 90002 Truth is, most everyday outfits women have in their closet can be tweaked and have you interview ready. 90003 90002 90003 90002 Let’s start with business professional suits for women first.90003 90002 90003 90316 90041 How to wear a business professional suit for women 90042 90319 90002 90003 90002 Suits are a staple of a woman’s professional closet. Even Wonder Woman has one! 90003 90002 90003 90002 For women, suits are generally made of a blazer and either a pair of trousers or a skirt in a matching fabric. Here are some guidelines for interview attire to follow. 90003 90002 90003 90002 You’ll feel like you’re the brainchild of Carrie Bradshaw and Michelle Obama (come on, who would not want to be): 90003 90002 90003 90026 90027 Always choose a neutral color like navy blue, grey or black .90028 90027 The fabric should be seasonless like wool. 90028 90027 The sleeves on the blazer should end right at your wrist. Do not bother with sleeves that come down to your hands. 90028 90027 The blazer should sit nicely on your shoulder. It should be right at the edge without hanging past. 90028 90027 The skirt should come at least to the top of your knees so it’s not too short when you’re walking or sitting down. 90028 90027 The trousers may need to be tailored depending on your height and the height of the shoes you’re planning to wear with them.The trouser cuff should be at the midway point of your shoe or just past your ankles. 90028 90027 Even if you plan to wear the blazer open, you should be able to comfortably close it. But careful of too much extra room when the blazer is buttoned! 90028 90037 90002 90003 90002 90375 90003 90002 90003 90316 90041 What is a business professional dress for women? 90042 90319 90002 90003 90002 What would women be without a good old dress? 90003 90002 90003 90002 We all have that one dress, often black, that we like to wear on every occasion.But is it interview appropriate? 90003 90002 90003 90002 Let’s find out. 90003 90002 90003 90002 Formal dresses for women are easy to come around. But remember that work dresses should not be too tight, too short or too revealing. You can, of course, pair them with blazers but be careful that your color coordination is on point. 90003 90002 90003 90002 Avoid the steely gaze of Miranda Priestly and opt out of sleeveless. They’re generally too casual for most offices. 90003 90002 90003 90002 90003 90002 90003 90002 Still hanging on to that black dress of yours? No problem.90003 90002 90003 90316 90041 What to wear with a black dress 90042 90319 90002 90003 90002 A jacket always adds a professional touch to any simple black dress. Paired with a nice pair of shoes and handbag (avoid flashy colors here), it might just be what your day-to-day black dress needs to enter the business professional clan. Keep the look simple, polished and elegant. 90003 90002 90003 90002 Wait-are you more a skirt kinda girl? That works too. 90003 90002 90003 90002 Women are often confronted with the good old «skirts or pants» dilemma.Truth is, there is no right or wrong answer. It pretty much comes down to personal preferences. 90003 90002 90003 90316 90041 What to wear with a black skirt 90042 90319 90002 90003 90002 You can never go wrong with a lighter top and black blazer here. Black shoes work well too. 90003 90002 90003 90002 Are you more of a woman who wears the pants? 90003 90002 90003 90002 Joan of Arc would be proud. But unfortunately, it’s not necessarily the easiest option. You need to make sure they’re the right fit.90003 90002 90003 90316 90041 How should women’s dress pants fit 90042 90319 90002 90003 90002 First of all, you want to avoid pants that are too tight you can not sit comfortably or so tight you have a visible panty line. If you have a «camel toe» at the crotch or if your pants are «smiling», your pants are too tight. 90003 90002 90003 90002 A picture is worth a thousand words: 90003 90002 90003 90002 90003 90002 90003 90002 Notice the creases at the crotch, not good … 90003 90002 90003 90002 In contrast, a rise seam that is too long will create bulges at the top.You do not want that either! 90003 90002 90003 90002 If you can not pinch at leach an inch of extra fabric on your thighs, your pants might be in the «too tight» category. 90003 90002 90003 90002 Now let’s tackle the shirts. 90003 90002 90003 90316 90041 How to choose professional shirts for women 90042 90319 90002 90003 90002 When it comes to looking for shirts to wear with skirts or professional pants, deciding on what shirt to wear to an interview can be challenging. Whether you go with a classic professional white shirt or a silky colored one, what matters here is to stick with simple.90003 90002 90003 90002 Avoid flashy colors and logos at all cost. Certain prints can be an option, but if you’re not too sure, do not risk it. 90003 90002 90003 90002 90003 90002 90003 90002 Now let’s move on to the shoes and let’s address the elephant in the room first. 90003 90002 90003 90316 90041 Do I have to wear heels to an interview? 90042 90319 90002 90003 90002 You do not have to wear heels to any interview, especially if you’re not comfortable. And even if you’re petite.You do not want your prospective team or boss remembering you as the wobbly candidate. Not the greatest of impressions if you ask! 90003 90002 90003 90002 When deciding what professional shoes to wear to an interview, make sure your shoes are closed toe, the heel no higher than 3 inches, and in neutral colors. Flats are perfectly acceptable for an interview too. 90003 90002 90003 90002 Leave the flip-flops, Eskimo boots, and Nike in the shoe cabinet. And the sandals are for casual Fridays, not interviews! 90003 90002 90003 90002 90041 3 90042 90003 90078 90041 Interview Attire for Men: What to Wear and How to Pull It Off 90042 90081 90002 90003 90002 Not all men have Tom Ford’s fashion acumen and that’s why we’re here! 90003 90002 90003 90002 In a world where most guys wear sneakers and can barely remember how to knot a necktie, a business professional outfit is your chance to look cooler than the rest.90003 90002 90003 90316 90041 So, should you really wear a suit to an interview? 90042 90319 90002 90003 90002 When men are deciding what to wear to an interview, they’re often left with one choice: to suit up. If you work at the C-level of an organization, in law or in finance, the dress code pretty much has one rule only: conservative. If in doubt, always choose a suit. 90003 90002 90003 90316 90041 But, how do you wear a suit for an interview? And what’s the best suit color? 90042 90319 90002 90003 90002 Your suit should be a two-piece, in either charcoal grey or navy blue.You can also wear navy suits or grey suits with subtle pinstripes. Lighter greys and blues can be worn in spring or summer. But very light suit colors are for garden parties and weddings, not the office. 90003 90002 90003 90316 90041 Should you wear a black suit to an interview? 90042 90319 90002 90003 90002 Good question! Look, wearing a well-fitted black suit will not make you miss your chance at the interview, but it’s not ideal either. If you can, avoid wearing a black suit. And a black shirt for that matter.Just saying, we never know. 90003 90002 90003 90002 Speaking of shirts and colors … 90003 90316 90574 90041 What color shirt should you wear to an interview? 90042 90319 90002 90003 90002 Solid white and light-to-medium blues would be your best choices. Pink dress shirts look nice, but they tend to be more accepted in England than they are in the United States. 90003 90002 90003 90316 90041 Should you lose the cuffs? 90042 90319 90002 90003 90002 You can either go with barrel or French cuffs, but you could leave the French cuffs to co-workers who have more seniority over you.A younger man wearing French cuffs may be seen as a bit arrogant. Sounds unfair, does not it? 90003 90002 90003 90316 90041 Ties for Interviews 90042 90319 90002 90003 90002 One word: simple. Solids are a preference, but you could do stripes or dots. Unless you’re interviewing to impersonate Ronald McDonald, avoid electric bright colors like yellow, or a flaming red. 90003 90002 90003 90316 90041 What shoes to wear to an interview 90042 90319 90002 90003 90002 This is where men can have some fun when picking what to wear to an interview.The color of your shoes should be either black, brown or burgundy. The rest is up to you. Oxfords, quarter-brogues, whole cuts, Venetian loafers or cap-toes, whatever you fancy. 90003 90002 90003 90002 90041 Pro Tip: 90042 If your budget is limited or if you want a few options of interview outfits, you could always get a first-time buyer discount with online retailers. End of stock retailers like TJ Maxx or Century 21 can also be a source of good finds for both men and women. 90003 90002 90003 90002 90041 4 90042 90003 90078 90041 How to wear Business Casual for an Interview? [MEN and WOMEN] 90042 90081 90002 90003 90002 First of all, let’s address the question all of us had at some point: what the heck is business casual? 90003 90002 90003 90002 The easiest way to think of business casual is a hybrid of business professional and casual wear.You do not need to wear a full-on suit, but shorts and flip-flops would not be appropriate. 90003 90002 90003 90002 90041 Think button-down long-sleeved shirt or casual blouse with khakis. 90042 90003 90002 90003 90002 When googling around to decide what to wear to an interview, both men and women end up thinking that it’s perfectly okay to wear jeans. But business casual is not meant to be a casual look, it’s meant for business purposes. 90003 90002 90003 90002 When deciding what to wear to an interview, always lean towards the business side rather than the casual side.90003 90002 90003 90002 Some companies allow jeans and you might get away with it, but ask yourself whether you want to wear clothes that you get away with or wear ones that give the most professional impression of you. Plus, you can still gauge what others are wearing once in the office. 90003 90002 90003 90002 Better to be safe, than sorry. 90003 90002 90003 90316 90041 What’s a business casual shirt for men and women? 90042 90319 90002 90003 90002 Dress shirts are business casual must-haves for both women and men.Some offices might allow polo shirts in the summer, but once again, do not risk it for an interview. Wear a shirt when interviewing then once you have a sneak peek of the office style, go for it! 90003 90002 90003 90002 Shirts in conservative colors work for both men and women. And please, tuck it in! 90003 90002 90003 90002 An untucked shirt has no business being in a business casual outfit. Leave your top two buttons undone, unless it’s showing too much chest hair or cleavage, then leave just the top one undone.90003 90002 90003 90316 90041 What are business casual pants? 90042 90319 90002 90003 90002 We’ve already established that jeans are a no-go, but chinos, dress pants or khakis are a no-brainer. Here, conservative colors are always your best friend. We’re talking navy, camel or grey for example. If you want more colored pants, make sure they’re muted. 90003 90002 90003 90316 90041 What if I want to wear a business casual dress or skirt? 90042 90319 90002 90003 90002 That works too.Although if you’re a man reading this, you might want to scroll down a bit further. The blouses or shirts you wear with your pants will most likely pair well with a skirt. Pencil, A-line or pleated skirt in a solid color always works best. 90003 90002 90003 90002 Try avoiding patterns during a first interview and leave your fashionable pieces for when you signed your contract! 90003 90002 90003 90002 Dresses are an easier choice for business casual outfits for women. It’s one item and off you go to work! Here, sleeveless could work.But avoid minis, high-low, and asymmetrical hemlines and go for dresses and skirts just above the knee or below. 90003 90002 90003 90002 It’s still an interview you’re going for! 90003 90002 90003 90316 90041 What are business casual shoes? 90042 90319 90002 90003 90002 When deciding what to wear to an interview, the only business casual shoes you want to pick are sneakers. Those Stan Smith are originals after all, and you want to show them off. 90003 90002 90003 90002 But do not.Seriously, your hiring manager could not care less about your sneaker collection. 90003 90002 90003 90002 90041 Men should consider loafers, oxfords, derbies, and brogues when deciding what to wear to an interview. 90042 90003 90002 90003 90002 If you get a pair in black and another in brown, you have an appropriate pair of shoes to wear with any color of your pants. You might even forget those sneakers for a little while! (90063 Never, you must be screaming 90064) 90003 90002 90003 90002 90041 Women should consider flats, wedges, heels, and boots when picking what to wear to an interview.90042 90003 90002 90003 90002 Only certain sandals can be worn with your business casual outfits so you might want to stick with flats or less than 3 inches heels. You can spice up the color of your shoes, but neutrals are always a good bet. 90003 90002 90003 90316 90041 Examples of Business Casual Outfits for Men 90042 90319 90002 90003 90002 90003 90002 90003 90002 Channel the James Bond in you and dazzle them with your effortlessly chic business casual suit. This is a smart one too.90003 90002 90003 90002 If you end up in an office with a more business professional look, you would not stick out too much. But if your interview is with laid-back colleagues, you can just lose the jacket, and you’d fit right in. 90003 90002 90003 90002 90003 90002 90003 90002 An odd jacket means a jacket that was not made with a matching pair of pants. So for all of you tweed lovers out there, this is your chance to show off your collection. 90003 90002 90003 90002 Dress pants or chinos work well with any odd jacket.Dress pants are a bit more on the business professional side and chinos are more casual. 90003 90002 90003 90002 90003 90002 90003 90002 This look is for all the casual junkies out there. Yep, looking at you suit snobs! 90003 90002 90003 90002 It’s not as dressed up as the two previous ones but still misleads your interviewer into thinking that you’re a trustworthy professional. If only they knew! 90003 90002 90003 90002 90003 90002 90003 90002 You’re probably sick of seeing Ryan Gosling in every fashion (or not) related article out there, but he does a good job at picking a business casual outfit that does not look that casual.90003 90002 90003 90002 Or maybe I’m just biased. 90003 90002 90003 90002 In any case, live by this rule: either wear a jacket and tie, or neither. Wearing a tie with this look will make you look boyish. Like your mother dressed you up for your aunt’s wedding. Not exactly the look we want to go for here. 90003 90002 90003 90316 90041 Examples of Business Casual Outfits for Women 90042 90319 90316 90319 90002 90003 90002 90003 90002 A sleeveless dress might be too much on the casual side, but paired with a blazer, you’re ready to butt heads with Oprah in those fancy billionaire lists.90003 90002 90003 90002 Ok maybe you will not have billions coming through in your bank account (or not just yet), but you’ll sure feel like a million bucks. 90003 90002 90003 90002 90003 90002 90003 90002 A basic cardigan is a must in any business casual outfits for women. A simple waist length cardigan or longer one works just fine. 90003 90002 90003 90002 Buttons, no buttons, it does not matter. We just emphasize the right fit. You do not want to show up for an interview like you’ve stolen your boyfriend’s cardigan.90003 90002 90003 90002 With longer cardigans, you can even use a skinny belt to add some definition and a different look to an outfit. 90003 90002 90003 90002 90003 90002 This one is an all-star favorite. Wearing a nice blouse with dress pants or chinos does not compromise comfort and is totally business casual. Seriously, men wish they could just show up to an interview like this too. 90003 90002 90003 90002 In colder months, stick with long or ΒΎ sleeves. For spring and summer, short or cap sleeves work well.Keep your neckline somewhat modest with a collared, boat neck, square neck, or turtleneck. 90003 90002 90003 90002 90003 90002 I mean how comfy and professional does this look. 90003 90002 90003 90002 Simple, professional, not too casual, not too stuck up. 90003 90002 90003 90002 Fine-gauge knits work best. Bulky sweaters not so much. You can wear well-fitted sweaters with pants, skirts, or even over a dress. 90003 90316 90319 90002 90041 Pro Tip: 90042 When deciding what colors to wear to an interview, you should always go for colors that go with your skin tone.Nudes and solid colors are every man and woman’s best friends. Leave the bold choices to when you actually know if the dress code allows it. 90003 90002 90003 90002 90041 5 90042 90003 90078 90041 Interview Grooming: Hair Up or Down? (Face On or Off?) 90042 90081 90002 90003 90002 How to wear your hair for an interview can be a bit of a daunting question. 90003 90002 90003 90002 If you’re a man, then it’s pretty straightforward. Err on the safe side with a clean, neat and well-maintained haircut.Also, put your best self forward and shave, it’s that simple. And send a selfie to your mom, she’ll be proud! 90003 90002 90003 90002 If you’re a woman, it gets a bit more trickier. 90003 90002 90003 90002 If you’re more «Becky with the good hair,» then you can rock your long (or short) hair do not care, as long as it’s combed, fresh and sleek. Controlled waves can also look elegant, so do not worry too much about wearing your hair all natural. 90003 90002 90003 90002 A bun or ponytail look also works for both short and long hair.Getting a blow out will give you that extra boost of confidence before an interview for sure! 90003 90002 90003 90316 90041 Should you wear your hair up or down for an interview? 90042 90319 90002 90003 90002 Whatever style you’re going for, make sure it’s polished and you’ll sure be ready to get that interview. 90003 90002 90003 90316 90041 And what’s the verdict for men with long hair in interviews? 90042 90319 90002 90003 90002 Mmh, tricky tricky one. The general consensus is to cut it.Do not start crying just yet though, you could get away with wearing it in a tight bun. But wearing it loose is unfortunately not acceptable in various industries. Sorry, bruh! 90003 90002 90003 90316 90041 What makeup should you wear to an interview? 90042 90319 90002 90003 90002 In terms of makeup, keep it simple. This is not the time to experiment with different looks. If you usually know how to rock a red lip, then go for it. But if you’re a newbie, please do not even try. Not the day of your interview.90003 90002 90003 90002 Stick to nudes and warm colors and tone down the glamorous eyeshadow, you’ll have plenty of other occasions to use that Huda beauty palette at the annual gala if you get the job. 90003 90002 90003 90002 90041 Pro Tip: 90042 Your hair and face are not the only ones you need to care for here. Make sure your hands are well-kept and your nails are trimmed. If you’re a woman and really insist on having some colors popping, stick to sheer colors, taupe, beige or clear nail polish and ensure your nails are well-manicured.90003 90002 90003 90002 90041 6 90042 90003 90078 90041 What 90063 not 90064 to Wear to an Interview? 90042 90081 90002 90003 90002 All of us, at some point in our lives, have watched an episode or two of any makeover show. Come on, you do not have to be a heavy binge watcher to know what I’m talking about. 90003 90002 90003 90002 Can you at least picture that before stage? 90003 90002 90003 90002 That’s exactly how we do not want you to show up at your interview. 90003 90002 90003 90002 Here is what NOT to wear to an interview: 90003 90002 90003 90026 90027 90041 Flip-flops.90042 Wear grown-up shoes, you can do it. 90028 90027 90041 Shiny bright suits. 90042 Only Stanley Ipkiss (The Mask) can rock that one! 90028 90027 90041 No open toe anything. 90042 True, sandals can be fine for women in some climates but stay away for beachy sandals in general. 90028 90027 90041 Heavy fragrance. 90042 It’s super distracting and not everyone is keen on your 100 years old cologne. Also, do not go to your interview smelling like your lunch, please! 90028 90027 90041 Underwear that’s visible.90042 Bras, briefs, boxers, etc., even if your bra strap matches your top. 90028 90027 90041 Blouses that are too short or too low cut. 90042 No one is interested in your chest hair, cleavage or belly for that matter. 90028 90027 90041 Graphic T-shirts. 90042 Leave your 90063 «Future is Female» 90064 and 90063 «Train or Die» 90064 gems at home. It takes too much attention away from you and your interviewer might not like the message it carries. 90028 90027 90041 Ill-fitting anything.90042 Seriously, you think you’ll still look cute in an oversized jacket or pants? Well, you will not. Make sure your shoes also fit, otherwise hello blisters the next morning! 90028 90027 90041 Shorts and jeans. 90042 Do we really have to go over this again? 90028 90037 90002 90003 90002 90041 Pro Tip: 90042 Avoid wearing brand names, designer names or labels. All the attention needs to be on you and what you have to offer, not the brands you choose to wear. And making it obvious that you like fancy designers will not guarantee you the job either! 90003 90002 90003 90002 90078 90041 Key Takeaway 90042 90081 90003 90002 90003 90002 When deciding what to wear to an interview, avoid a fashion interview faux pas by sticking with simple and sleek choices.This is not the time to play around with your style or be adventurous. Let’s leave that to when you start cashing on the checks of your new job! 90003 90002 90003 90002 Here are a few things to remember: 90003 90002 90003 90026 90027 90041 Plan ahead. 90042 If you have that one or two classic interview outfits, you’ll always be prepared no matter when the interview might be. 90028 90027 90041 Always do some research. 90042 You want to the hiring manager to see you in the role already.And if you’re wearing a casual shirt and ripped jeans when applying to a corporate client facing role, that might be hard. 90028 90027 90041 Being too formal is always the safest option. 90042 If you end up wearing a suit to a business casual interview, that’s always more acceptable than wearing a t-shirt to a conservative interview. 90028 90027 90041 You might want to cover your tattoos or get rid of your earings and rings. 90042 Depending on where you’re interviewing, some companies have policies which limit wearing rings, piercings and tattoos.90028 90037 90002 90003 90002 90041 What’s your favorite job-winning outfit? Ever got in trouble because you wore something that made you stand out for all the wrong reasons? Share your experience in the comments! 90042 90003.90000 Should Short Men Wear Elevator Shoes? 90001 90002 I’m just gonna say it: 90003 90002 Elevator shoes are the push-up bras of menswear. 90003 90002 No offense to anyone who wears them, but it’s true. Wearing shoes that make you look taller than you really are is false advertising, plain and simple. 90003 90002 That’s why I’ve always stayed away from heightening shoes (a.k.a., «risers» or «elevator shoes» or «tall shoes»). I’ve always thought that it’s better to accept your height and own it, rather than try and mask it or trick people into thinking you are taller.90003 90002 Plus, many elevator shoes are downright ugly. I’m talking square-toe, boxy, cheap leather, bulky monstrosities like the three on the right: 90003 90012 Left: Looks pretty normal // Right: Ugly monstrosities 90002 Regardless of where you stand on elevator shoes, no one should wear shoes like the ones on the right. And I would 90014 never 90015 sacrifice style for a couple of extra inches. 90003 90002 But the question remains: should short men wear heightening shoes in order to look taller? 90003 90002 Ultimately, it’s a personal decision, but here’s my stance on it.90003 90002 The whole point of dressing well is to increase confidence. Everything else flows from that — the promotion, the relationship, etc. But it all starts with your self-image, and looking good (dressing sharp, staying fit and grooming) is one of the best ways to improve your self-image. 90003 90002 A confident man accepts his height, along with any other genetically determined factors, and focuses on things that he can control (fitness, grooming, knowledge, skills and dress). 90003 90002 A man who 90014 lacks 90015 confidence focuses on (and tries to change) the things he can not easily control by: 90003 90029 90030 Dwelling on his height 90031 90030 Being jealous of taller men 90031 90030 Wishing he were taller 90031 90030 Being bitter about his short stature 90031 90030 Being pessimistic about dating and romance 90031 90030 Researching ways to get taller (like leg lengthening surgery) 90031 90030 Wearing heightening shoes 90031 90044 90002 If you fall into this category — someone whose height is a significant source of insecurity — I do not think elevator shoes are the answer.I think they’re a band aid solution. Because, just like the push up bra, they have to come off eventually. And how will you feel when they do? Not to mention, how will your date feel? 90003 90002 Now, on the other hand, if your height does not really bother you, and you derive your confidence and well-being from other traits, wearing heightening shoes becomes an interesting choice. You do not 90014 need 90015 them. But perhaps you 90014 want 90015 them. 90003 90002 Keep in mind, this is just my opinion.If you think a couple extra inches will help you feel more confident and, ultimately, happier, you should give them a try. 90003 90002 But no matter what your reasons are, if you do choose to wear heightening shoes, make sure they’re nice. By «nice» I mean they should: 90003 90029 90030 Look good 90031 90030 Be comfortable 90031 90030 Last a long time 90031 90044 90002 Basically, they should be like any other shoes you buy. It’s just going to take some hunting and shopping around. 90003 90067 What to Avoid 90068 90002 90070 90071 Bonded leather 90072 — This is cheap, low quality material that’s made by squishing together scraps of actual leather to form something that barely resembles the real thing.Often times it’s marked as «genuine» leather. This should be avoided at all costs! 90003 90002 90070 Boxy shape 90072 — Unfortunately, lots of elevator shoes look like elevator shoes. It’s obvious that they have a thick heel, and that often comes with a boxy shape. Try to avoid this look. Instead, opt for something more subtle. 90003 90002 90070 90080 Square toe 90072 — Similarly, you’ll find a lot of elevator shoes with square toes. This is not a good look, especially for short men. Instead, go for a gently tapered toe (a much more classic shape that will never go out of style).90003 90002 Heightening shoes should be held to the same standard as regular shoes. I want high quality construction, premium materials (i.e. real leather) and comfort. 90003 90002 Fortunately, there are some great options out there for men who want high quality elevator shoes that actually look good. 90003 90002 One option is Guiodomaggi, who sent me the boots I’m wearing in the picture below: 90003 90002 90090 90003 90002 boots | chinos | vest | shirt | gloves | sunglasses 90003 90002 The uppers are made from soft full grain leather.They have waxed laces and a heavy duty rubber sole. 90003 90002 90097 Guidomaggi included two different pairs of inserts — one shorter and one taller. Even using the shorter insert, it felt pretty weird the first time I put them on. 90003 90002 I have newfound respect for women who wear high heels. Walking around in tall shoes definitely takes some getting used to! 90003 90002 It’s not just the physical sensation of standing and walking on elevated soles. There’s also the mental stuff. I could not help but wonder if people knew I was wearing height increasing shoes.90003 90002 To be honest, I felt a little silly and embarrassed, even though no one seemed to notice. I’m sure this is something you would get used to with time. 90003 90067 Bottom Line 90068 90002 I do not think elevator shoes will cure all of the woes associated with being a short man. But for some men, they could help with confidence. For others, they may just be an interesting option, a new weapon in the arsenal. 90003 90002 The most important thing is this: if you decide to wear heightening shoes, make sure they look and feel great.90003 90002 90014 90070 Do you or would you wear elevator shoes? Leave a comment! 90072 90015 90003 .
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